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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download

SKU: A0.970736

Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4890111. Published by Michael M. Strand (A0.970736).

By Mike Strand, ASCAP

This is the full score, plus scores for three groups of parts, for a full arrangement of a swing tune for piano, bass, saxophone, trumpet, trombone, and two singers.

After the cover, there are 21 pages of music: Ten pages for the full score; four pages for the group of blowing instruments (alto saxophone, B flat trumpet, and trombone); four pages for the piano and bass; and three pages for the two singers.  

Grouping the parts in this manner is natural and advantageous for this particular swing composition. These part groupings will help players in a group coordinate with each other from their group score. This is an excellent compromise between everyone working from the full score, and each player having a score with just the player’s individual part.

The audio sample plays the full score.

This product solves a problem that any composer of new jazz music faces: Unlike the popular standards, there aren’t any well-known and often-heard arrangements for a band to emulate. As the composer with only a lead sheet, I would have to convince your band to develop an arrangement from scratch, starting from nothing but the lead sheet!  With so many attractive standard swing tunes to perform, a busy band may hesitate to put extra effort into an unknown tune.

Problem solved!

With this full arrangement of They Came Here to Dance, a band can better see and hear the tune’s full potential. It will be easier for a band to make any modifications to suit its particular mix of musicians and to better fit its style.

With this arrangement, with written score, part group scores and audio sample, it will be as easy as working from the recording and score of a popular standard.

All that’s missing from this arrangement is the percussion, because of the individuality of drummers. The band only needs a skilled jazz drummer to join in easily with this arrangement.

 Here are the lyrics to They Came Here to Dance:

1.

You may come here to eat and to drink.

Lots of chins wag, and wine glasses clink.

Well, that’s all good, but here’s what I think:

They came here to dance!

2.

We cats up front have to check our sound mix.

Then they walk in, togged to the bricks.

They have the moves to show off our licks.

They came here to dance!


Bridge – Instrumental section, followed by:

Our band’s in the groove – here’s one reason why:

The doghouse amps are turned up high.

They get in there, and tear up the floor!

And they don’t care if their feet get sore.

3.

Bustin’ our conks, we cats are hot,

She is a wren who rocks him a lot!

And they don’t care if we light up or not.

They came here to dance!

4. Bridge again, then:

Bustin’ our conks, we cats are hot,

She is a wren who rocks him a lot!

And they don’t care if we light up or not.

They have the learning to, they have a yearning to,

They came here to dance!


Note

Some words in these lyrics are taken from Cab Calloway Slang:

Light up – smoke a stick (marijuana cigarette)

Doghouse - bass

Get in there - go to work, get busy, make it hot, give it all you got

Bustin’ our conks – breaking our necks (applying ourselves diligently)

Wren – a chick, a queen (beautiful girl)

Cat – musician in swing band

Togged to the bricks – dressed to kill, from head to toe

Licks – hot musical phrases

In the groove – perfect, down the alley

 .

They Came Here to Dance (Swing Band Arrangement)
Ensemble Jazz
Mike Strand, ASCAP

This is the full score, plus scores for three groups of parts, for a full arrangement of a swing tune for piano, bass, saxophone, trumpet, trombone, and two singers

After the cover, there are 21 pages of music: Ten pages for the full score; four pages for the group of blowing instruments (alto saxophone, B flat trumpet, and trombone); four pages for the piano and bass; and three pages for the two singers
$8.00 7.6 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download

SKU: A0.947529

Composed by George Arvola, Virginia Mathews. Country,Holiday,Instructional,Rock,Standards. Score and parts. 7 pages. George Arvola and Virginia Mathews #513321. Published by George Arvola and Virginia Mathews (A0.947529).

A new release in 2015, Ya Donkey Honk is one of 12 INSPIRING arpeggio studies from our book Delicious Licorice. Includes piano accompaniment and bass parts. arpeggioartistry.com hosts the full recordings and complete list of fun arpeggios studies. Ya Donkey Honk runs 2:52 in length. Have fun and let it rip. Hill-billy tunes like this are for parties. Wrong notes? Of course they matter but not enough to stop just in case you play a few. Just be sure to make the same error on the next pass. If the dancers are going strong at the end, just go back to the beginning and start all over, preferably without stopping.

Ya Donkey Honk, guitar
Ensemble Jazz

$5.99 5.69 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download

SKU: A0.947526

Composed by George Arvola, Virginia Mathews. Country,Holiday,Instructional,Rock,Standards. Score and parts. 7 pages. George Arvola and Virginia Mathews #513319. Published by George Arvola and Virginia Mathews (A0.947526).

A new release in 2015, Ya Donkey Honk is one of 12 INSPIRING arpeggio studies from our book Delicious Licorice. Includes piano accompaniment and bass parts. arpeggioartistry.com hosts the full recordings and complete list of fun arpeggios studies. Ya Donkey Honk runs 2:52 in length. Have fun and let it rip. Hill-billy tunes like this are for parties. Wrong notes? Of course they matter but not enough to stop just in case you play a few. Just be sure to make the same error on the next pass. If the dancers are going strong at the end, just go back to the beginning and start all over, preferably without stopping.

