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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.746742 Composed by Charles W.A Ellerbrook, Daniel Adams Butterfield, Daniel Decatur Dan Emmett ( 1815 – 1904), and Valentine Vousden. Arranged by Keith Terrett. Contemporary,Multicultural,Patriotic,Traditional,World. 39 pages. Keith Terrett #2941995. Published by Keith Terrett (A0.746742). De facto Anthems of the Confederate States of America  ''I Wish I Was in Dixie & Taps''- ''God Save the South No. 1''  - The Bonnie Blue Flag, ''God Save the South No. 2'', arranged for Brass Quintet & Percussion.The Confederate States of America (also referred to as The Confederacy or simply The South) had, like the United States at the time, several patriotic songs in use which could have been considered anthems, like Dixie, The Bonnie Blue Flag, and God Save the South, none of which were officially declared (possibly because declaring an official anthem wasn’t as important to a new nation then as it is now). God Save the South does have more of an anthemaic quality in the music and lyrics, and several publications of the song refer to it as a (or the) anthem, and was also the first song to be published in the Confederacy (which was subsequently published in at least nine editions).God Save the South was written by George H. Miles under the pseudonym Earnest Halphin, soon after the war started. Miles was a Marylander, a state that did not officially secede and join the confederacy, but, being a border state, had several citizens with sympathies for the south. An interesting thing to note about the song is the reference to George Washington (the first president of the United States) in the song’s fifth verse. Apparently, the author of the song meant to tie in Washington’s stance as a rebel against the British in the American revolution with the South’s rebellion against the northern United States in the civil war.The music was written by C. W. A. Ellerbock, but another tune by C. T. De CÅ“niél was also popular at the time as well. (Ellerbock’s version, however, seems to be the original.)For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast?  They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comIf you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.   
De facto Anthems of the Confederate States of America 
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$19.99 17.42 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1213465 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,March,Patriotic. 24 pages. Matthew Nunes Music #810652. Published by Matthew Nunes Music (A0.1213465). Written for the 25th anniversary of the Military Order of the Loyal Legion, a group honoring those in the Civil War. Sousa recycled some material from his operetta The Queen of Hearts for this march. This Brass Quintet arrangement was made using “The President’s Own†United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. The Loyal Legion was composed in 1890, and the referenced edition was made Public Domain in 2016. The piece is catalogued as Volume 3, No. 41.
The Loyal Legion
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$1.99 1.73 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Ensemble - Level 3 - Digital Download SKU: A0.990610 Composed by C.S. Grafulla. Arranged by Emmett Anglin. Folk,Patriotic,Traditional. Score and parts. 13 pages. OTBM #3248517. Published by OTBM (A0.990610). This is a nice little march (quickstep) C.S. Grafulla wrote possibly before the American Civil War. I know he is famous for his Washington Greys but the fact is that he wrote around 20 other marches (quicksteps) The original is a piano piece I discovered through the Library of Congress. The actual original sheet music may now reside in The Duke Collection which was on loan to the LOC at the time I did this arrangement. Like many Brass Quintets the melody is mostly in the trumpets. However, the lower brass do get a piece of the melody from time to time. Probably around two minutes. 102 measures. F and B-flat major. Probably a grade 3. Highest trumpet pitch is g on the top of the staff.
Company 6 Quickstep by C.S. Grafulla - Brass Quintet from the Civil War
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$20.00 17.43 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.759917 Composed by Traditional. Arranged by Raymond Fenech. Easter,Jazz,Patriotic,Rock,Wedding. Score and parts. 24 pages. Raymond Fenech #3453855. Published by Raymond Fenech (A0.759917). Down by the Riverside (also known as Ain't Gonna Study War No More and Gonna lay down my burden) is a Negro spiritual song. Its roots date back to before the American Civil War, though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. The song has alternatively been known as Ain' go'n' to study war no mo', Ain't Gwine to Study War No More, Down by de Ribberside, Going to Pull My War-Clothes and Study war no more This spiritual song is arranged for Brass quintet i.e. 2 Trumpets in B Flat, French Horn in F; Trombone/ Euphonium and Tuba and Optional Drum Set. The level is Advanced Intermediate and the duration is 2.39minutes.  
Down by the Riverside - Brass Quintet ( 2 B Flat Trumpets; Horn in F; Trombone/ Euphonium; Tuba and
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$7.95 6.93 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.782118 By Frederick Fennell. By Grafulla, Milburn, Rowbotham. Arranged by Aaron Hettinga. 19th Century,Classical,Contest,Festival,Patriotic,Traditional. 63 pages. Aaron Hettinga #6851517. Published by Aaron Hettinga (A0.782118). This Multi-pack of three arrangements includes the following titles: Parade March Palmyra Schottische Listen to the Mocking Bird Performance notes: For all entries in the Port Royal Civil War Brass Quintet series, it’s recommended to utilize instruments such as Cornets and Euphonium in place of the Trumpet and Trombone parts to more faithfully emulate the sounds of the conical-bore instruments of the period. Extra sets of 1st Trumpet parts are included, transposed for use with Eb Tpt or Bb Piccolo Tpt instead if desired. These arrangements are a great opportunity to incorporate music from the American Civil War era into your Brass Quintet’s repertoire.
