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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.774142 Composed by Peggy Duquesnel. Jazz,Latin. Score and parts. 4 pages. Duquesnel Music Publishing #20203. Published by Duquesnel Music Publishing (A0.774142). Old Friends is the Title Song from the Album Old Friends, which is an exquisite and unique collection of original jazz compositions by pianist/composer Peggy Duquesnel performed by a stellar jazz quartet featuring John Patitucci/Bass, Bob Harsen/Drums and Albert Wing/Sax. This song works well with Solo Piano, Piano Duo, Piano Trio, and Jazz Ensembles. Also available: Bass Part, Bb Part and Eb Part. https://itunes.apple.com/us/album/old-friends/id4259103 http://joyspringmusic.com/old-friends/.
Old Friends - Lead Sheet
Ensemble Jazz

$3.99 3.5 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.922585 By James Taylor. By Carole King. Arranged by Johan Verhey. Jazz,Pop,Singer/Songwriter. 72 pages. DaimlerMusic #6529901. Published by DaimlerMusic (A0.922585). Prepare to be transported to a realm of musical emotion and connection with this stunning big band arrangement of 'You've Got A Friend' by Carole King, carefully crafted by the talented Johan Verhey. This rendition is a masterful testament to the power of music to touch the deepest corners of the heart.With each note and every instrument, Johan Verhey's arrangement gracefully weaves together the familiar melody and lyrics into a rich tapestry of sound. It brings forth an entirely new dimension of warmth, tenderness, and nostalgia. Whether you're a fan of the original or experiencing this song for the first time, Johan Verhey's big band arrangement will undoubtedly leave an indelible mark on your soul.The lush harmonies, the soulful horn section, and the rhythmic drive of the band encapsulate the true essence of friendship and support, making this rendition a heartwarming tribute to the power of camaraderie and solidarity. It's a musical journey that's sure to resonate with audiences of all ages and backgrounds, proving that the message of 'You've Got A Friend' transcends generations.Johan Verhey's arrangement is a testament to the enduring relevance of Carole King's lyrics and melodies. It's not just music; it's a sentimental voyage that will touch your heart and remind you that, indeed, you've got a friend in this extraordinary piece of art.Prepare to be moved, uplifted, and reminded of the beauty of true friendship. Your audience will be captivated, and your musicians will relish every moment of performing Johan Verhey's enchanting arrangement. 'You've Got A Friend' will forever hold a special place in your heart, just like the friends who stand by your side. Embrace the magic, and let Johan Verhey's music do the talking.More music from Johan Verhey, see: www.bestarrangementsforbands.com.
You've Got A Friend
Ensemble Jazz
James Taylor
$60.00 52.61 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.1082648 By War. By Charles W. Miller, Harold R. Brown, Howard Scott, Jerry Goldstein, Lee Oskar, Lonnie Jordan, Morris Dickerson, and Sylvester Allen. Arranged by Ryan Hyde. Jazz,Latin,Pop. Score and parts. 26 pages. Ryan Hyde #686860. Published by Ryan Hyde (A0.1082648). Remember the band WAR? “Lowrider?†“Why Can’t We Be Friends?†This chart is a simple, fun, elegant, and beautiful chart by WAR for you to do with your jazz choir. The rhythm section parts are simple and repetitive, and the vocal lines are very smooth and based on phrasing. Students will love singing through these lines, and a player or singer will love improvising over the end of the piece! A sure winner for your group!
All Day Music
Ensemble Jazz
War
$60.00 52.61 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
Beyond The Sea *INSTRUMENTAL PACK ONLY*
Ensemble Jazz

$30.00 26.31 € Ensemble Jazz PDF SheetMusicPlus






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