SKU: AX.00-PR-0005390

UPC: 038081268675.

720 in the Books is a swinging chart that will excite any vocalist and jazz ensemble! This terrific Dave Wolpe chart is arranged in two keys for flexibility, and includes a fabulous shout chorus and a tenor sax solo. Vocal range: Vocal range: high key of A-flat (male) middle B to fourth space E-flat, low key of E-flat (female) F-sharp below middle C to third line B-flat.
Solo with ensemble.

SKU: A0.633526

An excellent arrangement of famous Flight Of The Bumble Bee by Nikolai Rimsy-Korsakov for Violin with Background Track (Jazz/Pop Version).
https://www.youtube.com/watch?v=GluziM0y9x8
The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
Additional Information regarding my arrangements at SheetMusicPlus:
https://www.facebook.com/arrangementsofsheetmusic

SKU: A0.1130066

Peter Stöve ‘What If Benny Goodman…’ series, Vol. 3! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). As jazz history books like Gunther Schuller’s tell us, Benny Goodman’s rendition of Jelly Roll Morton’s ‘King Porter Stomp’ in the arrangement of Fletcher Henderson ‘ushered in the Swing Era’. That this tune already had a long and venerable career was obvious to every jazz lover: starting with Morton’s own recording from 1923, it was revived on a regular basis by Fletcher Henderson for his orchestras of the ‘twenties and ‘thirties. He then adapted the tune for the Benny Goodman Orchestra, which made it a hit in 1935. And from that moment on, the tune stayed popular: in 1975 it was recorded by the Gil Evans Orchestra for the album ‘There Comes A Time’. But during the ‘twenties, Henderson picked up more ‘jazz and stomp’-tunes (as opposed to the Tin Pan Alley/Broadway fare) and had them arranged for his orchestra. One such example is a tune credited to pianist/bandleader/businessman Clarence Williams (although other sources state that it was actually written by Joseph Joe Jordan, one of the early ragtime ‘professors’). That is the composition ‘Hop Off’, a very swinging, hard-driving multi-strain tune. Henderson recorded it in 1927. However, unlike ‘King Porter Stomp’, Henderson never chose to ‘adapt’ this tune for his ‘thirties swing-style orchestra, and so it never became a part of the Goodman Orchestra’s band book. What if Henderson had done so, and in 1935 had handed over the tune to Goodman as an addition for his ‘Let’s Dance’-library? ‘Hop Off’ is presented here as a piece that could have been a cornerstone of the Goodman band library. Based on the 1927 Henderson arrangement, it juxtaposes the two main strains of the original composition for maximum variety. Plenty of breaks, stoptime-sections and other ‘hot’ stuff. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Solo’s for clarinet, tenor sax 1, tpt 2, trb 1 and a brief four-bar spot for the drummer at the end. If your band is able to play ‘King Porter Stomp’, this tune should cause no problems. The only exception is the presence of a solo clt part. The clarinet soloist must be a first-class ‘BG-wannabe’: fluent soloist, comfortable in the upper register. Must be able to be heard over a shouting ensemble chorus. If your band has such a player: have fun!

SKU: A0.877853

Love at First Sight by Deborah Johnson is a beautiful love song ballad that tells a captivating and heartwarming story. Originally on the album Chocolate: Songs of Love. (https://DJWorksMusic.com/products)

Individual Original Album MP3 here: https://www.amazon.com/Chocolate-Songs-Love-Deborah-Johnson/dp/B0015KJAD2This arrangement is perfect for solo performance or performance with small rhythm section. Individual extracted vocal part with rhythm is also included in this sheet music, including piano/chords and vocal for rhythm sections and a lyric sheet. A total of 15 pages, including cover.

The vocals are from F below middle C to A above for only a little over an octave and a half range. The piano score is written out and is at the intermediate level, very achievable for most players. It is a richly arranged beautiful piece that would be a good addition for most any event!

 MP3s of the song and the instrumental track are also available.

DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded over a dozen albums, written 3 original musicals and has appeared on many stages around the country and world. The author of multiple books, her music has been up for multiple GRAMMY Awards. You can find out more about Deborah at https://DJWorksMusic.com, https://GoalsForYourLife.com or https://DeborahJohnsonSpeaker.com. Follow her on Instagram @Deborah_JohnsonMusic or on Facebook @Deborah.Johnson

Production, Music and Lyrics by Deborah Johnson. Keyboards: Deborah Johnson; Background Vocals: Deborah Johnson & Charlie Clark; Sequencing & Orchestration: Richard Callaci.

SKU: A0.858663

Lead sheet (melody & chords) in an easy to follow format with selections from Tchaikovsky's classical masterpiece. Three full sets of parts; for C instruments, Bb instruments and Eb instruments; perfect for the bandleader with different pitched instruments on the bandstand.

A Holiday and Christmas songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap, with all essential music notes, additional musical cues and rehearsal markings throughout. Layout is in a larger style font than lead sheets in a typical fakebook yet still condensed with minimal page turns. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music or as accompaniment to a soloist such as violin or flute.

Selections include:
Overture
March
Arabian Dance
Chinese Dance
Russian Dance
Dance Of The Reed Flutes
Waltz Of The Flowers
Dance Of The Sugar-Plum Fairy

Please click on publisher to purchase in the Christmas Classics Fake Book compilation. which is also available as a Bandleader Gig Pack with 3 complete fake books. (C, Bb & Eb instruments)

Christmas Classics Fake Book (C Instruments): https://www.sheetmusicplus.com/title/20936007 - Item Number: S0.440923

Christmas Classics Fake Book (Bb Instruments): https://www.sheetmusicplus.com/title/20940166 - Item Number: S0.444845

Christmas Classics Fake Book (Eb Instruments): https://www.sheetmusicplus.com/title/20940155 - Item Number: S0.444839

Christmas Classics Fake Book - Bandleader Gig Pack (C, Bb & Eb Instruments): https://www.sheetmusicplus.com/title/20953727 - Item Number: S0.453973

SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289

Online: http://stephenbulat.com