Ya Donkey Honk, alto sax.
Ensemble Jazz

$5.99 5.69 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download

SKU: A0.564336

Composed by Duke Ellington and Lee Gaines. Arranged by Ryan Gabbart. Jazz,Standards. Score and parts. 77 pages. Ryan Gabbart #173192. Published by Ryan Gabbart (A0.564336).

Grade 3. 4:30 duration. F major with a modulation to A-flat major. Scored for 5-4-4 with soli parts for 1st alto, tenor, trumpet and trombone. Rhythm section is guitar, piano, bass, drum set. This arrangement of a Duke’s “Just Squeeze Me†is written for an emerging beginner-to-intermediate jazz ensemble. Featuring solo piano with everything written out for the learning young player: including suggested comping and an optional written solo. In addition to this, a soli quartet consisting of all lead horn players will allow these voices to shine as they tackle more complicated rhythms and style. The soloist ensemble writing plus the key change near the end will provide ample challenges for your high school or younger college ensemble to work on as they develop their sense of swing. This one is a definite crowd pleaser!

Just Squeeze Me (but Don't Tease Me)
Ensemble Jazz

$50.00 47.48 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Digital Download

SKU: A0.862528

Composed by Michael Bomier. Contemporary,Instructional,Jazz,Standards. Score and parts. 75 pages. Michael Butkus-Bomier #2033003. Published by Michael Butkus-Bomier (A0.862528).

The IImin7-V7-IMaj7 chord progression is the first and most basic set of chords in tonal jazz. So, let's see how far they can be layered, stretched, and interwoven to create some nicely contrasting harmonic and melodic colors. OK, it Might take a BIT more work that the title suggests. Irony is IN right now... The saxes state the theme in octave unison, while the brass comment and accompany. Then the saxes take over for a full chorus of soli. None of the phrases is more than three measures in length, so the players can blow through without blowing themselves out. The soloists are the trumpet, accompanied by a trombone background, and the piano, with saxophones behind it. SampleSolos are provided. The trumpet shows how Woody Shaw might have played this piece with pentatonic scales, a bit of a contrast to the tonal nature of the changes. The piano has a rapid, multi-noted solo with lots of chromatics, with fingerings, to show what the Tatum-style of pianistic technique is all about. Running time is just over 4 mins at suggested tempo. The rhythm section Uni-Part is included with every GateWay Edition Jazz Ensemble Series chart. Drum part is notated as heard on the audio clip. MBB.

Don't Work Too Hard GateWay Editions Jazz Ensemble Series
Ensemble Jazz

$20.00 18.99 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Digital Download

SKU: A0.977365

Composed by Frank Loesser. Arranged by Des McNutty. Contemporary. Score and parts. 61 pages. Des Press #6888385. Published by Des Press (A0.977365).

If I Were a Bell is a song from the 1950 musical Guys and Dolls, based on Damon Runyan stories from Broadway in the prohibition era.

Sky, the thirsty gambler, takes straight-laced Salvationist Sarah to Havana for a bet. They drink a local milkshake with sugar and a little native flavouring

Sarah: What's the name of the flavouring?
Sky: Bacardi.
Sarah: Doesn't Bacardi have alcohol in it?
Sky: Oh, only enough to act as a preservative.
Sarah: You know, this would be a wonderful way to get children to drink milk!

After a couple of those, she bursts into song.

Doris Day had a Top-20 hit with If I Were a Bell in 1950 and many singers have covered it since. Its place as a Jazz Standard was cemented in 1956 on the album Relaxin' with The Miles Davis Quintet.

This original arrangement for big band features a solo flute - if not a flute solo - and, at 128 BPM, is slightly slower than usual. It was written in the mid-1990s for the Morley College Jazz Orchestra in London (then directed by Gordon BAP! Rose and Pete Pearl and Dean Moore). The style is in the direction of the understated West-Coast sound (Count Basie/Bill Russo/Bill Holman), with tipsy soli sections and a shout-chorus. The part for second alto OR first tenor is the same, meaning the flautist can be either an alto or tenor player.

Well, if I were a salad I know I'd be splashing my dressing.

Hic!



























If I Were A Bell
Ensemble Jazz

$49.99 47.47 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download

SKU: A0.746167

By The Clash. By Joe Strummer and Mick Jones. Arranged by Michael Pilley. Jazz. Score and parts. 51 pages. Michael Pilley Music #3535709. Published by Michael Pilley Music (A0.746167).

Written specifically for Swing Punks, the amazing London big band who play punk tunes in a jazz style, this vocal arrangement has all the bells and whistles. Starting in a bluesy swing style, see if you can pick up all the quotes as you progress through the chart. When it kicks into double time, it'll get your audiences toes tapping just enough for you to snap them back to a languid blues atmosphere. With an open solo section this chart comes alive, allowing for soloists to take the tune where they want to. Double time ensues after that, with a big ending to finish this cracking chart.

THE SONG

Released in 1981, Should I Stay became The Clash's only UK number 1 single, albeit 10 years after in a reissued single. It made 228 in Rolling Stones Top 500 and features Spanish backing vocals, in a strange twist.

