Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download

SKU: A0.1453561

By Hank Williams. By Clarence Williams. Arranged by John Hoesly. Blues,Jazz,Pop. 62 pages. PRS&B #1032785. Published by PRS&B (A0.1453561).

MY BUCKET’S GOT A HOLE IN IT- Great old blues tune presented in the style of Count Basie. Rich, thick harmonies. Arrangement for Little Big Band/ Jazz Ensemble. My Bucket's Got a Hole in It has been recorded by various artists, but it's perhaps most famously associated with Country & Western legend, Hank Williams. The song was written by Clarence Williams, and it was recorded by Williams in 1949. Difficulty: Intermediate. 

Little Big Band- The arrangement is playable with rhythm section (piano/guitar, bass, drums)and 3 to 6 horns. Horns in order of importance: 1st Trumpet (1st Part), Alto Saxophone (2nd Part), Trombone (3rd Part), Tenor Saxophone (4th Part), Baritone Saxophone (5th Part), 2nd Trumpet (6th Part). Includes an optional Vibraphone/Guitar part and alternate parts for the Baritone Saxophone (Trombone), the 2nd Trumpet (Alto Saxophone), and the Trombone (Tenor Saxophone).

Also see: You’ve Lost That Lovin’ Feelin’, Stand By Me, Yesterday, All I Have To Do Is Dream, Killing Me Softly With His Song, Ease On Down The Road, Embraceable You, I’m Gonna Sit Right Down…, In The Mood, Jersey Bounce, Oh, Lady Be Good, Memories Of You, My Buckets Got A Hole In It, Ode To Billy Joe, Stride (based on a theme from Rhapsody In Blue), The Summer Knows, They Can’t Take That Away From Me, Where Or When. Arranged by John Hoesly.

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download

SKU: A0.1453550

By Billy Williams. By Fred E. Ahlert and Joe Young. Arranged by John Hoesly. Broadway,Jazz,Musical/Show,Pop,Standards. 52 pages. PRS&B #1032775. Published by PRS&B (A0.1453550).

I’m Gonna Sit Right Down And Write Myself A Letter- music by Fred E. Ahlert and lyrics by Joe Young. Arrangement for Little Big Band/ Jazz Ensemble. Written in 1935 and one of the most recorded songs ever. It seemed to work in all genres. Rock, Swing, Pop…on and on. Recorded by Frank Sinatra, Nat King Cole, Barry Manilow, Willie Nelson, Bill Haley and His Comets, Fats Waller and Count Basie. Even Paul McCartney.

This arrangement is in the style of Basie’s LIL’ DARLIN’…a slow burn. Relaxed, but full of energy. Difficulty: Intermediate. A standard of the Great American Songbook.

Little Big Band- The arrangement is playable with rhythm section (piano/guitar, bass, drums)and 3 to 6 horns. Horns in order of importance: 1st Trumpet (1st Part), Alto Saxophone (2nd Part), Trombone (3rd Part), Tenor Saxophone (4th Part), Baritone Saxophone (5th Part), 2nd Trumpet (6th Part). Includes an optional Vibraphone/Guitar part and alternate parts for the Baritone Saxophone (Trombone), the 2nd Trumpet (Alto Saxophone), and the Trombone (Tenor Saxophone).

Also see: You’ve Lost That Lovin’ Feelin’, Stand By Me, Yesterday, All I Have To Do Is Dream, Killing Me Softly With His Song, Ease On Down The Road, Embraceable You, I’m Gonna Sit Right Down…, In The Mood, Jersey Bounce, Oh, Lady Be Good, Memories Of You, My Buckets Got A Hole In It, Ode To Billy Joe, Stride (based on a theme from Rhapsody In Blue), The Summer Knows, They Can’t Take That Away From Me, Where Or When. Arranged by John Hoesly.

Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download

SKU: A0.1130066

By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 84 pages. Peter Stove #730446. Published by Peter Stove (A0.1130066).

