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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.773836 Composed by Anthony Giamanco. Jazz,Latin,World. Score and parts. 22 pages. Whole Tone Press #5740763. Published by Whole Tone Press (A0.773836). Scored for alto sax, piano, bass and drums, this original Bossa Nova tune has that classic rhythm, cool jazz chords, a colourful alto sax part that's meant to sound somewhat improvisational, and loads of charm! Advanced intermediate. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, on SoundCloud (https://soundcloud.com/tony-giamanco), and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg) Contact info:tony@shalomlife.org.
GONNA LIVE 'TIL I DIE (jazz quartet)
Ensemble Jazz

$11.50 10.59 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.774389 By Bob Crosby And His Orchestra. By Bob Haggart. Arranged by Brad Esbensen. Contemporary,Jazz,Standards. 54 pages. Brad Esbensen Music Services #4283067. Published by Brad Esbensen Music Services (A0.774389). What's New?, arranged in the key of G major, is a beautiful ballad that makes a great feature for vocalist and ensemble alike. The trumpets will require Harmon mutes in addition to the cup mutes required by the entire brass section. If mutes are not available have the sections play deep into their stands. The ensemble section requires a big ensemble sound and 1st Trumpet goes up to D6. Rhythm section parts are fully notated throughout. I hope you enjoy performing this chart and if you would like it transposed into another key, please e-mail me at brad@bemus.com.au. www.bemus.com.au
What's New?
Ensemble Jazz
Bob Crosby And His Orchestra
$60.00 55.26 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1116495 By Bob Crosby And His Orchestra. By Bob Haggart and Johnny Burke. Arranged by Brad Esbensen. Contemporary,Jazz,Pop,Standards. 54 pages. Brad Esbensen Music Services #718145. Published by Brad Esbensen Music Services (A0.1116495). What's New?, arranged in the key of F major, is a beautiful ballad that makes a great feature for vocalist and ensemble alike. The trumpets will require Harmon mutes in addition to the cup mutes required by the entire brass section. If mutes are not available have the sections play deep into their stands. The ensemble section requires a big ensemble sound and 1st Trumpet goes up to C6. Rhythm section parts are fully notated throughout. I hope you enjoy performing this chart and if you would like it transposed into another key, please e-mail me at brad@bemus.com.au. www.bemus.com.au.
What's New?
Ensemble Jazz
Bob Crosby And His Orchestra
$60.00 55.26 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.799211 By Bruno Mars. By Bruno Mars, Christopher Brody Brown, James Fauntleroy, Jeremy Reeves, Jonathan Yip, Philip Lawrence, Ray Charles McCullough II, and Ray Romulus. Arranged by John Milne. Pop. Score and parts. 55 pages. Odd Shoe Music #3486671. Published by Odd Shoe Music (A0.799211). The Bruno Mars 2018 winner of the Grammys song of the year.Arranged for vocal, 4 horns and rhythm section a semitone down from the original (arr. is in concert Dm).It is intended as a shuffle 16ths feel, but could be played in the original straight feel if preferred.A score, set of parts and an additional score in C are provided. Guitar chord diagrams are in partDuration - 3m 50s.
That's What I Like
Ensemble Jazz
Bruno Mars
$34.99 32.23 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.977365 Composed by Frank Loesser. Arranged by Des McNutty. Contemporary. Score and parts. 61 pages. Des Press #6888385. Published by Des Press (A0.977365). If I Were a Bell is a song from the 1950 musical Guys and Dolls, based on Damon Runyan stories from Broadway in the prohibition era. Sky, the thirsty gambler, takes straight-laced Salvationist Sarah to Havana for a bet. They drink a local milkshake with sugar and a little native flavouringSarah: What's the name of the flavouring?Sky: Bacardi.Sarah: Doesn't Bacardi have alcohol in it?Sky: Oh, only enough to act as a preservative.Sarah: You know, this would be a wonderful way to get children to drink milk!After a couple of those, she bursts into song. Doris Day had a Top-20 hit with If I Were a Bell in 1950 and many singers have covered it since. Its place as a Jazz Standard was cemented in 1956 on the album Relaxin' with The Miles Davis Quintet.This original arrangement for big band features a solo flute - if not a flute solo - and, at 128 BPM, is slightly slower than usual. It was written in the mid-1990s for the Morley College Jazz Orchestra in London (then directed by Gordon BAP! Rose and Pete Pearl and Dean Moore). The style is in the direction of the understated West-Coast sound (Count Basie/Bill Russo/Bill Holman), with tipsy soli sections and a shout-chorus. The part for second alto OR first tenor is the same, meaning the flautist can be either an alto or tenor player. Well, if I were a salad I know I'd be splashing my dressing.Hic!
If I Were A Bell
Ensemble Jazz