THE BAND

Swing Punks (www.swingpunks.com) are an exciting big band based in London, UK who take the best punk music and turn it into swinging big band music. Featuring 3 vocalists and a full complement of horns, their shows are full of energy and pizzazz. I've been lucky enough to play with them a few times since moving closer to London, and I always enjoy mixing it up with such great musicians.

PRINTING TIPS

Beautifully laid out, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library.

More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic

Should I Stay Or Should I Go Ensemble Jazz
The Clash
$50.00 47.48 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble - Digital Download

SKU: AX.00-PC-0017121_BBC

Bass Clarinet. Composed by Gordon Goodwin. Jazz. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017121_BBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017121_BBC).

UPC: 038081299976.

Challenging, yes, impossible, no. Gordon Goodwin's Hunting Wabbits 2 will provide all the challenge any band needs as they explore this tongue-in-cheek musical adventure that is well worth the effort. The groove is straight eighths (semi-legit) and funky. The instrumentation is flexible: saxophone parts with woodwind doubles, sax parts without doubles, and even optional string parts . . . yes, strings! Percussion parts included. Solo space for all saxes, trumpet 4 and trombones 1/2. As recorded by Gordon Goodwin on The Phat Pack CD. This is an amazing arrangement! This title is available in SmartMusic.

Hunting Wabbits 2 (A Bad Hare Day): Bass Clarinet
Ensemble Jazz

$3.00 2.85 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble - Digital Download

SKU: AX.00-PC-0017121_VN2

2nd Violin. Composed by Gordon Goodwin. Jazz. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017121_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017121_VN2).

UPC: 038081299976.

Challenging, yes, impossible, no. Gordon Goodwin's Hunting Wabbits 2 will provide all the challenge any band needs as they explore this tongue-in-cheek musical adventure that is well worth the effort. The groove is straight eighths (semi-legit) and funky. The instrumentation is flexible: saxophone parts with woodwind doubles, sax parts without doubles, and even optional string parts . . . yes, strings! Percussion parts included. Solo space for all saxes, trumpet 4 and trombones 1/2. As recorded by Gordon Goodwin on The Phat Pack CD. This is an amazing arrangement! This title is available in SmartMusic.

Hunting Wabbits 2 (A Bad Hare Day): 2nd Violin
Ensemble Jazz

$3.00 2.85 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble - Digital Download

SKU: AX.00-PC-0017121_APC2

Auxiliary Percussion 2. Composed by Gordon Goodwin. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017121_APC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017121_APC2).

UPC: 038081299976.

Challenging, yes, impossible, no. Gordon Goodwin's Hunting Wabbits 2 will provide all the challenge any band needs as they explore this tongue-in-cheek musical adventure that is well worth the effort. The groove is straight eighths (semi-legit) and funky. The instrumentation is flexible: saxophone parts with woodwind doubles, sax parts without doubles, and even optional string parts . . . yes, strings! Percussion parts included. Solo space for all saxes, trumpet 4 and trombones 1/2. As recorded by Gordon Goodwin on The Phat Pack CD. This is an amazing arrangement! This title is available in SmartMusic.

Hunting Wabbits 2 (A Bad Hare Day): Auxiliary Percussion 2
Ensemble Jazz

$3.00 2.85 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble - Digital Download

SKU: AX.00-PC-0017121_1BB

Part 1 in Bb. Composed by Gordon Goodwin. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017121_1Bb. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017121_1BB).

UPC: 038081299976.

Challenging, yes, impossible, no. Gordon Goodwin's Hunting Wabbits 2 will provide all the challenge any band needs as they explore this tongue-in-cheek musical adventure that is well worth the effort. The groove is straight eighths (semi-legit) and funky. The instrumentation is flexible: saxophone parts with woodwind doubles, sax parts without doubles, and even optional string parts . . . yes, strings! Percussion parts included. Solo space for all saxes, trumpet 4 and trombones 1/2. As recorded by Gordon Goodwin on The Phat Pack CD. This is an amazing arrangement! This title is available in SmartMusic.

Hunting Wabbits 2 (A Bad Hare Day): Part 1 in Bb
Ensemble Jazz

$3.00 2.85 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble - Digital Download

SKU: AX.00-PC-0017121_VA1

Viola. Composed by Gordon Goodwin. Jazz. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017121_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017121_VA1).

UPC: 038081299976.

Challenging, yes, impossible, no. Gordon Goodwin's Hunting Wabbits 2 will provide all the challenge any band needs as they explore this tongue-in-cheek musical adventure that is well worth the effort. The groove is straight eighths (semi-legit) and funky. The instrumentation is flexible: saxophone parts with woodwind doubles, sax parts without doubles, and even optional string parts . . . yes, strings! Percussion parts included. Solo space for all saxes, trumpet 4 and trombones 1/2. As recorded by Gordon Goodwin on The Phat Pack CD. This is an amazing arrangement! This title is available in SmartMusic.

Hunting Wabbits 2 (A Bad Hare Day): Viola
Ensemble Jazz

$3.00 2.85 € Ensemble Jazz PDF SheetMusicPlus






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