Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.765525 By 5000 Volts. By Antony Michael Eyers, Bruce Springsteen, Doc Pomus, Jerome Pomus, and Mort Shuman. Arranged by Jim Farley www.arrangementsone.com. Contemporary. Score and parts. 39 pages. Jim Farley arrangementsone.com #6697379. Published by Jim Farley arrangementsone.com (A0.765525). ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s, and has thousands of works, spanning various genres in his catalogue: musical theater, pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptions that are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact the arranger at: jfarley@arrangementsone.com and visit his website at www.arrangementsone.com

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.979665 Composed by Roger Aldridge. Jazz,World. Score and parts. 12 pages. Roger Aldridge #512603. Published by Roger Aldridge (A0.979665). Fanfare (for 4 or 5 wind instruments and rhythm section) was inspired by Brazilian brass bands. It was written for music students at the Sandy Spring Friends School in Maryland. This music has an exuberant spirit with samba rhythms churning under contemporary harmonic voicings. It is intended to be a short piece; however, the vamp at the end can be extended with a solo or collective improvisation. Another option is to have a percussion intro before the horn section enters with the opening chords. While Fanfare was draws upon Brazilian music, it is in my own style. Unlike my other pieces for mid-size ensemble, the rhythm section is optional for Fanfare. In this way, the piece can be performed by woodwind or brass quintets, clarinet ensemble, or sax quartet/quintet as several possibilities. Additionally, it can be easily adapted for big bands and larger ensembles by doubling players on parts so that each line has a distinctive blending of tone colors. Suggested assignment of parts for a big band: I -- 4 trumpets (open); II -- clarinet, soprano sax; III - alto sax, trombone (open); IV - tenor sax, trombone (cup), trombone (bucket); V - baritone sax, bass trombone (open). PARTS: The set of parts is available at FANFARE PARTS (S0.90413). CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ VIDEO: https://youtu.be/Sdi3-7NeY7I DURATION: around 3:00 YEAR OF RELEASE: 2015 PERFORMANCE: The score is concert pitch and uses flexible instrumentation. This piece may be performed with or without a rhythm section. ENSEMBLE CONCEPTS: http://www.rogeraldridge.com/mid-size-ensemble.html

Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1284986 Composed by David Zuckerman, Seth MacFarlane, and Walter Murphy. Arranged by Patrick Sheehan. Broadway,Film/TV,Musical/Show. Score and Parts. 28 pages. Patrick Sheehan #876113. Published by Patrick Sheehan (A0.1284986). Transcribed as recorded for television.INSTRUMENTATION: Alto Saxophone I (Eb), Alto Saxophone II (Eb), Tenor Saxophone II (Bb), Tenor Saxophone II (Bb), Baritone Saxophone (Eb), Trumpet I (Bb), Trumpet II (Bb), Trumpet III (Bb), Trumpet IV (Bb), Trombone I, Trombone II, Trombone III, Bass Trombone (IV), Character Vocalists, SATB Chorus,Violin I, Violin II, Viola, Violoncello, Piano, Electric Guitar, Electric Bass, Drumset.ABOUT THE ARRANGER:  Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 2,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections.  His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music.  For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1285357 Composed by David Zuckerman, Seth MacFarlane, and Walter Murphy. Arranged by Patrick Sheehan. Broadway,Film/TV,Musical/Show. Score and Parts. 25 pages. Patrick Sheehan #876474. Published by Patrick Sheehan (A0.1285357). Transcribed as recorded for television.INSTRUMENTATION: Alto Saxophone I (Eb), Alto Saxophone II (Eb), Tenor Saxophone II (Bb), Tenor Saxophone II (Bb), Baritone Saxophone (Eb), Trumpet I (Bb), Trumpet II (Bb), Trumpet III (Bb), Trumpet IV (Bb), Trombone I, Trombone II, Trombone III, Bass Trombone (IV), SATB Chorus, Violin I, Violin II, Viola, Violoncello, Piano, Electric Guitar, Electric Bass, Drumset.ABOUT THE ARRANGER:  Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 2,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections.  His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music.  For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1506961 By Michael Drake. By Michael Drake. Arranged by Kevin Carberry. Broadway,Film/TV,Jazz,Multicultural,Musical/Show,Reggae,World. 104 pages. Michael Gene Drake #1082343. Published by Michael Gene Drake (A0.1506961). “Please Don’t Love Me From A Distance” Is a Big Band arrangement of a song from my CD “No Tan Lines” 1997. It is a vocal with a horn solo.michaeldrakemusic@outlook.com  www.drakemusic.com  https://www.youtube.com/watch?v=LC-6AT5diPw Please Don’t Love Me Oh oh oh oh oh From A Distance.Please Don’t Love Me From A Distance, I got to have you next to me,Through the good times and the sorrow, My love for you will always be,Please Don’t Love Me From A Distance, Let our lives reflect ourselves,May we always keep in our hearts,A love that shares and understands.Please Don’t Love Me From A Distance, Believe in us and we become,Like the oak tree in our front yard,Growing tall and very strong.Please Don’t Love Me From A Distance, Please don’t love me from afar,Please don’t love me from arms length,‘Cause this is all that I ask of you.

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1350509 By Michael Drake. By Michael Drake. Arranged by Kevin Carberry. Broadway,Contemporary,Film/TV,Jazz,Musical/Show,Singer/Songwriter. 89 pages. Michael Gene Drake #935321. Published by Michael Gene Drake (A0.1350509). Jamaica - from the CD SAZZUNK, is a Tropical composition featuring a vocalist but this arrangement has the melody written for Trumpet solo. Simple Tropical Rhythm accents for the horns in the background augment and compliment the flavor for the melody. The soring solos are transcribed so hang on to your hat as it ends with a wild and crazy line for everyone to play! Modulations of the melody push it into new levels of heat followed by a more blazing hot solo at the end!LYRICSI’ve gone away, far away, to find my love in Jamaica,The sky was red, like my love, She’s gone away to the island,I’ll look for her, in the wind,That’s where she left her love for me,And though it might take for ever,My love for her flows endlessly,Chasin’ all my dreams, as far as they may go,You’re the one I love and you’re the one I need.I’ve gone away far away, to find my love in Jamaica,She was to me loves breath of live,Without her I’m not whole,I was to her, I thought the same,She left me amidst the game,Is there no hope for a man, Who’s lost his love to the wind 

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea� over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,� and the song ends with: “and never again I’ll go sailing.� It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables� and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.