$49.99 46.04 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4890111. Published by Michael M. Strand (A0.970736). By Mike Strand, ASCAPThis is the full score, plus scores for three groups of parts, for a full arrangement of a swing tune for piano, bass, saxophone, trumpet, trombone, and two singers. After the cover, there are 21 pages of music: Ten pages for the full score; four pages for the group of blowing instruments (alto saxophone, B flat trumpet, and trombone); four pages for the piano and bass; and three pages for the two singers.   Grouping the parts in this manner is natural and advantageous for this particular swing composition. These part groupings will help players in a group coordinate with each other from their group score. This is an excellent compromise between everyone working from the full score, and each player having a score with just the player’s individual part. The audio sample plays the full score.This product solves a problem that any composer of new jazz music faces: Unlike the popular standards, there aren’t any well-known and often-heard arrangements for a band to emulate. As the composer with only a lead sheet, I would have to convince your band to develop an arrangement from scratch, starting from nothing but the lead sheet!  With so many attractive standard swing tunes to perform, a busy band may hesitate to put extra effort into an unknown tune. Problem solved! With this full arrangement of They Came Here to Dance, a band can better see and hear the tune’s full potential. It will be easier for a band to make any modifications to suit its particular mix of musicians and to better fit its style. With this arrangement, with written score, part group scores and audio sample, it will be as easy as working from the recording and score of a popular standard. All that’s missing from this arrangement is the percussion, because of the individuality of drummers. The band only needs a skilled jazz drummer to join in easily with this arrangement.  Here are the lyrics to They Came Here to Dance: 1.You may come here to eat and to drink.Lots of chins wag, and wine glasses clink. Well, that’s all good, but here’s what I think: They came here to dance! 2. We cats up front have to check our sound mix. Then they walk in, togged to the bricks. They have the moves to show off our licks. They came here to dance! Bridge – Instrumental section, followed by: Our band’s in the groove – here’s one reason why: The doghouse amps are turned up high. They get in there, and tear up the floor! And they don’t care if their feet get sore. 3. Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not. They came here to dance!4. Bridge again, then:Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not.They have the learning to, they have a yearning to,They came here to dance! Note Some words in these lyrics are taken from Cab Calloway Slang: Light up – smoke a stick (marijuana cigarette) Doghouse - bass Get in there - go to work, get busy, make it hot, give it all you got Bustin’ our conks – breaking our necks (applying ourselves diligently) Wren – a chick, a queen (beautiful girl) Cat – musician in swing band Togged to the bricks – dressed to kill, from head to toe Licks – hot musical phrases In the groove – perfect, down the alley  .
They Came Here to Dance (Swing Band Arrangement)
Ensemble Jazz
Mike Strand, ASCAP

This is the full score, plus scores for three groups of parts, for a full arrangement of a swing tune for piano, bass, saxophone, trumpet, trombone, and two singers

