Unison voices (assembly and choir), and organ, with optional descant and brass quartet (Instrumental Parts include: Trumpets I and II in B-flat and C, Horn in F (substitute for Trombone I), Trombones I and II) - Moderately Easy - Digital Download SKU: MQ.80-407-E Composed by Matthew Koraus. Christ the King, Easter. 7 pages. MorningStar Music Publishers - Digital Sheet Music #80-407-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-407-E). English.Matthew Koraus has crafted a sturdy and very singable set of acclamations for the Eucharistic Prayer based on the hymn tune Diademata, ideal for the long season of Easter as well as Christ the King and other festive times. His adaptation of Elvey's hymn tune includes unexpected touches such as passing tones, rhythmic variations, and inventive harmonies, enabling the acclamations to remain fresh over time. Holy, Holy, Holy, all 3 Memorial Acclamations, and Amen are arranged for Assembly, Choir (in unison or with Descant), and Organ, with optional Two Trumpets or Brass Quartet.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1088788 Composed by Robert A. Howard. 21st Century,Christmas,Classical,Folk,Sacred. Score. 7 pages. Robert A. Howard #692997. Published by Robert A. Howard (A0.1088788). This piece is an original arrangement based on the wistful English folk melody 'Barbara Allen'. It takes the form of a 7-verse Epiphany carol, with introduction and coda, setting a poem by Laurie Twinam. The vocal line, for any solo voice or for unison voices, retains the folk tune contour throughout, within the range of low D to high D. Around this, the piano accompaniment weaves a set of characterful variations, as a commentary on each differing verse, which is always linked by a 2-bar 'turnaround'. The work explores aspects of both major and minor tonality, as well as modality (with the characteristic flattened seventh), thus working within and around the given folk idiom. This piece is appropriate for virtually any standard and size of unison choir, including school, student, community, church and cathedral choirs, as well as for just solo voice. The accompaniment can be on piano, or for organ if slightly adapted by the player. The 2-part SA and 4-part SATB versions of this piece, as well as the solo piano version (Variations on 'Barbara Allen') by the same composer are also available via Sheet Music Plus. Duration: 4 minutes. Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.998769 Composed by Robert A. Howard. 20th Century,Advent,Christmas,Praise & Worship,Sacred. Score. 9 pages. Robert A. Howard #5800623. Published by Robert A. Howard (A0.998769). This is an original setting of the well-known Advent text, for use in worship or concerts at Christmas. It is an accessible 7-verse modal carol, featuring various textures and keys. Each verse modulates and the work comes full-circle by returning to the opening key, and verse, at the end. The result is a set of variations, with texturally varied accompaniment figures in the piano part in each verse. The piece is appropriate for virtually any standard and size of unison choir, including school, student, community, church and cathedral choirs, as well as for just solo voice. The accompaniment is quite pianistic but can be played on the organ. The original 4-part SATB version of this piece, as well as an easier solo/unison setting, by the same composer, are also available via Sheet Music Plus.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.998765 Composed by Robert A. Howard. 21st Century,Christian,Praise & Worship,Sacred,Wedding. Score. 4 pages. Robert A. Howard #5792659. Published by Robert A. Howard (A0.998765). This is a joyous verse anthem in a melodic folk-like idiom for general use in worship, weddings and concerts. It begins with a (solo) verse, before developing through a series of imitative variations. The piece passes through a sequence of distantly-related keys that represent Mary's challenging journey and culminates in an affirmative final verse with quasi descant, extended into a rapturous coda. The text is in English, by John Raphael Peacey. This work is appropriate for virtually any standard and size of unison choir, including school, student, community, church and cathedral choirs, as well as for just solo voice. The accompaniment can be on organ or piano. The original 4-part SATB version of this piece, as well as a version for SA choir, are also available via Sheet Music Plus.