Brass Ensemble - Digital Download SKU: A0.999619 Composed by Peter Benoit. Arranged by Marc Goris. Romantic Period. Score and parts. 15 pages. Brassery Publications #6025981. Published by Brassery Publications (A0.999619). The Duke of Alva's entry into Brussels from The Pacification of Ghent,  duration : 2 min music : Peter Benoit arr. : Marc Goris Peter Benoit composed music based on the historical drama with the title 'De Pacificatie van Gent' by Emiel Van Goethem. Because of the combination of drama and music he defined the piece as a lyrical drama. He completed The Pacification of Ghent on 11 July 1876, the world premiere happening on 3 September at the Ghent Municipal Theatre.   On 8 November 1576 a treaty was proclaimed from the balcony of the city hall in Ghent between the different regions of the southern and the northern Netherlands. This Pacification of Ghent occurred after the revolt against the Spanish occupation of Philip the Second and was the great ideal of William of Orange: he was striving for unity in the seventeen provinces in the Netherlands as well as for freedom of religion. Furthermore the treaty stipulated that the Spanish troops were to be removed from the Netherlands. Although this treaty was observed for only three years, the Pacification was embellished with a mythical aura in the Flanders of the 19th century. King Philip II sent the Duke of Alva to Brussels on 22 August 1567, at the head of a powerful army. On arrival, Alva replaced Margaret of Parma, the sister of the Spanish king, as head of the civil jurisdiction. He decided that the local nobility was in open rebellion against the king and supported the new Protestant teachings, heresy in his view. A few days later, on 5 September 1567, Alva established the Council of Troubles, popularly known in the Netherlands as the Court of Blood, to prosecute those responsible for the riots of 1566, especially those who were deemed heretics. Alba also targeted the local Catholic nobility, who favoured dialogue and opposed outside intervention. Two of the three heads of the Flemish nobility, the Count of Egmont, a Catholic General for Philip II, who had led the cavalry that defeated the French at the Battle of San Quentin, and Philip de Montmorency, Count of Horn, were arrested. The court sentenced both counts to death. The Major of Antwerpen, Anthony van Stralen, Lord of Merksem and Jan van Casembroot were other famous victims of the bloody repression, along with a large group of other heretics. The condemned persons were executed on 5 June 1568 in the Town Hall Square in Brussels. Alva had little confidence in Flemish justice, which he perceived as sympathetic to the defendants, and witnessed the executions in person.

Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1202170 Composed by William Billings (1746-1800). Arranged by Todd Marchand. Christian,Easter,Sacred. Score and parts. 13 pages. Con Spirito Music #800831. Published by Con Spirito Music (A0.1202170). Ideal as a prelude or postlude to Easter Sunday and Eastertide services of worship, “Easter Anthem� originated as a choral work by William Billings (1746-1800) with text excerpted from Night Thoughts on Life, Death, and Immortality, an extensive blank-verse poem by the English poet Edward Young (1683-1765) published in nine parts (or “nights�) from 1742 to 1745.Born in Boston, Billings was self-taught in music — a tanner by trade — and he was renowned as a singing master and proponent of the singing-school tradition of American folk culture. Considered the �rst native-born American composer, his works include hymns, anthems, psalms, and fuging tunes.“Easter Anthem� is exemplary of his compositional style, which is noted for rhythmic vitality and straightforward harmonies. Exuberantly glorious, it celebrates the resurrection of Christ and the salvation of the world from its opening acclamation, “The Lord is risen indeed! Hallelujah!� to its closing declaration, Thine all the glory, man’s the endless bliss!The Lord is risen indeed! Hallelujah!Now is Christ risen from the dead,And become the �rst fruit of them that slept.Hallelujah!And did he rise?Hear, O ye nations! Hear it, O ye dead!He rose! He burst the bars of death,And triumph'd o'er the grave.Then I rose!Then �rst humanity triumphantPass'd the crystal ports of light,And seiz'd eternal youth.Man, all immortal, Hail!Heaven, all lavish of strange gifts to man,Thine all the glory! Man's the boundless bliss!This joyful work, which explores various combinations of choral voices, is well-suited to the sonorities of the brass quintet. In this arrangement, tempo indications, dynamic markings and articulations, as well as a newly composed timpani part, have been added by the arranger.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1446054 Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Instructional,Opera. 16 pages. Keith Terrett #1025876. Published by Keith Terrett (A0.1446054). Orfeo ed Euridice is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing.The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's reform operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a noble simplicity in both the music and the drama.The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Mozart's The Magic Flute, Beethoven's Fidelio, and Wagner's Das Rheingold.Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title Orphée et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes.Ther picture is Count Francesco Algarotti, an Italian polymath, philosopher, poet, essayist, anglophile, art critic and art collector. He was a man of broad knowledge, an expert in Newtonianism, architecture and opera. He was a friend of Frederick the Great and leading authors of his times: Voltaire, Jean-Baptiste de Boyer, Marquis d'Argens, Pierre-Louis de Maupertuis and the atheist Julien Offray de La Mettrie. Lord Chesterfield, Thomas Gray, George Lyttelton, Thomas Hollis, Metastasio, Benedict XIV and Heinrich von Brühl were among his correspondents.''The Sicilienne and Rigaudon is one of the many pieces that violin virtuoso Fritz Kreisler composed in the style of other composers. When he first presented and published these pieces, he offered them as recently discovered works by those other composers, newly adapted and arranged by himself. In the case of Sicilienne and Rigaudon, it is eighteenth-century French violinist/composer François Francoeur whose name is on the title sheet, though the piece really has nothing to do with Francoeur's style.The piece is a simple and a charming one, however. The Sicilienne is a binary-form miniature that sweeps along on a characteristic dotted rhythm, with a rather melancholy melody. Think old French ballet. The constant 16th notes of the Rigaudon, give it a character quite unlike that of a traditional rigaudon-a cheerful Baroque dance movement in duple meter.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.800275 Composed by Louis Bourgeois (c. 1510-1560). Arranged by Todd Marchand. Chamber,Christian,Sacred. 8 pages. Con Spirito Music #407381. Published by Con Spirito Music (A0.800275). The “Old Hundredth� psalm/hymn tune earned its name from its association with a metrical setting of Psalm 100 by William Kethe (d. 1594), published in the Anglo-Genevan Psalter (1591). Kethe’s first stanza, based on Psalm 100, verses 1-2, reads: All people that on earth do dwell,Sing to the Lord with cheerful voice.Him serve with fear, His praise forth tell;Come ye before Him and rejoice.Thus, the “Old Hundredth� is popularly titled, “All People That on Earth Do Dwell.� It is also well-known as the tune for the doxology, “Praise God From Whom All Blessings Flow.� The tune is attributed to the French music theorist and composer Louis Bourgeois (c. 1510-1559), who contributed a number of tunes to the Genevan Psalter of 1551.This arrangement is fitting as a short introit to a service of worship.©2013 Todd Marchand / www.conspiritomusic.com

Brass Ensemble - Level 4 - Digital Download SKU: A0.927946 Composed by Orlando Gibbons. Arranged by Tim Brooke. Classical,Concert,Renaissance,Standards. Score and parts. 11 pages. Castleroyan Press #4980709. Published by Castleroyan Press (A0.927946). Orlando Gibbons (1583-1625) was an English composer, organist and virginalist of the Elizabethan and late Jacobean periods.  Despite his early death he nevertheless produced a number of the most celebrated vocal, choral, instrumental and keyboard works of that rich period in English music. This Pavan (later included in The Fitzwilliam Virginal Book) is the first part of the famous Pavan and Galliard (The Lord Salisbury), which has become one of his best-known compositions to have entered the present-day repertory. It has been performed and recorded many times, most notably perhaps by Glenn Gould in 1970.

Brass Ensemble - Level 4 - Digital Download SKU: A0.927944 Composed by Orlando Gibbons. Arranged by Tim Brooke. Classical,Concert,Renaissance,Standards. Score and parts. 6 pages. Castleroyan Press #4980703. Published by Castleroyan Press (A0.927944). Orlando Gibbons (1583-1625) was an English composer, organist and virginalist of the Elizabethan and late Jacobean periods.  Despite his early death he nevertheless produced a number of the most celebrated vocal, choral, instrumental and keyboard works of that rich period in English music. This Pavan (later included in The Fitzwilliam Virginal Book) is the first part of the famous Pavan and Galliard (The Lord Salisbury), which has become one of his best-known compositions to have entered the present-day repertory. It has been performed and recorded many times, most notably perhaps by Glenn Gould in 1970.

