Brass Ensemble,Brass Quintet - Digital Download SKU: HX.1501631 By The Canadian Brass. By Jelly Roll Morton. Arranged by Luther Henderson. This edition: scorch. Jazz. 4 pages. Canadian Brass #BLACKBOTTOMSTOMP_01_PICCOLOTRUMPET. Published by Canadian Brass (HX.1501631).

Brass Ensemble,Brass Quintet - Digital Download SKU: HX.1501632 By The Canadian Brass. By Jelly Roll Morton. Arranged by Luther Henderson. This edition: scorch. Jazz. 4 pages. Canadian Brass #BLACKBOTTOMSTOMP_02_TRUMPET2. Published by Canadian Brass (HX.1501632).

Brass Ensemble,Brass Quintet - Digital Download SKU: HX.1501630 By The Canadian Brass. By Jelly Roll Morton. Arranged by Luther Henderson. This edition: scorch. Jazz. 17 pages. Canadian Brass #BLACKBOTTOMSTOMP_00_SCORE. Published by Canadian Brass (HX.1501630).

Brass Ensemble,Brass Quintet - Digital Download SKU: HX.1501635 By The Canadian Brass. By Jelly Roll Morton. Arranged by Luther Henderson. This edition: scorch. Jazz. 4 pages. Canadian Brass #BLACKBOTTOMSTOMP_05_TUBA. Published by Canadian Brass (HX.1501635).

Brass Ensemble,Brass Quintet - Digital Download SKU: HX.1501634 By The Canadian Brass. By Jelly Roll Morton. Arranged by Luther Henderson. This edition: scorch. Jazz. 4 pages. Canadian Brass #BLACKBOTTOMSTOMP_04_TROMBONE. Published by Canadian Brass (HX.1501634).

Brass Ensemble,Brass Quintet - Digital Download SKU: HX.1501633 By The Canadian Brass. By Jelly Roll Morton. Arranged by Luther Henderson. This edition: scorch. Jazz. 4 pages. Canadian Brass #BLACKBOTTOMSTOMP_03_HORN. Published by Canadian Brass (HX.1501633).

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1394099 By Ace Cannon. By Charles Strouse and Martin Charnin. Arranged by Peet du Toit. Broadway,Musical/Show. 10 pages. Peet du Toit #977557. Published by Peet du Toit (A0.1394099). Tomorrow is a show tune from the musical Annie, with music by Charles Strouse and lyrics by Martin Charnin, published in 1977. The number was originally written as Replay (The Way We Live Now) for the 1970 short film Replay, with both music and lyrics by Strouse.I used some of the ideas of the arrangement by the late John Edmondson in creating this orchestration.

Brass Ensemble - Digital Download SKU: A0.1016311 Composed by Jelly Roll Morton. Arranged by KHUUSHAAN BATZAYA. 20th Century,Jazz,World. Score and parts. 29 pages. KHUUSHAAN BATZAYA #6020485. Published by KHUUSHAAN BATZAYA (A0.1016311).

Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1070682 Composed by Joseph Pugh. Jazz,Pop. Accompaniment. Duration 213. Joseph Pugh #6719607. Published by Joseph Pugh (A0.1070682). Original tune by, Joseph Pugh arranged for Brass Quintet.

Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.726136 Composed by Irish traditional tune. Arranged by Todd Marchand. Celtic,Christmas,Holiday,Irish,Sacred,Traditional. Score and parts. 14 pages. Con Spirito Music #6537373. Published by Con Spirito Music (A0.726136). Set to a traditional 16th-17th century Irish tune, the Irish Carol (Christmas Day is Come) is attributed to Luke Wadding (1558-1657), a Franciscan friar and historian born in Ireland who did much to strengthen the Catholic Church in Ireland and raise its profile in Rome. Although he was a prolific writer who published his own Small Garland of Pious and Godly Songs (1684), the so-called Irish Carol appeared in A New Garland Containing Songs for Christmas by William Devereux (1696-1771) as The Second Carol for Christmas Day. It is likely that Devereux, not Wadding, was the author of the text, which begins:Christmas Day is come; Let us prepare for mirth,Which fills the heav'ns and earth at His amazing birth.Through both thy joyous angels in strife and hurry fly,With glory and hosannas, Holy, Holy they cry.In Heav'n the church triumphant adores with all her choirs,The militant on earth with humble faith admires.Although more than one tune has been associated with Christmas Day is Come, the tune that is the basis for this arrangement is the most commonly sung today. ©Copyright 2021 Todd Marchand / ConSpiritoMusic. Visit www.conspiritomusic.com

