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Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.763605 Composed by traditional American tune. Arranged by Nigel Williams. Folk,Patriotic,Standards. 11 pages. Nigel Williams #6087521. Published by Nigel Williams (A0.763605). The official song of the US Army since 1956, also known as Caissons Song. The trombone introduces the melody before handing it over to the trumpets. The tuba provides a walking bass line while the other instruments provide a snappy rhythmic accompaniment. Ideal repertoire at an any patriotic event or service of worship, and also a great encore piece for a brass quintet recital program. The full score downloads with five individual parts attached. Enjoy browsing my selection of brass quintet arrangements available on SMP.
The Army Song (Caissons Song), for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$11.99 10.25 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet E-Flat Cornet,Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.817124 Composed by D. S. McCosh. Arranged by Charles Decker. 19th Century,Chamber,Historic,Patriotic,Romantic Period. 33 pages. Charles Decker Music Press #3546515. Published by Charles Decker Music Press (A0.817124). This original overture from the post Civil War brass band era adds to Americana programming with an exciting musical alternative to the popular melody and dance arrangements played by the all-brass bands of the mid and late 19th century. This centennial musical celebration from 1876 is scored for traditional brass band instruments (E-flat and B-flat cornets, E-flat alto horn, baritone, tuba) but includes alternate parts B-flat cornet/trumpet for E-flat cornet and F horn for E-flat alto horn. The audio file is an actual brass quintet performance of the entire work and not a computer playback of the score. See more than 70 mixed brass ensemble publications at Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions at Charles Decker Music Press for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series at Charles Decker Music Press with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.  All ensemble publications include recordings of the entire edition.  For more of my brass quintet editions use these links to Kendor Music and Cherry Classics Music to see listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
Centennial Overture from 1876 for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$14.95 12.78 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan Frazer (arranger) & Peet du Toit (orchestrator). Folk. 10 pages. Peet du Toit #986049. Published by Peet du Toit (A0.1402823). This song started out as an Andean folk melody that Paul Simon came across in 1969 when he played a week-long engagement at a theater in Paris along with the South American group Los Incas, who played an instrumental version of the song called Paso Del Condor. Said Simon: I used to hang around every night to hear them play that. I loved it and I would play it all the time, and then I thought, Let's put words to it.The Peruvian songwriter Daniel Robles recorded this song in 1913, and copyrighted it in the United States in 1933 during his travels in America. When Simon recorded it with his added lyrics, he thought it was a traditional song, as that's what Los Incas told him. When Robles' son filed a lawsuit, Simon had to give Robles a composer credit on the song, with his estate getting those royalties.In discussing the song, Simon always talks about it as being based on a traditional Peruvian song, and we've never heard him mention Robles. This wasn't the first time Simon got tangled over songwriting credits on traditional melodies: Simon & Garfunkel's Scarborough Fair / Canticle was based on a folk song, but his arrangement came from a singer named Martin Carthy. Simon was always clear on his influences, but legal misunderstandings were a problem in these cases.Los Incas, who were the group that introduced Simon to the song, provided the instrumentation when they recorded it in Paris with Simon. Their leader, Jorge Milchberg, played a charango, which is an Andean string instrument made from the shell of an armadillo. Simon played acoustic guitar, and other members of Los Incas played flutes and percussion. When Simon brought the track to America, he added his lyrics. This was one of the easier songs to record for the Bridge Over Troubled Water album, since the backing track was already mixed together - it was just a matter of adding the vocals.The title translates to English as The Condor Passes. The lyrics Robles wrote to the song in 1913 are about returning home to his native Peru.Los Incas leader Jorge Milchberg got a composer credit on this song along with Simon and Robles. Milchberg later became the head of the group Urubamba and remained friends with Simon, who toured with them and produced their first American album. >>The Wainwright Sisters covered this for their 2015 Songs in the Dark album. Lucy Wainwright Roche explained to The Sun: I chose 'El Condor Pasa' because it was one of the first songs I ever learned to play on it guitar and it has a childlike quality to it, but it also has a darkness and sadness that fit in well with the album.Paul Simon performed this on both Sesame Street (in 1977) and The Muppet Show (in 1980).
El Condor Pasa (If I Could)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$15.00 12.82 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.782117 By Frederick Fennell. By Richard Milburn. Arranged by Aaron Hettinga. 19th Century,Classical,Folk,Patriotic,Traditional. 22 pages. Aaron Hettinga #6851515. Published by Aaron Hettinga (A0.782117). Richard Milburn was a 19th-century African-American composer and barber who wrote the melody for Listen to the Mocking Bird which was later set to lyrics by Alice Hawthorne, also known as Septimus Winner (1827 – 1902). The song’s extreme popularity led Gustavus Washington Ingalls (1824-1903) as bandmaster for New Hampshire’s 3th Regimental band (also known as the Port Royal Band), to contribute a spirited arrangement of Milburn’s melody for the Port Royal band books used during the American Civil War.
