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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4890111. Published by Michael M. Strand (A0.970736). By Mike Strand, ASCAPThis is the full score, plus scores for three groups of parts, for a full arrangement of a swing tune for piano, bass, saxophone, trumpet, trombone, and two singers. After the cover, there are 21 pages of music: Ten pages for the full score; four pages for the group of blowing instruments (alto saxophone, B flat trumpet, and trombone); four pages for the piano and bass; and three pages for the two singers.   Grouping the parts in this manner is natural and advantageous for this particular swing composition. These part groupings will help players in a group coordinate with each other from their group score. This is an excellent compromise between everyone working from the full score, and each player having a score with just the player’s individual part. The audio sample plays the full score.This product solves a problem that any composer of new jazz music faces: Unlike the popular standards, there aren’t any well-known and often-heard arrangements for a band to emulate. As the composer with only a lead sheet, I would have to convince your band to develop an arrangement from scratch, starting from nothing but the lead sheet!  With so many attractive standard swing tunes to perform, a busy band may hesitate to put extra effort into an unknown tune. Problem solved! With this full arrangement of They Came Here to Dance, a band can better see and hear the tune’s full potential. It will be easier for a band to make any modifications to suit its particular mix of musicians and to better fit its style. With this arrangement, with written score, part group scores and audio sample, it will be as easy as working from the recording and score of a popular standard. All that’s missing from this arrangement is the percussion, because of the individuality of drummers. The band only needs a skilled jazz drummer to join in easily with this arrangement.  Here are the lyrics to They Came Here to Dance: 1.You may come here to eat and to drink.Lots of chins wag, and wine glasses clink. Well, that’s all good, but here’s what I think: They came here to dance! 2. We cats up front have to check our sound mix. Then they walk in, togged to the bricks. They have the moves to show off our licks. They came here to dance! Bridge – Instrumental section, followed by: Our band’s in the groove – here’s one reason why: The doghouse amps are turned up high. They get in there, and tear up the floor! And they don’t care if their feet get sore. 3. Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not. They came here to dance!4. Bridge again, then:Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not.They have the learning to, they have a yearning to,They came here to dance! Note Some words in these lyrics are taken from Cab Calloway Slang: Light up – smoke a stick (marijuana cigarette) Doghouse - bass Get in there - go to work, get busy, make it hot, give it all you got Bustin’ our conks – breaking our necks (applying ourselves diligently) Wren – a chick, a queen (beautiful girl) Cat – musician in swing band Togged to the bricks – dressed to kill, from head to toe Licks – hot musical phrases In the groove – perfect, down the alley  .
They Came Here to Dance (Swing Band Arrangement)
Ensemble Jazz
Mike Strand, ASCAP

This is the full score, plus scores for three groups of parts, for a full arrangement of a swing tune for piano, bass, saxophone, trumpet, trombone, and two singers

After the cover, there are 21 pages of music: Ten pages for the full score; four pages for the group of blowing instruments (alto saxophone, B flat trumpet, and trombone); four pages for the piano and bass; and three pages for the two singers
$8.00 6.85 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.555276 Composed by David Jackson-Rich, Elmar Krohn, Hans Kampschroer, Michael Jackson-Clark, and Thomas Meyer. Arranged by Nathaniel Frisque. Jazz,Pop. Score and parts. 42 pages. Nathaniel Frisque #164885. Published by Nathaniel Frisque (A0.555276). I arranged this piece at the request of my friends in the 2020-2021 Viking Jazz Ensemble at Wisconsin Lutheran High School. We hoped to do Blame it on the Boogie for that year's Prism concert, and they had asked my director to find an arrangement. He found one, but it was out of print. We were already playing an arrangement I did of Don't Start Now by Dua Lipa, so my friends turned to me and said, You can do one more, right? A year later, the 2021-2022 Jazz Ensemble performed this in front of 4 sold-out Prism concerts. This arrangement won first place in the WSMA 2022 Student Composition Project Arrangement Category- High School Division. This arrangement starts with the original melody and harmonies as presented on the original recording. The intro features bass and bari sax, the verse melody is passed to the saxophones, and the chorus is in the hands of the trumpets. I know. Scary. The second verse takes a turn, changing keys to the relative minor and changing feels into a jazz-latin groove. The melody starts in the trumpets and moves to the saxophones, while everyone else is comping on a montuno-based rhythm. The second chorus serves as a Breakdown section and transitions the piece into the solo section. The solo section is heavily inspired by the steel pan music of Trinidad and Tobago. The transition from the chorus into the solo section is stolen from Summersong, a piece of steel pan literature. The chord progression is ripped from the soca tune Pan in A Minor by Lord Kitchener. The backgrounds are traditional strum rhythms from the genre. The transition out of the solo section is a chromatic line also commonly used in steel pan music, especially pieces performed for the annual steel pan competition Panorama. The final chorus is presented in the same style and key as the original recording. Some slight changes are made in the backgrounds, and the entire band brings back the idea from the introduction to bring the piece to an end. This piece exists for one reason only: for you and the audience to have fun.
Blame It On The Boogie
Ensemble Jazz

