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Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1200186 Composed by Traditional. Arranged by Jerald Juhnke. Religious. 8 pages. Gordon Cherry #798988. Published by Gordon Cherry (A0.1200186). Were You There, an African-American Spiritual arranged for Brass Quintet by Jerald Juhnke first appeared in 1899, likely composed by slaves. The text refers to the crucifixion scene and the suffering of Jesus on the Cross, but also has hidden meanings connecting his suffering with the suffering of the black slaves.This gorgeous arrangement by Jerold Juhnke of about 3.5 minutes is for standard brass quintet of 2 Trumpets in B-flat, Horn in F, Trombone and Tuba and is appropriate for moderately advanced performers.
Were You There - African-American Spiritual for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$25.00 23.86 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1401574 Composed by Bruce Gowers, Carol Rosenstein, Michael Lloyd, and Traditional. Arranged by S Smith-Masters & Peet du Toit. Christian,Christmas. 11 pages. Peet du Toit #984753. Published by Peet du Toit (A0.1401574). Kum ba yah (Come by here) is an African American spiritual song of disputed origin, but known to be sung in the Gullah culture of the islands off South Carolina and Georgia, with ties to enslaved Central Africans. The song is thought to have spread from the islands to other Southern states and the North, as well as other places in the world. The first known recording, of someone known only as H. Wylie, who sang in the Gullah dialect, was recorded by folklorist Robert Winslow Gordon in 1926. It later became a standard campfire song in Scouting and summer camps and enjoyed broader popularity during the folk revival of the 1950s and 1960s.The song was originally an appeal to God to come and help those in need. In American politics, the song would later become part of a phrase (sing Kumbaya) denoting unrealistic, excessively optimistic compromises.Here is a brilliant arrangement by S Smith-Masters orchestrated for a brass quintet and functional percussion.
Kumbaya
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$14.00 13.36 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1230998 By African - American Spiritual. By Traditional Spiritual. Arranged by Dennis Ruello. 20th Century,Historic,Jazz,Spiritual,Traditional. 23 pages. Chicory Music #826635. Published by Chicory Music (A0.1230998). Gospel music has infiltrated the New Orleans jazz repertoire since the very early days of jazz. Although gospel songs were traditionally played by jazz bands at funerals or church, it is now common that these songs are also played in secular venues. “Down by the Riverside†is an example of such a song, adapted by jazz musicians to fit the New Orleans jazz or brass band style. It has been a staple in New Orleans jazz since at least the early 1920s. This arrangement for Brass Quintet plus optional Acoustic Bass and Drum Set is written in the style of a New Orleans Brass Band, the kind of tune you might hear at a Second Line Parade or Jazz Funeral. Play this piece with the attitude: Laissez les bons temps rouler ( Let the good times roll ).   Performance Time: Approx. 2 minutes 40 seconds
Down by the Riverside - Brass Quintet arranged in Trad. New Orleans Brass Band Style
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
African - American Spiritual
$15.99 15.26 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet - Level 4 - Digital Download SKU: A0.1205451 Composed by African-American Spiritual. Arranged by Kenneth Abeling. 19th Century,Spiritual,Traditional. 11 pages. LINCOLN MUSIC PUBLICATIONS #803644. Published by LINCOLN MUSIC PUBLICATIONS (A0.1205451). “Down in the River to Pray†also known as “Down to the River to Prayâ€, “Down in the Valley to Pray†“The Good Old Way†and “Come, Let Us All Go Down†arranged for Brass Quintet. This is an intermediate level arrangement, and contemporary setting of the African-American Spiritual/Christian Folk Hymn. The playing time is approximately 2:50. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/.
Down in the River to Pray (for Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$12.99 12.4 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Level 4 - Digital Download SKU: A0.792714 Composed by Nathaniel Cleophas Davis. Arranged by Joshua Hauser. Folk,Jazz,Traditional. 13 pages. Gordon Cherry #5982839. Published by Gordon Cherry (A0.792714). Mr. Trombonology by African American composer, trombonist, bandleader and publisher Nathaniel Cleophas Shorty Davis was written in 1917 as a Trombone solo in the American genre of Ragtime featuring the trombone's patented glissando as the hook. These solos were also called smears or jazzes. Mr. Trombonology is one of five entertaining works from Davis' Trombone Family written between 1915 and 1921 and comes with the subtitle - A Characteristic Trombone Smear. The Son of Oh Slip It Man. This arrangement has been expertly arranged by Joshua Hauser for Brass Quintet with the Trombonist as the featured soloist and is playable by moderately advanced performers. Cherry Classics Music will be publishing the complete series of these works for Brass Quintet by Davis arranged by Mr. Hauser. Thanks to Douglas Yeo for his research and advice.
Mr. Trombonology for Brass Quintet featuring solo Trombone
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$22.50 21.47 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.782117 By Frederick Fennell. By Richard Milburn. Arranged by Aaron Hettinga. 19th Century,Classical,Folk,Patriotic,Traditional. 22 pages. Aaron Hettinga #6851515. Published by Aaron Hettinga (A0.782117). Richard Milburn was a 19th-century African-American composer and barber who wrote the melody for Listen to the Mocking Bird which was later set to lyrics by Alice Hawthorne, also known as Septimus Winner (1827 – 1902). The song’s extreme popularity led Gustavus Washington Ingalls (1824-1903) as bandmaster for New Hampshire’s 3th Regimental band (also known as the Port Royal Band), to contribute a spirited arrangement of Milburn’s melody for the Port Royal band books used during the American Civil War.
Listen to the Mocking Bird - Port Royal Civil War Series for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Frederick Fennell
$24.99 23.85 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus






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