Listen to the Mocking Bird - Port Royal Civil War Series for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Frederick Fennell
$24.99 21.36 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.985708 Composed by Traditional. Arranged by Todd Marchand. Chamber,Christmas,Folk,Sacred,Traditional. 16 pages. Con Spirito Music #590091. Published by Con Spirito Music (A0.985708). This lovely American folk melody is believed to have originated in the 19th century in the east-central United States region of Appalachia. Its lullaby-like qualities make this simple tune a fitting representation of the lowly circumstances of the Christ-child's birth in a stable, wrapped in swaddling cloths and laid in a manger. With flowing lines and a mix of traditional and contemporary harmonies, An Appalachian Carol is an ideal prelude or offertory to worship, and an ideal addition to any program of holiday music. Copyright 2018 Todd Marchand / Con Spirito Music. Visit www.conspiritomusic.com
An Appalachian Carol — brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$15.00 12.82 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1468129 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. 19th Century,Chamber,Folk,Historic,Traditional. 49 pages. Sweetwater Brass Press #1046440. Published by Sweetwater Brass Press (A0.1468129). In 1856 Joseph P. Webster, a Wisconsin songwriter, met Henry D.L. Webster (no relation), formerly the minister of Zanesville, Ohio’s Universalist Church.  Joseph was in the process of writing a song but needed lyrics to go with his melody.  Henry obliged by writing a longish poem about the love of his life, Ella Blocksom.  She had been his fiancée, but the engagement had been broken and, apparently, so had Henry’s heart.  Joseph’s melody needed a name that would fit into a three-note phrase, so “Ella” was changed to “Lorena.”  Chicago’s Higgins Brothers published the song in 1857, and it became widely popular.  When the American Civil war broke out, “Lorena” was beloved by both Union and Confederate soldiers as they thought of the wives and girlfriends they had left behind.       J.P. Webster’s “Lorena” is beautiful and plaintive. It is no wonder that this song has remained a sentimental favorite over the years and is still performed and recorded.  In this composition, “Lorena: A Brass Quintet Setting,” the “Lorena” tune has been expanded and transformed to create additional melodies that enhance and complement the original.  You’ll find it a pleasure to play and a real crowd pleaser for audiences.     This composition is 201 measures in length.  It begins in the key of E-flat, transitions to B-flat at section C (measure 51) and goes to F at section G (measure 141).  Initial tempo marking is Adagio, increasing to Moderato at section C.  There are a number of temporary tempo variations and fermata marks, and the last 9 measures are characterized by a gradual slowing.     The introduction is 21 measures in length.  It leads to the second section, which consists of a plain, simple and straightforward statement of J.P. Webster’s “Lorena” theme, complete with grace notes and gruppetto.  In this section, Horn and Trumpet 1 do the honors, eventually joined by Tuba, and it should be played with great expression.       At section C, tempo then picks up, and the arrangement presents a series of explications of the theme in various styles.       The final section, I (measure 179), reprises most of the variations and ends with a partial reiteration of the “Lorena” theme.     Performance time is about eight minutes, forty seconds.  Tuba plays several notes near the top of its scale; otherwise, all notes are within the normal playing range of each instrument.     The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
Lorena: A Brass Quintet Setting
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$6.99 5.97 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Ensemble - Level 3 - Digital Download SKU: A0.990610 Composed by C.S. Grafulla. Arranged by Emmett Anglin. Folk,Patriotic,Traditional. Score and parts. 13 pages. OTBM #3248517. Published by OTBM (A0.990610). This is a nice little march (quickstep) C.S. Grafulla wrote possibly before the American Civil War. I know he is famous for his Washington Greys but the fact is that he wrote around 20 other marches (quicksteps) The original is a piano piece I discovered through the Library of Congress. The actual original sheet music may now reside in The Duke Collection which was on loan to the LOC at the time I did this arrangement. Like many Brass Quintets the melody is mostly in the trumpets. However, the lower brass do get a piece of the melody from time to time. Probably around two minutes. 102 measures. F and B-flat major. Probably a grade 3. Highest trumpet pitch is g on the top of the staff.
Company 6 Quickstep by C.S. Grafulla - Brass Quintet from the Civil War
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$20.00 17.1 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus






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