Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.879903 Composed by Joseph Hasper. Jazz. Score and parts. 57 pages. Joseph Hasper #486266. Published by Joseph Hasper (A0.879903). A bright jazz ensemble number scored for big band: 5 saxes, 4 trumpets, 4 trombones, and rhythm section. This chart features written ad lib solo space for alto sax and guitar, cued in tenor, trumpet, and trombone, which could be expanded if desired. Duration is 4'50 at the indicated mm=90 tempo.

Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.947270 Composed by John Philips. Jazz,Latin. Score and parts. 25 pages. John Philips Music Service #3867639. Published by John Philips Music Service (A0.947270). First adjust the tempo. This is Latin Big Band. Montunos are played at 175 or more, like sambas and merenges. The idea is a simple structure of 2,4,8 or 16 bars for solos, the harmonic content is limited so the soloist must be very clever. The piano is Cuban Style and written out. Will open for solos. Drums, bass & piano must be played as is to get the effect. . Good for programs or dances. . The rhythm section must play as written for the best effect. You must have a full time claves player---without claves you are not playing LATIN MUSIC.If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.

Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.947275 Composed by John Philips. Jazz,Latin. Score and parts. 30 pages. John Philips Music Service #3867663. Published by John Philips Music Service (A0.947275). This a very real Latin in the style of Perez Perado. It is in mambo style and like all Latin it must have a claves playerfull time or is is not Latin. It is not difficult but requires good intonation and a drummer that plays the correct rhythm--not the usual heavy on 3 rock.If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.

Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.947273 Composed by John Philips Music Service. Jazz. Score and parts. 26 pages. John Philips Music Service #3867651. Published by John Philips Music Service (A0.947273). This is all about your bary player. He should stand in front of the band into a mic. Be careful not to have the band so loud that you cover the soloist. The whole charts revolves around the LOW 'A . Solo has a few notes beyond an eighth. Watch the ending--the Bary does a Basie ending, very high. A happy loose chart.If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.

Jazz Ensemble Jazz Ensemble - Level 1 - Digital Download SKU: A0.947265 Composed by John Philips. Blues,Jazz. Score and parts. 17 pages. John Philips Music Service #3867627. Published by John Philips Music Service (A0.947265). Very easy chart for middle schools on up. Based on 12 bar blues it runs at about 140 and has simple themes that are done with unison sections. It’ funky 2 beat and make you want to clap your hands on 2 & 4. Fun to play, younger players can do it and learn. It usually works to have the horn players that are not playing in the first part of the chat clap their hands over their head on 2 and 4. This will get the people into it. This is a simple funky 2 beat and should be kept that way. Piano has dissonant afterbeats--should be soft.If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4890111. Published by Michael M. Strand (A0.970736). By Mike Strand, ASCAPThis is the full score, plus scores for three groups of parts, for a full arrangement of a swing tune for piano, bass, saxophone, trumpet, trombone, and two singers. After the cover, there are 21 pages of music: Ten pages for the full score; four pages for the group of blowing instruments (alto saxophone, B flat trumpet, and trombone); four pages for the piano and bass; and three pages for the two singers.   Grouping the parts in this manner is natural and advantageous for this particular swing composition. These part groupings will help players in a group coordinate with each other from their group score. This is an excellent compromise between everyone working from the full score, and each player having a score with just the player’s individual part. The audio sample plays the full score.This product solves a problem that any composer of new jazz music faces: Unlike the popular standards, there aren’t any well-known and often-heard arrangements for a band to emulate. As the composer with only a lead sheet, I would have to convince your band to develop an arrangement from scratch, starting from nothing but the lead sheet!  With so many attractive standard swing tunes to perform, a busy band may hesitate to put extra effort into an unknown tune. Problem solved! With this full arrangement of They Came Here to Dance, a band can better see and hear the tune’s full potential. It will be easier for a band to make any modifications to suit its particular mix of musicians and to better fit its style. With this arrangement, with written score, part group scores and audio sample, it will be as easy as working from the recording and score of a popular standard. All that’s missing from this arrangement is the percussion, because of the individuality of drummers. The band only needs a skilled jazz drummer to join in easily with this arrangement.  Here are the lyrics to They Came Here to Dance: 1.You may come here to eat and to drink.Lots of chins wag, and wine glasses clink. Well, that’s all good, but here’s what I think: They came here to dance! 2. We cats up front have to check our sound mix. Then they walk in, togged to the bricks. They have the moves to show off our licks. They came here to dance! Bridge – Instrumental section, followed by: Our band’s in the groove – here’s one reason why: The doghouse amps are turned up high. They get in there, and tear up the floor! And they don’t care if their feet get sore. 3. Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not. They came here to dance!4. Bridge again, then:Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not.They have the learning to, they have a yearning to,They came here to dance! Note Some words in these lyrics are taken from Cab Calloway Slang: Light up – smoke a stick (marijuana cigarette) Doghouse - bass Get in there - go to work, get busy, make it hot, give it all you got Bustin’ our conks – breaking our necks (applying ourselves diligently) Wren – a chick, a queen (beautiful girl) Cat – musician in swing band Togged to the bricks – dressed to kill, from head to toe Licks – hot musical phrases In the groove – perfect, down the alley  .

Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.947269 Composed by John Philips. Jazz. Score and parts. 15 pages. John Philips Music Service #3867635. Published by John Philips Music Service (A0.947269). Set the tempo for about 90. This is a trumpet/fluegelhorn feature ballad that requires a strong lyrical soloist that can play in tune. It is very pretty, not difficult but must be played as is to work. First chorus is solo, second chorus first half ensemble, bridge is trumpet solo in front of brass section, last 8 modulates up for a big finish. Appropriate for a working band or a good high school or college band. Dedicated to Randy Brooks. Solo part has more than eighth notes but tempo is slow.If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.

Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.947278 Composed by John Philips. Jazz. Score and parts. 18 pages. John Philips Music Service #3867729. Published by John Philips Music Service (A0.947278). This is an alto sax feature ballad. The melody is full and rich and could make you think of Johnny Hodges. First bridge is alto 1 & 2 in unison...with solo alto out front and alto 2 in section it gets a nice echo effect--Last 8 back to alto 1 solo. First half of second chorus has a band within a band over background. Solo part has a few notes past an eighth.Last bridge trombones then alto solo last 8. Ending is very dramatic with some interesting alto work..the very last note is held over the band....like Harlem Nocturne. Not too fast.Don’t let the last note scare you, look at your fingering chart or play it 8va lower. If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.

Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.947272 Composed by John Philips. Blues,Jazz. Score and parts. 28 pages. John Philips Music Service #3867647. Published by John Philips Music Service (A0.947272). Easy big band chart. Shuffle Boogie from the 40’s style written on the traditional 12 bar blues. Nice two chorus sax section solo with no rhythm section, chance for them to show off a little. Written for and played by the award winning big band at WALLER HIGH SCHOOL in Chicago--(now known as Lincoln Park High School---and my alma mater) ----If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.

Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.947277 Composed by John Philips. Jazz. Score and parts. 16 pages. John Philips Music Service #3867667. Published by John Philips Music Service (A0.947277). Based on the 12 bars blues format, this charts just rolls along with some solos available. The title is derived fromthe initials for Western Illinois University------WIU------If you pronounce the initials it come out as WHY YOU-----that's what it's called by many----add Blues to this and you have WHY YOU BLUES-for no reasonIf you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.

Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.947271 Composed by John Philips. Jazz,Latin. Score and parts. 34 pages. John Philips Music Service #3867643. Published by John Philips Music Service (A0.947271). First adjust tempo...175 minimum. This is a montuno which is often mistaken as a samba or merengue. The bass line must be as written. The harmonic structure for the solos is indicated and is limited so the soloists must think in lines, not just a lot of notes. You must use claves full time---no claves--no Latin Music. Intonation and a relaxed feel are needed to make this swing. If there are no solos, skip letter E/EE and go to F for the 2 bar chase solos, into the cascade, rhythm section solo, quiet interlude to sign. etc.If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.

Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.947276 Composed by John Philips. Jazz,Latin. Score and parts. 32 pages. John Philips Music Service #3867665. Published by John Philips Music Service (A0.947276). Based on the 12 bars blues format, this charts just rolls along with some solos available. The title is derived fromthe initials for Western Illinois University------WIU------If you pronounce the initials it come out as WHY YOU-----that's what it's called by many----add Blues to this and you have WHY YOU BLUES-for no reasonIf you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.