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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1392839 Composed by Arthur Freed and Nacio Herb Brown. Arranged by Peet du Toit. Broadway,Musical/Show. 12 pages. Peet du Toit #976363. Published by Peet du Toit (A0.1392839). You Are My Lucky Star is a song originally written for the 1935 film Broadway Melody of 1936 by Nacio Herb Brown and Arthur Freed. The song was also featured in the 1952 film Singin' in the Rain sung by Betty Noyes as Kathy Selden and Gene Kelly as Don Lockwood.LyricsYou are my lucky starI saw you from afarTwo lovely eyes at me they were gleamingBeaming I was star struckYou're all my lucky charms I'm lucky in your armsYou've opened heaven's portal here on earth for this poor mortalYou are my lucky starYou are my lucky starI saw you from afarIf Garbo is a glamorous creatureYou're a four star featureThough you are never seenUp on a movie screenYou are my Shearer, Crawford, Hepburn, Harlow and my GarboYou are my lucky starSo, the Brass Quintet version hereof is available for your to play and enjoy.
You Are My Lucky Star
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$13.00 11.28 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1130436 Composed by Traditional Provençal Carol. Arranged by Todd Marchand. Chamber,Christmas,Holiday,Sacred,Traditional. 10 pages. Con Spirito Music #730806. Published by Con Spirito Music (A0.1130436). Bring a Torch, Jeanette, Isabella (French: Un flambeau, Jeannette, Isabelle) is a noël, or Christmas carol, from the Provence region of France. In lyrics by French poet and playwright Émile Blémont (1839-1927), Jeannette and Isabelle are shepherdesses who, upon discovering the baby Jesus and his mother in a stable, run to a nearby village to tell the inhabitants, who are urged to come quietly and whisper softly, so as not to disturb the baby sleeping peacefully in a manger. In Provence today, as in previous generations, torches remain a Christmas tradition, as on Christmas Eve children dress up as shepherds and milkmaids, carrying torches and candles to Midnight Mass while singing the carol.The melody on which this arrangement is based may date to as early as the 14th century — not as a sacred song, but as a lively dance. French composer Marc-Antoine Charpentier (1643-1704) used the melody for a drinking song in a 1672 revival of a comedy by the French playwright Molière. Blémont's sacred lyrics first appeared with this melody in Noëls français (1901), a collection of French carols transcribed and harmonized by musicologist and composer Julien Tiersot (1857-1936).©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
Bring a Torch, Jeannette, Isabella — brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$15.00 13.01 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet - Level 4 - Digital Download SKU: A0.1489511 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Historic,Patriotic,Pop. 38 pages. Https://gildedmusicpress.com/ #1066374. Published by https://gildedmusicpress.com/ (A0.1489511). In 2022 the United States Air Force celebrated 75 years of air and space dominance since its creation in 1947.  The festivities and ceremonies surfaced throughout the nation all year.  This composition was crafted as one of those celebratory creations.  “Legacy of Valor” was originally composed for brass quintet and rock band, with two vocalists singing a stirring account of legacy handed down from one generation to another.  The lyrics are here:In my youth, I knew a manWho loved to talk about his history;Unfolded his mystery!He made me laugh about some things,And we cried about some others,And we prayed as we talked about his fallen brothers.As I grew, I though a lotAbout that man who told me stories—His woes and his glories.Something firm about his voiceInspired my skill to make a choice,To recall our defenders’ valiant sacrifice.As I wanted to be like this man,As I pondered and dreamedOf becoming what I can,I hoped to see the day, without delay,To defend, like my friend!When I took the oath,I remembered that man!How proud he would beOf his brand new Airman!I answered the call.I’ll give it my all!I will not falter!  I will not fail!I’m a guardian of the tradition of honor!Fly, fight, and win!When I hold my little boy,And think of freedoms he’ll enjoy,I ponder his destiny.Yes, it’s hard when I deploy!But distance cannot destroyWhat I love; what I fight so very hard to save!Generations come and go.I wish they all could knowHow it feels to serve America.The piece was difficult for the singers, but they practiced hard, and the USAF Heartland of America Band premiered it during an Independence Day concert tour in June and July 2022, including the grand patriotic concert at Mount Rushmore.A casual comment from one of the singers lingered: “You write for singers like they’re horns!”  It is true that most of my compositional experience is with brass instruments.  This double brass quintet instrumental rendition of “Legacy of Valor” is indeed a much more musically gratifying composition.  It is the way it was supposed to be all along!Released in 2023 for the 76th birthday of the Air Force, this work and its message are appropriate for any patriotic event, including joint performances between any two brass quintets, civilian or military, American or global.  Many stirring meanings can be communicated and celebrated through “Legacy of Valor”!
Legacy of Valor, Op. 138 (Double Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$29.95 25.98 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Level 3 - Digital Download SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages. Jmsgu3 #3556935. Published by jmsgu3 (A0.549857). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140.  Program this for church services during Easter or as a recital encore. Also great for Weddings. Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the prelude, and a four-part chorale. He casts the new lyrics as recitatives – like the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the guards singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears; it catches the listener off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, most notable are the St. John Passion and, indeed, the Christmas Oratorio.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first of all pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here, he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here, he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his unique style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival               Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach's works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV.  
Bach: Wachet auf for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$39.95 34.66 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus






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