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Guitar - Level 4 - Digital Download SKU: A0.1117264 By Rush. By Alex Lifeson and Geddy Lee Weinrib. Arranged by Dan Chernow. 20th Century,Contemporary,Pop,Rock. Guitar Tab. 26 pages. Dan Chernow #718846. Published by Dan Chernow (A0.1117264). Meticulous note-for-note guitar transcription of the classic song by Rush. This is a wholly new and original transcription, done solely by Berklee graduate and guitar instructor Dan Chernow, and has never before been available until now. The longest song on Rush's first album. Basically unknown (even amongst many Rush fans) and hugely underrated, this 7.5 minute tune is a masterclass in young Lifeson's guitar arranging skills as well as as well as being a showcase for the more lyrical side of his early, bluesy style. There's some really masterful lead phrasing here, remarkable for a 21 year old. 'Here Again' truly contains one of his first of many great guitar solos he has given us over the years. Essential early Lifeson here, and I am very proud to present the guitar parts fully transcribed here for the first time with the painstaking note-for-note accuracy it deserves. SEE and HEAR this on YouTube! (link to full video included near bottom of pdf).
Here Again
Guitare notes et tablatures
Rush
$7.49 6.43 € Guitare notes et tablatures PDF SheetMusicPlus

Guitar - Level 2 - Digital Download SKU: A0.1243776 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Martin Hay. Broadway,Classical,Film/TV,Instructional,Musical/Show. Guitar Tab. 4 pages. Martin Hay #838747. Published by Martin Hay (A0.1243776). Over the Rainbow is an iconic song from the classic film The Wizard of Oz, released in 1939. It was composed by Harold Arlen with lyrics by E.Y. Harburg and beautifully sung by Judy Garland, who portrayed the film's protagonist, Dorothy Gale. The song serves as a powerful expression of longing and hope, reflecting Dorothy's desire to escape her mundane life in Kansas and find a place where dreams come true. With its poignant melody and heartfelt lyrics, Over the Rainbow captures the universal yearning for a better and more colorful world beyond our everyday reality. It has since become one of the most beloved songs in American cinema, resonating with audiences of all ages and inspiring countless renditions by artists worldwide. Over the Rainbow continues to evoke feelings of optimism, imagination, and the enduring power of dreams.
Over The Rainbow
Guitare notes et tablatures
Judy Garland
$4.99 4.28 € Guitare notes et tablatures PDF SheetMusicPlus

Solo Guitar - Level 4 - Digital Download SKU: A0.1153109 Composed by Franz Xaver Gruber. Arranged by Richard Hirsch. Christmas,Multicultural,Religious,Standards,Traditional,World. Individual part. 8 pages. Richard Hirsch #753352. Published by Richard Hirsch (A0.1153109). An arrangement for solo guitar of the all-time favourite Christmas carol composed by Franz Gruber. The arrangement starts with an introduction of the melody in arpeggios of natural harmonics and moves into broken chords mixed with arpeggios for the first rendering of the song in 6/8 time. In the second part, at the shift to 4/4 time, the melody is rendered in an African inspired version with natural harmonics reminiscent of tunes played on an African kalimba (thumb harp) woven into the broken chords and arpeggios. As the speed increases, and the volume decreases, the arrangement moves steadily toward a total kalimba version. I like to think of the first part of the arrangement as symbolising a night in the little Austrian village where Gruber lived and composed the song. The natural harmonics and base notes and treble notes on open strings denoting the village chapel bells ringing on Christmas Eve. The second part tries to give a feel for how the melody can stand as a symbol of our common human origins in Africa, celebrating the birth and unity of humanity. The arrangement is within reach of intermediate to advanced students of guitar and is a good introduction to natural harmonics on the twelfth, seventh, and fifth frets. The African inspired polyrhythm fingerpicking in the second part consists basically of the thumb alternating with the index and middle fingers in a repetitive cycle. The second part is notated in 4/4 time, but can perhaps be more easily be read and played as 8/8 time, as practically everything, especially towards the end of the arrangement consists of eight notes. The polyrhythmic second part should have an accent on the downbeat of the first beat of the measure followed by an accent at 3and (an upbeat), just before the fourth and final beat of the measure. Reading the four part harmony of the score may at first present a challenge but if played basically as eight notes followed by eight notes everything should come out right in the end. Refer to the mp3 version provided with the score if in doubt. I do not mark the natural harmonics explicitly in the tablature, there are simply too many of them. The diamond shaped notes in the notation denoting harmonics are found directly above the corresponding fingerings in the tablature. It has been a real joy to work with this arrangement of the song and I hope it brings joy to others in playing it, giving new life to the traditional melody.
Silent Night: From Austria to Africa
Guitare notes et tablatures

$4.99 4.28 € Guitare notes et tablatures PDF SheetMusicPlus

Guitar - Level 1 - Digital Download SKU: A0.1175289 Composed by Brian Streckfus. Instructional. Guitar Tab. 5 pages. Brian Streckfus #774500. Published by Brian Streckfus (A0.1175289). Pages: 5 (84 chords to name)Objective:Instead of learning chords one by one, you instead learn how to build chords yourself. Also, this mindset helps in composing, because instead of seeing things as wrong chord versus correct chord, you simply see it as every harmony as a name. Like many things in life, theoritcal concepts can allow you to formulate thousands of outcomes in a single day. Tips:1. You start counting from 0 for this exercise if that makes any sense. Avoid the common fence post error by overcounting by 1. Other times you start counting from 1 in music is when talking about scale degrees. What is the distance from C to E? C(0) C#(1) D(2) D#(3) E(4).2. Use the chromatic scale at the top to help in counting.3. E# = F...Fb = E...B# = C...Cb = B...In otherwords, don't let strange enharmonics confuse you. Picture the black key sometimes missing between white keys on a piano in your mind if it helps. 4. Even though enharmonics like E# can seem confusing, they can actually add clarity sometimes because they cause the chord to stack perfectly in the sheet music and letter names. A# C# E#...versus...A# C# F...Sure, F is easier to understand in a part, but it actually makes the harmony harder to understand because not it looks like it isn't 3rds, even though it is.5. I included tab just to make this worksheet a little bit more interesting; however, the guitar chords that result are NOT practical. Voicings of common guitar chords are much more spread out, and often contain more duplicate letter names. Practical guitar chords is sort of a different conversation. I sort of did this intentionally to prove that perfectly stacked voicings do not work well on guitar. C E G Bb perfectly in order in harmony, sounds like it would be easy on guitar, but it is not.6. To make this more practical on guitar, I recommend building the chords yourself by simply knowing letter names well on guitar. The next time something asks for G major, don't just play a common voicing, actually find G B D randomly on the guitar neck. 7. Often the fifth of a chord is removed since it is the least important to invoking the flavor of the chord. This is especially true on guitar because we quickly run out of fingers and strings.8. The nature of the piano lends pianists to constantly seeing these distances on a linear plane. Conversely, guitar is a very murky instrument since the real distances of pitches is counterintuitive to arbitrary (usually) fret numbers! That is why many guitarists would benefit from thinking this way, instead of thinking of chords simply as shapes (which is also important for different reasons). In other words, try to build a chord on one string on guitar. It is impractical, but the half step distances required for chords will make much more sense.To Do:1. Slight differences in how the sheet look need to be made similiar.2. Remove green line.
Triad Chord Worksheet
Guitare notes et tablatures

$1.99 1.71 € Guitare notes et tablatures PDF SheetMusicPlus






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