Brass Quintet - Level 4 - Digital Download SKU: A0.1489504 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Children,Classical,Film/TV. 72 pages. Https://gildedmusicpress.com/ #1066367. Published by https://gildedmusicpress.com/ (A0.1489504). Alfredo’s Demise was completed on 29 Dec 2023. Alfredo was a snowman built after a late spring snowstorm. The first half underscores time lapse footage of the rapidly melting snowman, syncing precise sforzando punctuations to moments of falling chunks. The sunset remains were gleefully decimated by our six-year-old James.Shuttle from Haneda depicts a delayed return from a trip. The video elicited an atonal compositional style to underscore the hustle and chaos of a city as enormous as Tokyo, but with a lovely view of the Bay about midway through the work.Petite Wave was composed to accompany a time lapse hanging of a three-panel canvas print of the woodcut art “The Great Wave off Kanagawa” by Japanese artist Katsushika Hokusai in 1831. This art was featured on the cover of Claude Debussy’s “La Mer” when it was published in 1905, prompting a quote from “La Mer.”Fast Food to Fitness aurally illustrates a pan of nine fast food ads on a sheet. The bottom ad ironically promotes “BeFit 360”.  The music has a series of exciting flourishes that morph into a sinister chord as the last ad dampens the caloric prospects.Pigeons personifies a substantial flock of pigeons contentedly pecking at grass. I filmed while slowly approaching, occasionally causing a stir. The nervous flock took flight to find less threatening spot of ground to peck. The scene presented some fine opportunities for musical underscoring.Blue Snowman Group accompanies a rare Tokyo storm that dumped inches of wet packing snow. When my ten-year-old started rolling the base of a snowman, I whipped out my cell phone and started a time lapse video. Mom came out and built her own, armed with a spray bottle of colored water. The two snowmen turned blue in the cold and lived happily together for a couple of days.Autumn Fuji Puzzle undersores tightly crafted moments of puzzle-working and deconstruction.Outing in Japan was crafted to highlight key moments of a time lapse, running errands in northwest Tokyo.  Many subtle and obvious moments in this work aurally augment visually stimulating moments, including blinking turn signals, passing traffic, turns, vehicle approaches, parking at destinations, and many more.

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1257721 Composed by Jakob Hintze. Arranged by Todd Marchand. Christian,Easter,Sacred. 24 pages. Con Spirito Music #850950. Published by Con Spirito Music (A0.1257721). An ideal hymn selection for Easter Sunday, Eastertide, or at any celebration of the eucharist, At the Lamb's High Feast We Sing is one of many hymns translated from Latin by Robert Campbell (1814-1868), a Scottish advocate (lawyer) and Roman Catholic layperson. First published in 1850, At the Lamb's High Feast We Sing was one of four of Campbell's hymn texts to be included in Hymns Ancient & Modern (1861), the first standardized and popular hymnal of the Anglican Church.The tune accompanying the text, known as SALZBURG, is attributed to the German composer Jakob Hintze (1622-1702). Its harmonization has long been attributed to J.S. Bach and numbered among his works as BWV 262. However, the New Edition of the Complete Works of Bach, published by Barenreiter, no longer recognizes this, and the harmonization matches that of Johann Pachelbel's Alle Menschen müssen sterben — Choral mit 8 Partiten (Chorale with 8 Variations) of 1683.Regardless of the authorship of text or tune, At the Lamb's High Feast We Sing is a richly theological, grand hymn that references God's saving works in both the Old Testament and the New, culminating in Christ's victorious resurrection and his triumph over sin and death, and celebrates his feeding of the faithful gathered for the eucharistic feast with his Body and Blood.This arrangement for organ and brass quintet begins with alternating fanfares for organ and brass, followed by:Verse 1: organ accompanimentVerse 2: brass accompanimentVerse 3: organ accompaniment with solo trumpet punctuationsInterludeVerse 4: organ and brass accompaniment in alternate harmonizationCoda recapitulating the introductory fanfares Includes full score, parts for organ, Bb tpt. 1, Bb tpt. 2, F horn, tbn, tuba, and reproducible bulletin insert for voices ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1080498 Composed by John Stafford Smith. Arranged by Todd Marchand. Chamber,Patriotic,Traditional. 13 pages. Con Spirito Music #684728. Published by Con Spirito Music (A0.1080498). A straightforward arrangement of the American national anthem, suitable for patriotic recitals and civic/community events. Includes parts in both 8.5x11-inch page format and 6.75x5.5-inch march folio (flip folder) size. The national anthem of the United States of America, “The Star-Spangled Banner� is a setting of the poem, “Defence of Fort M’Henry� by Francis Scott Key (1779-1843) to the music of “The Anacreontic Song� by the British composer and musicologist John Stafford Smith (1750-1836). Key wrote his poem on September 14, 1814 while witnessing the British bombardment of Fort McHenry in Baltimore Harbor during the War of 1812, inspired by the large American flag (“star-spangled banner�) flying triumphantly above the fort during the American victory. Smith’s tune, already well-known, became the vehicle for what was soon to be a popular American patriotic song. “The Star-Spangled Banner� was recognized for official use by the United States Navy in 1889, and by U.S. President Woodrow Wilson in 1916, and was made the national anthem by a congressional resolution on March 3, 1931. ©Copyright 2012 Todd Marchand / Con Spirito Music. Visit www.conspiritomusic.com