Peter Stöve ‘What If Benny Goodman…’ series, Vol. 3! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). As jazz history books like Gunther Schuller’s tell us, Benny Goodman’s rendition of Jelly Roll Morton’s ‘King Porter Stomp’ in the arrangement of Fletcher Henderson ‘ushered in the Swing Era’. That this tune already had a long and venerable career was obvious to every jazz lover: starting with Morton’s own recording from 1923, it was revived on a regular basis by Fletcher Henderson for his orchestras of the ‘twenties and ‘thirties. He then adapted the tune for the Benny Goodman Orchestra, which made it a hit in 1935. And from that moment on, the tune stayed popular: in 1975 it was recorded by the Gil Evans Orchestra for the album ‘There Comes A Time’. But during the ‘twenties, Henderson picked up more ‘jazz and stomp’-tunes (as opposed to the Tin Pan Alley/Broadway fare) and had them arranged for his orchestra. One such example is a tune credited to pianist/bandleader/businessman Clarence Williams (although other sources state that it was actually written by Joseph Joe Jordan, one of the early ragtime ‘professors’). That is the composition ‘Hop Off’, a very swinging, hard-driving multi-strain tune. Henderson recorded it in 1927. However, unlike ‘King Porter Stomp’, Henderson never chose to ‘adapt’ this tune for his ‘thirties swing-style orchestra, and so it never became a part of the Goodman Orchestra’s band book. What if Henderson had done so, and in 1935 had handed over the tune to Goodman as an addition for his ‘Let’s Dance’-library? ‘Hop Off’ is presented here as a piece that could have been a cornerstone of the Goodman band library. Based on the 1927 Henderson arrangement, it juxtaposes the two main strains of the original composition for maximum variety. Plenty of breaks, stoptime-sections and other ‘hot’ stuff. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Solo’s for clarinet, tenor sax 1, tpt 2, trb 1 and a brief four-bar spot for the drummer at the end. If your band is able to play ‘King Porter Stomp’, this tune should cause no problems. The only exception is the presence of a solo clt part. The clarinet soloist must be a first-class ‘BG-wannabe’: fluent soloist, comfortable in the upper register. Must be able to be heard over a shouting ensemble chorus. If your band has such a player: have fun!

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download

SKU: A0.734712

By Thelonious Monk. By Cootie Williams and Thelonious Monk. Arranged by Joe Hasper. Jazz. Score and parts. 49 pages. Joseph Hasper #2151309. Published by Joseph Hasper (A0.734712).

New jazz chart for bigger combo with five horns (trumpet, alto sax, tenor sax, bari sax, and trombone) and rhythm section (piano, bass, drums). Includes a full score and all parts. 

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download

SKU: A0.734713

By Thelonious Monk. By Cootie Williams and Thelonious Monk. Arranged by Joe Hasper. Jazz. Score and parts. 21 pages. Joseph Hasper #2151317. Published by Joseph Hasper (A0.734713).

Basic Jazz Combo arrangement for flexible combo with any lead instrument (parts supplied for C, Bb, Eb, and Bass Clef lead instrument) with piano or guitar, bass, and drums. Bass part is fully notated, with chord symbols added. Includes a set of parts for each instrument.

A Basic Jazz Combo arrangement is like playing from a lead sheet or Real Book, except better! Our Basic Jazz Combo adds features you don't get from a lead sheet or Real Book: a fully worked out intro and ending, a written bass part, and a full drum chart.

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download

SKU: A0.1279479

By Billy Williams. By Fred E. Ahlert and Joe Young. Arranged by Brad Esbensen. Jazz,Standards. Score and Parts. 97 pages. Brad Esbensen Music Services #870962. Published by Brad Esbensen Music Services (A0.1279479).

This arrangement for big band and vocalist is written in the key of Ab minor and features an ensemble shout as well as solo space for 1st Trombone, 2nd Trumpet, and Piano. Brass ranges are generally moderate, but 1st Trumpet requires an Eb6 and 1st Trombone an Ab4. I hope you enjoy performing this chart and if you would like it transposed into another key, please e-mail me at brad@bemus.com.au. www.bemus.com.au.

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download

SKU: A0.753622

By Billy Williams. By Fred E. Ahlert. Arranged by John Hoesly. Contemporary. Score and Parts. 46 pages. PRS&B #4608189. Published by PRS&B (A0.753622).

I’M Gonna Sit Right Down And Write Myself A Letter- music by Fred E. Ahlert  and lyrics by Joe Young. Written in 1935 and one of the most recorded songs ever.  It seemed to work in all genres. Rock, Swing, Pop…on and on.  Recorded by Frank Sinatra, Nat King Cole, Barry Manilow, Willie Nelson, Bill Haley and His Comets, Fats Waller and Count Basie. Even Paul McCartney. 

This arrangement is in the style of Basie’s LIL’ DARLIN’…a slow burn.  Relaxed, but full of energy.

It is written for small big band; Alto, Tenor, Bari, 2 Trumpets, Trombone and 5 rhythm (including opt. vibes and guitar).  There are alternate parts and a score included.  The solo section can be played by anyone (a solo sheet for all parts is included). Difficulty: Intermediate.  Lead Tpt A5.

A standard of the Great American Songbook.