Guitar - Level 4 - Digital Download SKU: A0.964302 Composed by Biguang Tang and Shuhua Xu. Arranged by Evans, Jack. Contemporary. Guitar Tab. 6 pages. Jack Stanley Evans #5899567. Published by Jack Stanley Evans (A0.964302). Liuyang RiverThe Liuyang river is a section of the Xiangjiang river in China’s Hunan province; the original composition contains lyrics praising the beautiful scenery surrounding the river.This arrangement begins with the song’s melody played in the guitar’s low register with very sparse harmony, in an attempt to evoke the sound of a guqin; this section should be performed quietly but confidently and with a lot of rubato, almost as if the melody is being improvised by a guqin player. Be careful to maintain clear separation between melody and accompaniment, great importance is given to purity of melody in Chinese music so make sure that every note is given its full duration. Articulate all of the legato phrases smoothly throughout in order to create the impression of the flowing Liuyang River.

Guitar - Level 5 - Digital Download SKU: A0.964321 Composed by Chinese traditional. Arranged by Jack Evans. Folk,World. Guitar Tab. 9 pages. Jack Stanley Evans #6274353. Published by Jack Stanley Evans (A0.964321). One of the most famous pieces of Chinese classical music, this composition was originally written for solo Pipa and has been popular since the Ming Dynasty (1368-1644). It was previously known as Pipa of Xunyang, and Flute and Drum Music at Dusk, before it was given its current name in 1925. The name Moonlit Night on the Spring River is derived from a Tang Dynasty (618-907) poem by Zhang Ruoxu, which is very well regarded in China. The poem describes a scene of moonlight reflecting on the surface of a river in spring.Moonlit Night on Spring River is written in a multi-sectional form, with each section noticeably different to the others but with some recurring phrases which tie the whole composition together. Although it was originally composed for pipa, this guitar arrangement is based on a version for guzheng, which is a relative of the guqin, but with 21 strings and moveable bridges. The tuning for this arrangement is DGBEAD, from the lowest to highest string. As with Moon Over Guan Mountain, this arrangement is scored one tone higher, as if the third and fourth strings have been detuned by a semitone. I used a mixture pick, fingers, and hybrid picking to play this arrangement, with the fast, single note lines played with a pick and the loud chordal passages with hybrid picking. The quieter sections use fingers only.