Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1109715 Composed by Frederic Chopin. Arranged by Ben Pritchard. Classical,Jazz. Score and parts. 52 pages. Benjamin Pritchard #712065. Published by Benjamin Pritchard (A0.1109715). This arrangement is in memory of Eric Doney (piano) and Rick Chamberlain (trombone) who passed away with months of one another from cancers. The arrangement, therefore, features piano and trombone throughout. It begins with a potion of Eric Doney's songs called “A Winter’s Tale.� It should be played freely. The pianist should feel free to ad lib, add his/her own style, and expand from the basic lead sheet given. This introduction leads into Chopin’s Nocturne Opus 9 No. 2 featuring lead trombone with rhythm section. Rick CHamberlain was a great ballad player and had terrific range. This arrangement pays respect to Rick’s range and goes up to a high D! At measure 49 the band takes over, particularly the lead trumpet. The sax section takes over at measure 65 with an up tempo sax soli, which can be joined by lead trombone. That is followed by a rubato piano in Eric’s style feature, and then up tempo solo sections for both trombone and piano. The ballad feel come back at measure 131 until the end. The ending is an Eric Doney ending. He often used this ending in his version of “Amazing Grace.�.

Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.947278 Composed by John Philips. Jazz. Score and parts. 18 pages. John Philips Music Service #3867729. Published by John Philips Music Service (A0.947278). This is an alto sax feature ballad. The melody is full and rich and could make you think of Johnny Hodges. First bridge is alto 1 & 2 in unison...with solo alto out front and alto 2 in section it gets a nice echo effect--Last 8 back to alto 1 solo. First half of second chorus has a band within a band over background. Solo part has a few notes past an eighth.Last bridge trombones then alto solo last 8. Ending is very dramatic with some interesting alto work..the very last note is held over the band....like Harlem Nocturne. Not too fast.Don’t let the last note scare you, look at your fingering chart or play it 8va lower. If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.