$54.99 47.07 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.922581 By Bob Marley And The Wailers. By Bob Marley. Arranged by Johan Verhey. Jazz,Pop,Singer/Songwriter. 90 pages. DaimlerMusic #6494927. Published by DaimlerMusic (A0.922581). Reggae Vibes in Merengue Groove! ðŸ¥ðŸŽ·ðŸŽºImmerse yourself in the enchanting sounds of the Caribbean! Johan Verhey has crafted a magical transformation of Bob Marley's legendary hit, Could You Be Loved, and the result is nothing short of a musical celebration!With the rhythmic pulsations of Merengue and the unmistakable spirit of reggae, we bring you an unforgettable musical experience that lights up the dance floor. Trumpets blaze, trombones roar, and saxophones soar like the tropical sun, while the drums set your feet in motion.More music from Johan Verhey, see: www.bestarrangementsforbands.comSo, leave the cares of the day behind and let yourself be carried away on this exciting musical journey. It's time to dance, laugh, and savor life as only the Caribbean can. Join the Big Band and celebrate the joy of music, love, and togetherness with us!Don't miss this vibrant fusion of reggae and Merengue because we're bringing the warmth of the tropics right to your dance floor. Let your soul sing because Could You Be Loved has never been so festive!More music from Johan Verhey? See Johan Verhey on SheetMusicPlus, Sonolize, ScoreExchange or arrangements for big band verhey on Youtube.
Could You Be Loved
Ensemble Jazz
Bob Marley And The Wailers
$60.00 51.36 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.947280 Composed by John Philips. Jazz. Score and parts. 36 pages. John Philips Music Service #3867733. Published by John Philips Music Service (A0.947280). This is a funky 2 beat built on double (24 bar) blues. It has an optional vocal,( cued in for alto sax) that should be sung thru a megaphone like the old Winchester Cathedral. The title comes from a pattern of speech found only in Chicago where people still say over by here and over by there. It swings well and invites a couple tambourines playing on 2 and 4. This is a fun chart but is very correct musically even if you expect the Blues Brothers to show up when it’s played. It can be opened for solos if needed. Don’t get too serious about the vocal, it’s best with your worst singer, maybe with a clothes-pin on his nose.   Enjoy it with your audience.If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.
Over By There----Old Chicago Love Song
Ensemble Jazz

$15.00 12.84 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1104821 Composed by Guy Wood and Robert Mellin. Arranged by Michael Lamb. Jazz. Score and parts. 36 pages. Michael Lamb #708060. Published by Michael Lamb (A0.1104821). Guy B Wood’s composition My One and Only Love arranged as a ballad to feature your Baritone Saxophonist. After a rubato piano intro, the A section features lush brass harmonies and sax counter melodies with the B section melody taken as a quasi-improvised line by the bari. Solos for baritone and piano follow. Modest ranges across all brass. Alto 1 trebles on flute and soprano, and alto 2 doubles flute. Trumpets double on Flugels, although trumpets in buckets or stands work just as well. This arrangement works either full band with a featured soloist, or in 5444 (opt. Guitar) configuration with cues on the section bari part for soloist. Baritone solo | Baritone Feature | Saxophone Feature | Featured Soloist | with Big Band.
My One And Only Love
Ensemble Jazz