The Port Royal Civil War Series - 3-Pack of Brass Quintets
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Frederick Fennell
$59.99 52.27 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.782117 By Frederick Fennell. By Richard Milburn. Arranged by Aaron Hettinga. 19th Century,Classical,Folk,Patriotic,Traditional. 22 pages. Aaron Hettinga #6851515. Published by Aaron Hettinga (A0.782117). Richard Milburn was a 19th-century African-American composer and barber who wrote the melody for Listen to the Mocking Bird which was later set to lyrics by Alice Hawthorne, also known as Septimus Winner (1827 – 1902). The song’s extreme popularity led Gustavus Washington Ingalls (1824-1903) as bandmaster for New Hampshire’s 3th Regimental band (also known as the Port Royal Band), to contribute a spirited arrangement of Milburn’s melody for the Port Royal band books used during the American Civil War.
Listen to the Mocking Bird - Port Royal Civil War Series for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Frederick Fennell
$24.99 21.78 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.782116 By Frederick Fennell. By J. P. Rowbotham, C. S. Grafulla. Arranged by Aaron Hettinga. 19th Century,Folk,Holiday,Patriotic,Traditional. 19 pages. Aaron Hettinga #6851497. Published by Aaron Hettinga (A0.782116). Composer Claudio S. Grafulla (1810-1880) was bandmaster for New York’s 7th Regimental band and became one of the key contributors of pieces for the Port Royal Band Books used during the American Civil War. Graffulla was responsible for the introduction at the front of J.P. Rowbotham’s Palmyra Schottische composition, originally #45 in the Port Royal Band Books, which is presented here in an arrangement for Brass Quintet.  
Palmyra Schottische - Port Royal Civil War Series for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Frederick Fennell
$24.99 21.78 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.514850 Composed by John Baptiste Calkin. Arranged by Kenneth Abeling. Christmas,Jazz. 18 pages. LINCOLN MUSIC PUBLICATIONS #3664209. Published by LINCOLN MUSIC PUBLICATIONS (A0.514850).  “I Heard the Bells on Christmas Day†based on a Civil War era poem by Henry Wadsworth Longfellow and set to music by John Baptiste Calkin, arranged here for Brass Quintet by Kenneth Abeling. This is an advanced intermediate to early advanced moderate swing version of the very popular Christmas Carol. Playing Time: 2:35. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com.
I Heard the Bells on Christmas Day (for Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$13.99 12.19 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Ensemble - Level 4 - Digital Download SKU: A0.806905 Arranged by Glen Poehlmann. Christian,Patriotic,Sacred. Score and parts. 16 pages. Arrangements by GPoehlmann #6129623. Published by arrangements by GPoehlmann (A0.806905). BATTLE HYMN OF THE REPUBLIC for unaccompanied BRASS QUINTET or SEXTETThis arrangement tells a story through music.  Sacred program notes are included but the music will also work as a secular Civil War-era tune. Originally written as a Brass Quintet, a Trombone 2 part was added by request to create a Brass Sextet.68 measures.   Performance Time approx. 3:15.   Medium Difficult (grade 3+).Key: Bb - C.   Meter: 4/4 - 12/8.   Instrument Ranges (C4=middle C): Trumpet 1 E4 - B5 (optional D6) (written).   Trumpet 2 C4 - G5 (written).Horn in F (C4 - E5 (written). Alternate parts included for Horn: Trumpet 3, Trombone 3.Trombone Bb2 - F4.   Tuba Bb1 - G3.   Trombone 2 (for Sextet): Ab3 - E4.