Brass Ensemble - Level 4 - Digital Download SKU: A0.927945 Composed by Orlando Gibbons. Arranged by Tim Brooke. Classical,Concert,Renaissance,Standards. Score and parts. 5 pages. Castleroyan Press #4980707. Published by Castleroyan Press (A0.927945). Orlando Gibbons (1583-1625) was an English composer, organist and virginalist of the Elizabethan and late Jacobean periods.  Despite his early death he nevertheless produced a number of the most celebrated vocal, choral, instrumental and keyboard works of that rich period in English music.  This Pavan (later included in The Fitzwilliam Virginal Book) is the first part of the famous Pavan and Galliard (The Lord Salisbury), which has become one of his best-known compositions to have entered the present-day repertory. It has been performed and recorded many times, most notably perhaps by Glenn Gould in 1970.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1261270 Composed by J.L. Macbeth Bain. Arranged by Todd Marchand. 19th Century,Christian,Folk,Sacred,Traditional. 16 pages. Con Spirito Music #854340. Published by Con Spirito Music (A0.1261270). Brother James' Air was composed by James Leith Macbeth Bain (1860-1925), a Scottish-born poet, author, mystic, and healer whose ministry took him to Liverpool and London, where he became known simply as Brother James. The tune is often sung to the metrical paraphrase of Psalm 23, The Lord's My Shepherd, by the Puritan religious author and English politician Francis Rous (c. 1581-1659), published in his The Psalms of David set forth in English meeter (1643). The angular, highly arpeggiated tune in bar form (AAB) is both stark and lovely, rising and falling before ascending to a high tonic cadence in its final phrase. Its harmonic simplicity — consisting primarily of I, IV, and V chords — lends itself to alternate harmonizations with substitute chords. Following a short introduction, this arrangement presents the tune four times: first, alternating between the two trumpets; second, by trio of horn, trombone, and tuba; third, in minor tonality (reflecting the psalm's verse 4 and the text's paraphrase, Yea, though I walk thro' death’s dark vale); and fourth, with powerful extended harmonies and surprise cadences resolving to a quiet, peaceful conclusion.  ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com

Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1066340 Composed by Max Reger. Arranged by Cristiano Vecchi. 20th Century,Instructional,Sacred,Standards. Full Performance. Duration 62. Cristiano Vecchi #5025847. Published by Cristiano Vecchi (A0.1066340). The N.15 from 30 Little Chorale Preludes, op.135a for organ by Max Reger: a traditional lutheran hymn, Lobe den Herren, den mächtigen König der Ehren.Duration: 1'.Version for: Trumpets 1&2 - French Horn in F - Trombone - Tuba .Also available for Woodwind Quintet, String Quartet, Horn Quartet.Score and parts also available on this website.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1209169 By Andrew Lamb. By Henry Smith (1813-1879). Arranged by Andrew Lamb. Christian,Classical,Religious. 19 pages. Andrew Lamb #807281. Published by Andrew Lamb (A0.1209169). Title: The Vesper BellComposer: Henry Smith (1813-1879)Arranger: Andrew LambDescription: This is my transcription of the prelude The Vesper by composer Henry Smith (1813-1879).Henry Smith was an American composer and organist born in Salem, Massachusetts, on September 27, 1813. At a young age, he showed musical talent and became a pupil of Lowell Mason, an influential educator and composer who was instrumental in developing music education in the United States. Smith was also a prolific composer and wrote over 500 works, including hymns, songs, anthems, and instrumental music. Many of his hymns are still sung today in churches across the country, including Rejoice in the Lord Always, and Sabbath Bells are Ringing. In addition to his work as a composer, Smith was also an accomplished organist and held positions at several churches throughout his career, including in Boston and New York City.Smith was a supporter of music education and was influential in developing the music program at Brown University in Providence, Rhode Island, where he taught for several years. He was also a member of the Boston Academy of Music and served as its president from 1852 to 1856.Henry Smith died on October 2, 1879, in Boston, Massachusetts, at the age of 66. His contributions to American music, particularly within the realm of religious music, were significant and helped shape the development of American classical music.

Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1119316 By David Catherwood. By Various. Arranged by David Catherwood. Celtic,Chamber,Easter,Folk,Irish. 47 pages. Opus 3 Music #720731. Published by Opus 3 Music (A0.1119316). 3 Brass Quintets arr. by David Catherwood - Londonderry Air, O Waly Waly, Holy, Holy, Holy (Nicaea) 1) The world famous Irish tune in an arrangement for Brass Quintet or small brass band with optional percussion.The download contains all scores and parts for both orchestral brass and treble clef brass band instruments:Full Score and parts for standard brass quintetTrumpet 1 in BbTrumpet 2 in BbHorn in FTromboneTubaFor Brass Band - Full Score plus1st Cornet Bb2nd Cornet Bb1st Horn Eb2nd Horn EbBaritone/Trombone BbEuphonium BbBass EbBass BbPercussionAlso available on SMP in arrangements for String Orchestra, String Quartet and Flexible Concert Band 2) The arrangement of the well loved Folk song O Waly, Waly will work equally well for a Brass Quintet accompanying Choirs or Congregations singing When I survey the Wondrous Cross or it may also be used as an effective instrumental item during the Easter period.For secular use the folk song would also work well for Brass quintets playing at weddings or other functions. 3) JB Dykes' famous hymn tune Nicaea is associated with the wordsHoly, holy, holy Lord God Almighty, Early in the morning our song shall rise to thee...This arrangement will be useful to accompany congregational or choral singing as it is in suitable keys or it can be used as a purely instrumental piece. After a short introduction the tune is presented simply - a key change before the final verse leads to a majestic presentation of the tune with an effective descant.A full set contains a score and a set of parts (with permission to copy to suit your own requirements) for the following instruments:Trumpet 1 in BbTrumpet 2 in BbHorn in FTrombone TubaPercussion (Optional)Organ/Keyboard (Optional)

Brass Ensemble - Level 4 - Digital Download SKU: A0.868620 Composed by Charles Wesley - 1739 Lyra Davidica - 1704. Arranged by Dean Mounts. Christian,Easter. Score and parts. 14 pages. Dean Mounts #5020349. Published by Dean Mounts (A0.868620). Scored for brass quintet, this beloved easter hymn is designed to accompany congregational singing. It will fit as background for the one found in most hymnals. It fits 3 verses as written. Ad another repeat for extra verses. Plays well as a brass quintet but has optional accompaniment parts of bass, guitar and piano/keyboard. Playing time – 2:50.

Euphonium,Flugelhorn,Trombone,Tuba - Level 3 - Digital Download SKU: A0.1158153 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Christian,Classical,Religious. 25 pages. Https://gildedmusicpress.com/ #758458. Published by https://gildedmusicpress.com/ (A0.1158153). Originally set for SATB choir with brass accompaniment, the creative setting that was performed in 2000 was for four flugelhorns and euphonium without choir. Although it was effective, and the premiere was a success, Dr. Thrower revised the work for the established instrumentation of the brass quintet. Even in this publication, though, he strayed from this belief by calling for euphonium in place of the trombone, if available. If not, trombone is perfectly acceptable. The trumpeters should perform their parts on flugelhorns if possible.

Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1149057 Composed by Charles Wesley, Lyra Davidica. Arranged by John A. Dempsey. Christian,Easter,Holiday,Praise & Worship,Sacred. Score and parts. 23 pages. John A. Dempsey #749181. Published by John A. Dempsey (A0.1149057). Ours the cross, the grave the skies, Alleluia.  Arranged as a lively brass quintet for three Bb trumpets and two trombones, this joyful hymn celebrating our Savior's victorious Resurrection is recommended as a prelude, postlude, an offertory, interlude or special music for traditional Easter church services and other worship events, including Good Friday services and Easter sunrise worship.  Concert Key: Ab major.  19 pages of music (that includes the score and separate two-page parts for trumpet 1, trumpet 2, trumpet 3, trombone 1 and trombone 2)Christ the Lord is risen today, AlleluiaSons of men and angels say, AlleluiaRaise you joys and triumphs high, AlleluiaSing ye heavens and earth reply, Alleluia   .

Brass Quintet - Level 3 - Digital Download SKU: A0.1288273 By Bethany Dillon. By Chris Tomlin and Louie Giglio. Arranged by Kenneth Abeling. Praise & Worship. 17 pages. LINCOLN MUSIC PUBLICATIONS #879316. Published by LINCOLN MUSIC PUBLICATIONS (A0.1288273). Holy is the Lord, music and lyrics by Chris Tomlin & Louie Giglio arranged for Brass Quintet. This an intermediate level arrangement of the GMA Dove Awards 2007 worship song of the year. The playing time is approximately 3:00. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/.