Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1419806 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. 21st Century,Chamber,Classical,Latin. 17 pages. Fiona Alice Hickie #1001228. Published by Fiona Alice Hickie (A0.1419806). A piece for brass quintet based on the poem by the same name. It is a slow piece is a South American style.Based on the poem: Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives. Dedicated to Ben van den Akker.

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.759917 Composed by Traditional. Arranged by Raymond Fenech. Easter,Jazz,Patriotic,Rock,Wedding. Score and parts. 24 pages. Raymond Fenech #3453855. Published by Raymond Fenech (A0.759917). Down by the Riverside (also known as Ain't Gonna Study War No More and Gonna lay down my burden) is a Negro spiritual song. Its roots date back to before the American Civil War, though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. The song has alternatively been known as Ain' go'n' to study war no mo', Ain't Gwine to Study War No More, Down by de Ribberside, Going to Pull My War-Clothes and Study war no more This spiritual song is arranged for Brass quintet i.e. 2 Trumpets in B Flat, French Horn in F; Trombone/ Euphonium and Tuba and Optional Drum Set. The level is Advanced Intermediate and the duration is 2.39minutes.  

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1282352 Composed by Donald John Sebesky. Arranged by Trevor Wilson. Chamber,Funk,Jazz. 17 pages. Trevor's Music Studio #873664. Published by Trevor's Music Studio (A0.1282352). Taken from Doc Severinsen’s album, Brass Roots, comes this arrangement of, well, Brass Roots! From the composing mind of Don Sebesky, this arrangement by Trevor Wilson is a loud, funky powerhouse! Featuring solos in the 2nd trumpet and trombone, this piece is a crowd pleaser and will surely be perfect for any jazz, funk, or rock concert or gig. Starting with a horn and trumpet duet, this arrangement explores the various “mini ensembles� of a brass quintet, most notably during the chorale section with a horn-trombone-tuba trio. And yeah, for the 1st trumpet: go for the high F at the end. You deserve it. Maybe even hold it over a little….

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1459167 Composed by Bill Danzeisen. Arranged by Will Corbin. Broadway,Latin,Musical/Show,Pop. 24 pages. Will Corbin #1038137. Published by Will Corbin (A0.1459167). A song doesn't get more traveled than this one. American Cole Porter wrote it in 1935 while on a South Pacific cruise between Indonesia and Fiji aboard a British liner. Its roots are in a Latin dance from the French Caribbean islands of Guadeloupe and Martinique. So it's somewhere between a minuet and a samba. The name of the dance, beguine, is Creole (probably pejorative) for white woman. The song was first performed in a Broadway musical called Jubilee. It didn't get much traction until Artie Shaw recorded it with his big band, in a purely swing mode, in 1938; it became the 3rd best-selling recording of the year and set off a new dance craze. Check out the drummer in the YouTube video of Shaw's band performing the song, with special attention to the drummer. It's a young and relatively quite subdued Buddy Rich. This arrangement, for two trumpets, horn, trombone and tuba, sticks pretty close to a Latin feel except for a swing break in the middle.If you need alternative instrumentation, I'm happy to help. Contact me at wilcor@aol.com.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1461375 By The Beatles. By John Lennon and Paul McCartney. Arranged by Will Corbin. Pop. 18 pages. Will Corbin #1040131. Published by Will Corbin (A0.1461375). The Beatles recorded this song -- mostly by McCartney -- in 1968, just before they headed off to India and the Mahareshi Mahesh Yogi. This was heralded as a return to their rock'n'roll roots after a dive into psychedelic weirdness. It's just a fun song, particularly without the downer lyrics.If you need alternative instrumentation, I'm happy to help. Contact me at wilcor@aol.com.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1463544 By Various. By Traditional. Arranged by Will Corbin. Blues,Jazz,Traditional. 22 pages. Will Corbin #1042269. Published by Will Corbin (A0.1463544). This song's roots go back to medieval England and may or may not refer to a hospital for lepers. Or maybe one for prostitutes. Or for young rakes with veneral disease and an addiction to alcohol. Whatever the case, it has been through many iterations, many names and many supposed composers. Louis Armstrong's 1928 recording put it permanently on the U.S. blues/jazz map.This rendition is inspired in part by a treatment by Troy Andrews, otherwise, and mostly, known as Trombone Shorty.If you need alternative instrumentation, please contact me at wilcor@aol.com.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1461185 By The Dixie Cups. By Barbara Ann Hawkins, Joan Marie Johnson, and Rosa Lee Hawkins. Arranged by Will Corbin. Jazz,Pop. 24 pages. Will Corbin #1040044. Published by Will Corbin (A0.1461185). This song has roots in a Mardi Gras chant that ostensibly came from some unspecified Native American language. James Sugar Boy Crawford turned it into a song, and his band, Sugar Boy and his Cane Cutters (southern Louisiana had a lot of that) recorded it in 1953 as Jock-a-Mo, which may mean kiss my ass or a defiant response to that effect. It was recorded again, as kind of a whim, in 1964 by the girl trio The Dixie Cups, who made it a hit. It has since been endlessly covered by everyone from Cyndi Lauper to The Grateful Dead.This arrangement is essentially solo variations on the main melody backed by horn rhythms. If you want to make it go on endlessly, it's a simple three-chord tune (actually, mostly two chords) that lends itself to simple improv. It's arranged for two trumpets, horn, trombone and tuba.If you require alternative instrumentation, I'm happy to help. Contact me at wilcor@aol.com.

Composed by African-American Spiritual. Arranged by Todd Marchand. Christian, Gospel, Spiritual, Sacred, Americana. 13 pages. Published by Con Spirito Music (S0.181361). - - Christian,Gospel,Spiritual,Sacred,Americana - Con Spirito Music

Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1495797 By JACOB L WALKER. By Traditional. Arranged by JACOB L WALKER. Chamber,Christian,Christmas,Jazz,Traditional. 17 pages. 8 Steps Music LLC #1072326. Published by 8 Steps Music LLC (A0.1495797). Imagine a brass quintet performing Angels We Have Heard on High with a lively jazz twist. The arrangement starts with a traditional introduction, the warm, rich tones of the brass instruments setting a festive mood. As the piece progresses, the tempo picks up, and the arrangement shifts into a grooving 7/8 rhythm, with syncopated beats and playful melodic lines. As the piece reaches its climax, the entire quintet comes together for a powerful, harmonized finale, bringing the carol back to its roots but with a fresh twist that leaves the audience delighted.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1411199 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Tim Olt. Pop,Rock. 30 pages. Olt Music #993531. Published by Olt Music (A0.1411199). This song from Guns N' Roses has become a standard rock anthem.  Not bad for a guitar warmup riff that grew legs. This version shows the true German roots as a polka.

Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1293127 Composed by Traditional. Arranged by BRIAN W. COPPING. Classical,Contest,Festival,Historic,Traditional. 19 pages. EMK Music #883761. Published by EMK Music (A0.1293127). Scored for two Trumpets (Bb Cornets/Flugel Horns), Horn in F, Trombone/Euphonium and Tuba with alternative parts for Eb and Bb Horn, Bb Trombone in Bass and Treble Clefs and Eb and Bb Basses in both Treble and Bass Clefs.Dark Eyes, sometimes known as ‘Black Eyes’, has its roots in both The Ukraine and in Russia. Although it was originally known as a ‘Russian- Romani’ folksong, at the beginning of the Twentieth Century, it achieved a much wider international reputation when Italian-born British composer, Adalgiso Ferraris, published a new version in 1910. It was also later sung and recorded by Al Bowlly in 1939. It has also gained some currency as a jazz tune.