$49.99 42.79 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1014987 By Tom Jones. By Gordon Mills and Les Reed. Arranged by Nicholas Biancolin. Film/TV. Score and parts. 38 pages. Nicholas Biancolin #5178693. Published by Nicholas Biancolin (A0.1014987). It's Not Unusual!This hit song made famous by Tom Jones, now arranged for your young jazz ensemble with a featured vocalist! With solo space for bari sax and trumpet, and some sections for the whole band, It's sure to wow your audience and energize any concert!   NOTE! This is ONLY the parts! To purchase the score associated with these parts, go here: https://www.sheetmusicplus.com/title/it-s-not-unusual-vocal-solo-w-jazz-ensemble-score-arr-nicholas-...
It's Not Unusual
Ensemble Jazz
Tom Jones
$30.00 25.68 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1250011 Composed by Koji Kondo. Arranged by Mikey Votano. Jazz,Video Game. 15 pages. Mikey Votano #828785. Published by Mikey Votano (A0.1250011). Jazz Ensemble / Big Band - Level 5 - Digital DownloadBy Koji Kondo. Arranged by Mikey Votano. SCORE ONLY. An uptempo big band/jazz reimagining of the iconic 1985 'Super Mario Bros. Theme' as performed by Mikey Votano's Big Band featuring Eric Marienthal released April 16, 2023. This brand new arrangement of Koji Kondo's original game melody has been reworked with inspiration from 1940s sing bands and incorporates Krupa-style jungle drums, screaming horn lines, a solo for lead alto saxophone & a fun false ending. An exciting & challenging piece to thrill the audience at your band's next performance.   Mikey Votano is an Australian vocalist, saxophonist, composer, arranger and orchestrator highly regarded for his exciting, genre-defying arrangments & dynamic live shows. This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.About Digital DownloadsDigital Downloads are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download and play!PLEASE NOTE: Your Digital Download will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students).
Super Mario Bros Theme - Score Only
Ensemble Jazz
Koji Kondo Arranged by Mikey Votano
$10.99 9.41 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1111068 By Thomas Graf. By Thomas Graf. Arranged by Thomas Graf. Jazz,Latin. Score and parts. 20 pages. Thomas Graf - the-hit-factory.com #713343. Published by Thomas Graf - the-hit-factory.com (A0.1111068). A colorful 32-bar theme flies in long melodic waves over a tasteful modal progression – a wide landscape appears under the wings of your ensemble. Features Trumpet; Bass and Drums About this arrangement: Instrumentation: Full Score 5 Saxes 4 Trumpets (solo 2nd) 4 Trombones (incl. Bass Trombone) Guitar Piano Bass Drums Perc. ad lib Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
D.J.s Dream - Latin/Samba - Big Band - Score Only
Ensemble Jazz
Thomas Graf
$2.00 1.71 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1014986 By Tom Jones. By Gordon Mills and Les Reed. Arranged by Nicholas Biancolin. Film/TV. Score and parts. 12 pages. Nicholas Biancolin #5178671. Published by Nicholas Biancolin (A0.1014986). It's Not Unusual!This hit song made famous by Tom Jones, now arranged for your young jazz ensemble with a featured vocalist! With solo space for bari sax and trumpet, and some sections for the whole band, It's sure to wow your audience and energize any concert!   NOTE! This is ONLY the score! To purchase the parts associated with this score, go here: https://www.sheetmusicplus.com/title/it-s-not-unusual-jazz-ensemble-parts-arr-nicholas-biancolin-dig...
It's Not Unusual
Ensemble Jazz
Tom Jones
$15.00 12.84 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble - Digital Download SKU: AX.00-PR-0002471 Score. Composed by Duke Ellington. Instructional. Score. 24 pages. Alfred Music - Digital Sheet Music #00-PR-0002471. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0002471). UPC: 029156695304.Warner Bros. Publications is proud to present this important new series, Jazz at Lincoln Center Library. Each selection was selected by the Center's musical director, Wynton Marsalis, for Essentially Ellington: The Annual Jazz at Lincoln Center High School Jazz Band Competition. Each transcription is direct from the recordings of the immortal Duke Ellington, and they are not only authentic, they are perfect for your jazz ensemble. Features information about the original recording, rehearsal notes from Jon Faddis and Brent Wallarab, and performance suggestions from Wynton Marsalis. These classic tunes represent jazz at its finest!
In a Mellow Tone: Score
Ensemble Jazz

$9.00 7.7 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 84 pages. Peter Stove #730446. Published by Peter Stove (A0.1130066). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 3! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). As jazz history books like Gunther Schuller’s tell us, Benny Goodman’s rendition of Jelly Roll Morton’s ‘King Porter Stomp’ in the arrangement of Fletcher Henderson ‘ushered in the Swing Era’. That this tune already had a long and venerable career was obvious to every jazz lover: starting with Morton’s own recording from 1923, it was revived on a regular basis by Fletcher Henderson for his orchestras of the ‘twenties and ‘thirties. He then adapted the tune for the Benny Goodman Orchestra, which made it a hit in 1935. And from that moment on, the tune stayed popular: in 1975 it was recorded by the Gil Evans Orchestra for the album ‘There Comes A Time’. But during the ‘twenties, Henderson picked up more ‘jazz and stomp’-tunes (as opposed to the Tin Pan Alley/Broadway fare) and had them arranged for his orchestra. One such example is a tune credited to pianist/bandleader/businessman Clarence Williams (although other sources state that it was actually written by Joseph Joe Jordan, one of the early ragtime ‘professors’). That is the composition ‘Hop Off’, a very swinging, hard-driving multi-strain tune. Henderson recorded it in 1927. However, unlike ‘King Porter Stomp’, Henderson never chose to ‘adapt’ this tune for his ‘thirties swing-style orchestra, and so it never became a part of the Goodman Orchestra’s band book. What if Henderson had done so, and in 1935 had handed over the tune to Goodman as an addition for his ‘Let’s Dance’-library? ‘Hop Off’ is presented here as a piece that could have been a cornerstone of the Goodman band library. Based on the 1927 Henderson arrangement, it juxtaposes the two main strains of the original composition for maximum variety. Plenty of breaks, stoptime-sections and other ‘hot’ stuff. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Solo’s for clarinet, tenor sax 1, tpt 2, trb 1 and a brief four-bar spot for the drummer at the end. If your band is able to play ‘King Porter Stomp’, this tune should cause no problems. The only exception is the presence of a solo clt part. The clarinet soloist must be a first-class ‘BG-wannabe’: fluent soloist, comfortable in the upper register. Must be able to be heard over a shouting ensemble chorus. If your band has such a player: have fun!
Hop Off
Ensemble Jazz
Fletcher Henderson And His Orchestra
$49.99 42.79 € Ensemble Jazz PDF SheetMusicPlus






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