BATTLE HYMN OF THE REPUBLIC for BRASS QUINTET/SEXTET (unaccompanied)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$5.00 4.36 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass quintet - Digital Download SKU: IZ.CMS164 Composed by Edward Taylor Paull. Arranged by Judith Katz. Score and Parts. 24 pages. Imagine Music - Digital #CMS164. Published by Imagine Music - Digital (IZ.CMS164). 9 x 12 in inches.While doing some research on pre-20th Century American composers, I came across the name of Edward Taylor Paull. In all of my years as a flutist, conductor, and now writer, I never heard of Paull before, but I was curious enough to look for any sound files of his music, and came across both live piano performances and piano roll performances of the Ben HurChariot Race March on YouTube.Edward Taylor Paul, known in some circles as The Other March King was born on February 16th, 1858. In Gerrardstown, Virginia, now West Virginia. While not too much is known about his early years, we do know that his adult years were spent as itinerant musician, instrument sales person, selling pianos and organs, composer, as well as publisher.The Civil War era had Patrick Sarsfield Gillmore as the most famous bandleader and composer. As children of this era, John Philip Sousa and Edward Taylor Paull, were destined to follow in Gillmore's footsteps. While Sousa became successful through his work as both conductor and composer, even attaining the moniker of March King, the road to success and fame was more difficult for Paull. We do know, that by 1878, he was the manager of a music store that sold pianos and organs, eventually going bankrupt, and having to be bailed out by his own father. By 1894, he was the manager of the Richmond Music Publishing Company, and this was the same year that he was issued his first copyright on the Ben Hur Chariot Race March This was originally written for piano, particularly, the parlour piano. This was to become one of many marches and parlour piano compositions by 'E.T, Paull. He may not have been the most skilled musician of his era, but he was wise enough to realize how popular marches became in 1880's and '90's.Paull's compositions were also associated with beautiful color covers. He was fortunate to live in Richmond, Virginia, and the lithography company of A. Hoen & Company, provided him the highest quality and richly-colored art work for his compositions. This company was unique, in that they used a five- color process, which added depth to the color. Thepopularity of marches, plus the great covers, both contributed to the 60,000 copies that the Ben Hur Chariot Race March sold in its first printing. Not bad, for a first composition.Paull found inspiration for his march from the novel Ben Hur, written and published by General Lew Wallace in 1880. Paull dedicated his composition to Wallace, who sold many copies of his book. Eventually, there was a stage play and three film renditions; one in 1907, 1925, and 1959. Some time in the 1920's, the Sousa Band recorded the Ben Hur Chariot Race March, and of course, the MGM, 1925 film version, helped in a renewed popularity of Paull's composition.Edward Taylor Paull died in 1924, and his wife retained the copyright, until it went into public domain. What remains today are a few music examples in the Library of Congress collection, as well as some 78's and piano rolls. While I did my research on this piece, I tried to find any applicable Sousa manuscripts of a possible arrangement, but I could not findany. I usually write for woodwinds, but in this case, I thought that a brass quintet would sound far better. I also chose a moderate tempo, so as not to lose some of the nuances of the original composition.
Ben Hur Chariot Race March
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1894, he was the manager of the Richmond Music Publishing Company, and this was the same year that he was issued his first copyright on the Ben Hur Chariot Race March This was originally written for piano, particularly, the parlour piano This was to become one of many marches and parlour piano compositions by 'E
$12.00 10.46 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1468129 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. 19th Century,Chamber,Folk,Historic,Traditional. 49 pages. Sweetwater Brass Press #1046440. Published by Sweetwater Brass Press (A0.1468129). In 1856 Joseph P. Webster, a Wisconsin songwriter, met Henry D.L. Webster (no relation), formerly the minister of Zanesville, Ohio’s Universalist Church.  Joseph was in the process of writing a song but needed lyrics to go with his melody.  Henry obliged by writing a longish poem about the love of his life, Ella Blocksom.  She had been his fiancée, but the engagement had been broken and, apparently, so had Henry’s heart.  Joseph’s melody needed a name that would fit into a three-note phrase, so “Ella” was changed to “Lorena.”  Chicago’s Higgins Brothers published the song in 1857, and it became widely popular.  When the American Civil war broke out, “Lorena” was beloved by both Union and Confederate soldiers as they thought of the wives and girlfriends they had left behind.       J.P. Webster’s “Lorena” is beautiful and plaintive. It is no wonder that this song has remained a sentimental favorite over the years and is still performed and recorded.  In this composition, “Lorena: A Brass Quintet Setting,” the “Lorena” tune has been expanded and transformed to create additional melodies that enhance and complement the original.  You’ll find it a pleasure to play and a real crowd pleaser for audiences.     This composition is 201 measures in length.  It begins in the key of E-flat, transitions to B-flat at section C (measure 51) and goes to F at section G (measure 141).  Initial tempo marking is Adagio, increasing to Moderato at section C.  There are a number of temporary tempo variations and fermata marks, and the last 9 measures are characterized by a gradual slowing.     The introduction is 21 measures in length.  It leads to the second section, which consists of a plain, simple and straightforward statement of J.P. Webster’s “Lorena” theme, complete with grace notes and gruppetto.  In this section, Horn and Trumpet 1 do the honors, eventually joined by Tuba, and it should be played with great expression.       At section C, tempo then picks up, and the arrangement presents a series of explications of the theme in various styles.       The final section, I (measure 179), reprises most of the variations and ends with a partial reiteration of the “Lorena” theme.     Performance time is about eight minutes, forty seconds.  Tuba plays several notes near the top of its scale; otherwise, all notes are within the normal playing range of each instrument.     The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
Lorena: A Brass Quintet Setting
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$6.99 6.09 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus






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