After the cover, there are 21 pages of music: Ten pages for the full score; four pages for the group of blowing instruments (alto saxophone, B flat trumpet, and trombone); four pages for the piano and bass; and three pages for the two singers
$8.00 7.37 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1350144 By Michael Drake. By Michael Drake. Arranged by Kevin Carberry. Blues,Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter. 148 pages. Michael Gene Drake #934922. Published by Michael Gene Drake (A0.1350144). Birthday BluesHere is score and all the parts from my big band composition “Birthday Bluesâ€Â It’s my Birthday, it’s my Birthday, it’s my Birthday, it’s my Birthday. Give me the Birthday Blues. Here are the lyrics:Another year gone by another tear gone dry well it's my birthday. It’s my Birthday it’s my Birthday.Another fear says bye my life’s in gear and I'm high it's my birthday. It’s my Birthday, it’s my Birthday. Give me birthday hugs and kisses, that's really what I wishes on my birthday.Well I like to drinkin’ wine and the music feels just fineand the Lord knows for sure that the world is all mine,On my birthday, it's my birthday. Give me birth-day hugs and kisses, that's really what I wishes, on my birthday.People say I'm getting’ old well I insist they must be told.That with age comes a capacity to make love in winters cold.On my birthday, it's my birthday. Well give me birthday hugs and kisses, that's really what I wishes on my birthday.They say 2 girls are better than 1 and 3 is better than 2 If I had 4 I'd close the door and never beg for more!On my birthday, it's my birthday. Well Give me birthday hugs and kisses, that's really what I wishes on my birthday. Give me birthday hugs and kisses, that's really what I wishes on my birth-day. michaeldrakemusic@outlook.com   www.drakemusic.com.
Birthday Blues
Ensemble Jazz
Michael Drake
$35.00 32.24 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.518631 By Gbērē Dodoh. By Holyone Tombari Dodoh. 20th Century,Blues,Jazz,Pop,Romantic Period. Score and parts. 100 pages. Holyone Tombari Dodoh #129341. Published by Holyone Tombari Dodoh (A0.518631). The broken hearted. Lyrics performed by an Open Source Virtual Singer Software (bot). Score and parts included. Lyrics No, no, no, no, no! Can't hide it anymore, She's happy but I'm hurt, I want to be her joy; She said I'm so annoy'ng, Baby I'm so sorry! Baby I'm so sorry! She has no hope in me making it big, She saw no future in me becoming rich, She chose luxury over me; Baby I'm so sorry! She saw no happiness with me so soon, She chose money over me Because I was broke; We ate together, We laughed together; We loved each other: She said she love me I am everything to her, She said I meant the world and the life in her, But she chose luxury over me, Baby I'm so sorry! Luxury so sweet; the life she feels I cannot give, She chose money over me Because I was broke; I was out in the colds Just to gist with you, I know my failures Made me look senseless And my path rejections Made me look worthless; I buried my labour just to make you so happy And sweet smile on your face gave me joy and hope on my dreams I will never forget you, I will always remember, For the memory of you Had consumed my thoughts, Baby I'm so sorry! Baby I'm so sorry! I thought I was the one for you all this while, I hope your luxury will love and care for you More than the way I would love and care for you, Because I thought my little love was just enough She chose money over me Because I was broke; No, no, no, no, no! Can't hide it any more, She's happy but I'm hurt, I want to be her joy; She said I'm so annoy'ng, Baby I'm so sorry! Baby I'm so sorry! My dreams of promises to her is gone with her For it never became a reality, I told her to never leave me. She said I'm giving her tough times. I called her my Belov'd the one in whom I am well pleased, I told her it will be all right for one day we Will make it to the top of the World together, But she never believed me Because I was broke; She started feeling bored for texting and chatting with me; She started laying False accusations against me; I denied pleasure and Distance just to be with her And made her so happy But she could not do same for me, Baby I'm so sorry! Baby I'm so sorry! She suspects me for what I do not know, I had to let it go For her to be happy Because that's what she wants! Baby I'm so sorry! Baby I'm so sorry! It's hard to say the word Because I was broke; Baby I'm so sorry! Baby I'm so sorry! Baby I'm so sorry! Baby I'm so sorry!
Broke - Chose Money Over Me
Ensemble Jazz
Gbērē Dodoh
$6.70 6.17 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
Beyond The Sea *INSTRUMENTAL PACK ONLY*
Ensemble Jazz

$30.00 27.63 € Ensemble Jazz PDF SheetMusicPlus






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