Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.727453 Composed by Carol Troutman Wiggins. Children,Contemporary,Instructional,Traditional. Octavo. 3 pages. Carol Troutman Wiggins #3681263. Published by Carol Troutman Wiggins (A0.727453). THE BICYCLE SONGUnison w/ Bicycle Peddling Actions & Bike HornThis upbeat, energetic song keeps your students pedaling and help wear off some of that energy! Great exercise as well!Add a bike horn for a real riding experience!Excellent for any age elementaryEasy, repetitive lyricsAction cues included in scoreChords includedPiano Accompaniment Track available on this site.

Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.727454 Composed by Carol Troutman Wiggins. Children,Folk,Instructional. Octavo. 3 pages. Carol Troutman Wiggins #3681269. Published by Carol Troutman Wiggins (A0.727454). THE TRICYCLE SONGUnison w/ Tricycle Peddling Actions & Bike Horn**PERMISSION GRANTED TO PRINT 2 COPIESThis upbeat, energetic song keeps your students pedaling and help wear off some of that energy! Great exercise as well!Add a bike horn for a real riding experience!Excellent for any age elementaryEasy, repetitive lyricsAction cues included in scoreChords includedPiano Accompaniment Track available on this site.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1088788 Composed by Robert A. Howard. 21st Century,Christmas,Classical,Folk,Sacred. Score. 7 pages. Robert A. Howard #692997. Published by Robert A. Howard (A0.1088788). This piece is an original arrangement based on the wistful English folk melody 'Barbara Allen'. It takes the form of a 7-verse Epiphany carol, with introduction and coda, setting a poem by Laurie Twinam. The vocal line, for any solo voice or for unison voices, retains the folk tune contour throughout, within the range of low D to high D. Around this, the piano accompaniment weaves a set of characterful variations, as a commentary on each differing verse, which is always linked by a 2-bar 'turnaround'. The work explores aspects of both major and minor tonality, as well as modality (with the characteristic flattened seventh), thus working within and around the given folk idiom. This piece is appropriate for virtually any standard and size of unison choir, including school, student, community, church and cathedral choirs, as well as for just solo voice. The accompaniment can be on piano, or for organ if slightly adapted by the player. The 2-part SA and 4-part SATB versions of this piece, as well as the solo piano version (Variations on 'Barbara Allen') by the same composer are also available via Sheet Music Plus. Duration: 4 minutes. Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Choral Choir,Choral (Unison) - Level 2 - Digital Download SKU: A0.1108615 Composed by Adrienne Inglis (ASCAP). A Cappella,Christian,Classical,Instructional,Sacred. 4 pages. Adrienne Inglis (ASCAP) #711261. Published by Adrienne Inglis (ASCAP) (A0.1108615). Perfect for a contemplative holiday occasion! Easy and satisfying for singers! Enjoy this Spanish/English bilingual to perform in one or both languages! Beautiful modal aleatoric setting of sacred text by Julian of Norwich suitable for any combination of voices accompanied by the nature soundtrack found at the YouTube link https://youtu.be/P3R2lLkAntE. A terrific introduction to aleatory, this gorgeous piece can include chimes or a pitched melodic instrument such as a flute.  Text from The Shewings of Julian of Norwich, Part III LXXXIII lines 3362-3364Thus I saw and understode that our feith is oure light in our night, which light is God, our endless day. Así vi y comprendí que nuestra fe es nuestra luz en nuestra noche, cuya luz es Dios, nuestro día sin fin. Program note — Composed by Adrienne Inglis (ASCAP) while sheltering in place during the coronavirus pandemic, Oure Light in Oure Night (2020) sets text by Julian of Norwich for voices with a nature soundtrack. The video format is designed especially for use by choirs singing remotely on an online platform such as Zoom, Cleanfeed, Jamulus, or other. Text is from The Shewings of Julian of Norwich, Part I LXXXIII lines 3362-3364:  “Thus I saw and understode that our feith is oure light in our night, which light is God, our endless day.� The soundtrack of night sounds changing to dawn reflects the message of hope in Julian’s text. Beginning with the sounds of dusk, the whispered words blend with insect sounds. The modal aleatoric passages create an atmosphere of echoing bells as voices overlap. As night passes into day, the modality changes and the insect night sounds shift to the dawn chorus of birds. Born in about 1343 in Norwich, England, Julian survived the Black Plague as a girl of six. She became an anchoress at St. Julian’s Church in Norwich where she lived in prayerful seclusion. In 1373, she became very sick at age 30. When Julian was near the point of death, a curate showed her a crucifix for comfort. She then experienced a series of intense visions of Christ and recovered from her illness to write eloquently about her “shewings.� Her beautiful Medieval English words reassure us with the hope that our faith in God is our light in times of trouble. The composer donates all proceeds of this music to The Nature Conservancy at nature.org.https://www.youtube.com/@adrienneinglishttps://adrienneinglis.com/

Choral Choir,Choral (Unison) - Level 2 - Digital Download SKU: A0.998813 Composed by Robert A. Howard. 20th Century,Advent,Christmas,Folk,Praise & Worship. 2 pages. Robert A. Howard #6083701. Published by Robert A. Howard (A0.998813). This is an original setting of a text commonly associated with a movement from Benjamin Britten's A Ceremony of Carols, for use in worship or concerts at Christmas. It is an accessible 4-verse carol which uses modality and a lilting compound metre to convey rocking movement, within a folk style. Interest is provided by a contrasting duple feel on the last line, and a harmonic twist (picardy third) at the end of the verse (appropriately on the word 'surprise'). The piece is appropriate for virtually any standard and size of unison choir, including school, student, community, church and cathedral choirs, as well as for just solo voice. The accompaniment is quite pianistic but can be played/adapted on the organ. Versions for SATB choir, SA choir, and for solo voice, are also available via Sheet Music Plus.