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1172085 Composed by Charles H. Gabriel. Arranged by Todd Marchand. 19th Century,Christian,Sacred,Traditional. 16 pages. Con Spirito Music #772348. Published by Con Spirito Music (A0.1172085). Higher Ground (I'm pressing on the upward way) is a 19th-century American gospel song with lyrics by Johnson Oatman, Jr. (1856-1922) and music by Charles Hutchinson Gabriel (1856-1932).Both Oatman and Gabriel were prolific writers. Oatman, an ordained Methodist Episcopal minister employed primarily in retail and insurance work, is said to have written over 5,000 hymns and songs in the latter 30-some years of his life.  Although not a talented singer nor recognized as an outstanding preacher, he was acknowledged to have ministered to countless souls through the words of his hymns and songs.Gabriel, a Methodist Episcopal church music director and editor of gospel song books, anthem collections, music instruction manuals, and more, is said to have written between seven and eight thousand texts and/or tunes under his own name and several pseudonyms. In addition to the music for Higher Ground, he composed the music for such well-known gospel songs as His Eye is on the Sparrow and Will the Circle Be Unbroken? The opening line of Oatman’s text (I'm pressing on the upward way) draws especially from Philippians 3:13-14: “Forgetting what lies behind and straining forward to what lies ahead, I press on toward the goal for the prize of the upward call of God in Christ Jesus.� Other sources include passages from the prophets Isaiah and Micah and the Psalms of Ascent (120-134). Gabriel's music cleverly evokes the upward vision of the text with an ascending arpeggio spanning an octave on the first words of the refrain (Lord, lift me up) and the matching of the highest notes of the tune to the words a higher plane.This arrangement for brass quintet expands the meter of the tune from 3/4 to 4/4 to allow for some countermelodic call-and-response by various voices in the ensemble. Every member will enjoy a lyrical part to play in this arrangement, which is fitting as a prelude, offertory, or special musical selection in worship, and ideal as a lyrical selection on recitals. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com

Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1136166 Composed by Lowell Mason (1792-1872). Arranged by Todd Marchand. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 12 pages. Con Spirito Music #736195. Published by Con Spirito Music (A0.1136166). “Joy to the World� is, perhaps, the most widely performed Christmas carol, having appeared in nearly 1800 different hymnals since its initial publication, according to hymnary.org.The text was written by the prolific English hymn-writer Isaac Watts (1674-1748) as a paraphrase of Psalm 98 and published in his Psalms of David Imitated (1719) under the heading “The Messiah's Coming and Kingdom.� The paraphrase is a Christological interpretation of the psalm — i.e., an understanding of a passage of Old Testament scripture as pointing to the Christ of the New Testament.As hymn texts and tunes were often printed separately, Watts indicated that “Joy to the World� should be sung to any Common Meter (CM) tune — a poetic meter consisting of four lines that alternate between iambic tetrameter and iambic trimeter, with each foot consisting of an unstressed syllable followed by a stressed syllable. Consider the CM tunes, “Amazing Grace� and “O Little Town of Bethlehem,� for example — both very different from the tune commonly associated with Watts’ text today.That tune was written, or at least arranged, by the American hymn-writer and music educator Lowell Mason (1792-1872) and published in The National Psalmist (Boston, 1848). Mason had published three earlier arrangements of the tune he named “ANTIOCH,� the first in 1836 and attributed as being “from Handel.� Although Mason was a great admirer and student of Handel's music, and though the first four notes of Mason's “ANTIOCH� are the same as the first four in the chorus “Lift up your heads� from Handel's Messiah, the similarity ends there.This arrangement for brass quintet features a “bell-tone�-like fanfare in the introduction, interlude, and ending; textural contrasts between high and low brass; and tasteful re-harmonizations of the tune in the middle and concluding verses.©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com