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Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.596415 Composed by Daniel Hay. A Cappella,Contemporary,Multicultural,Sacred,World. Octavo. 1 pages. Daniel Hay Music #5723985. Published by Daniel Hay Music (A0.596415). This Lux Aeternam is one of just a few surviving portions of the Missa Brevis ad Puerum (Small Mass for a Boy) by composer Daniel Hay. The mass was written as memorial for the composer's cousin, Farley McDaniel. The majority of this a capella mass was lost in the aftermath of Hurricane Katrina. Originally written for SATB solo voices it could be performed by SATB choral group. The Lux Aeternam is for tenor voice only although it could fit an alto voice.
Missa Brevis ad Puerum - "Lux Aeternam" (Opus 4, #2) (Tenor)
Chorale Unison

$2.29 1.99 € Chorale Unison PDF SheetMusicPlus

Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.760562 Composed by Cesar Auguste Franck. Arranged by Raymond Fenech. Classical,Easter,Sacred,Spiritual,Standards. Octavo. 10 pages. Raymond Fenech #5310041. Published by Raymond Fenech (A0.760562). Panis angelicus (Latin for Bread of Angels or Angelic Bread) is the penultimate strophe of the hymn Sacris solemniis written by Saint Thomas Aquinas for the feast of Corpus Christi as part of a complete liturgy of the feast. The strophe of Sacris solemniis that begins with the words Panis angelicus (bread of angels) has often been set to music separately from the rest of the hymn. Most famously, in 1872 César Franck set this strophe for tenor voice, harp, cello, and organ. This arrangement is very ideal for Easter concerts. The level is Intermediate and the duration is 3.50 minutes.  
Panis Angelicus - Tenor (voice), Choir and Piano
Chorale Unison

$2.50 2.17 € Chorale Unison PDF SheetMusicPlus

Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.760563 Composed by Cesar Auguste Franck. Arranged by Raymond Fenech. Easter,Romantic Period,Sacred,Standards. Octavo. 9 pages. Raymond Fenech #5310049. Published by Raymond Fenech (A0.760563). Panis angelicus (Latin for Bread of Angels or Angelic Bread) is the penultimate strophe of the hymn Sacris solemniis written by Saint Thomas Aquinas for the feast of Corpus Christi as part of a complete liturgy of the feast. The strophe of Sacris solemniis that begins with the words Panis angelicus (bread of angels) has often been set to music separately from the rest of the hymn. Most famously, in 1872 César Franck set this strophe for tenor voice, harp, cello, and organ. This arrangement is very ideal for Easter concerts. The level is Intermediate and the duration is 3.50 minutes.  
Panis Angelicus - Alto (voice), Choir and Piano
Chorale Unison

$2.50 2.17 € Chorale Unison PDF SheetMusicPlus

Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.760560 Composed by Cesar Auguste Franck. Arranged by Raymond Fenech. Classical,Easter,Praise & Worship,Sacred,Standards. Octavo. 9 pages. Raymond Fenech #5310029. Published by Raymond Fenech (A0.760560). Panis angelicus (Latin for Bread of Angels or Angelic Bread) is the penultimate strophe of the hymn Sacris solemniis written by Saint Thomas Aquinas for the feast of Corpus Christi as part of a complete liturgy of the feast. The strophe of Sacris solemniis that begins with the words Panis angelicus (bread of angels) has often been set to music separately from the rest of the hymn. Most famously, in 1872 César Franck set this strophe for tenor voice, harp, cello, and organ. This arrangement is very ideal for Easter concerts. The level is Intermediate and the duration is 3.50 minutes.  
Panis Angelicus - Baritone (voice), Choir and Piano
Chorale Unison

$2.50 2.17 € Chorale Unison PDF SheetMusicPlus

Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.760561 Composed by Cesar Auguste Franck. Arranged by Raymond Fenech. Classical,Easter,Sacred,Spiritual,Standards. Octavo. 9 pages. Raymond Fenech #5310037. Published by Raymond Fenech (A0.760561). Panis angelicus (Latin for Bread of Angels or Angelic Bread) is the penultimate strophe of the hymn Sacris solemniis written by Saint Thomas Aquinas for the feast of Corpus Christi as part of a complete liturgy of the feast. The strophe of Sacris solemniis that begins with the words Panis angelicus (bread of angels) has often been set to music separately from the rest of the hymn. Most famously, in 1872 César Franck set this strophe for tenor voice, harp, cello, and organ. This arrangement is very ideal for Easter concerts. The level is Intermediate and the duration is 3.50 minutes.  
Panis Angelicus - Bass (voice), Choir and Piano
Chorale Unison

$2.50 2.17 € Chorale Unison PDF SheetMusicPlus

Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.760557 Composed by Cesar Auguste Franck. Arranged by Raymond Fenech. Classical,Easter,Sacred,Spiritual,Standards. Octavo. 10 pages. Raymond Fenech #5309895. Published by Raymond Fenech (A0.760557). Panis angelicus (Latin for Bread of Angels or Angelic Bread) is the penultimate strophe of the hymn Sacris solemniis written by Saint Thomas Aquinas for the feast of Corpus Christi as part of a complete liturgy of the feast. The strophe of Sacris solemniis that begins with the words Panis angelicus (bread of angels) has often been set to music separately from the rest of the hymn. Most famously, in 1872 César Franck set this strophe for tenor voice, harp, cello, and organ. This arrangement is very ideal for Easter concerts. The level is Intermediate and the duration is 3.50 minutes.  
Panis Angelicus - Soprano (voice), Choir and Piano
Chorale Unison

$2.50 2.17 € Chorale Unison PDF SheetMusicPlus

Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.793834 Composed by Johann Sebastian Bach. Arranged by Ivana Tuskan. Baroque,Christmas,Sacred,Standards. Octavo. 7 pages. Ivana Tuskan #3636681. Published by Ivana Tuskan (A0.793834). Originally is written for strings and unison Tenor line. I kept the original key: E flat major. In my arrangement Choral line (german or english text) is meant to be sung by one or few soprano voices unison, and the rest by one voice or chorus unison, who are singing melody (text: Bam, ba-va-da,...), which is usually performad by violins and violas. Bass line is meant to be played by cello, and violin plays harmony (There are two more arrangement with added viola as harmony instrument and for voices and cello in bass line, only). Vocal range: Voice 1: C4 – G5; voice 2: G3 – F5 Lyrics: english & german Score contains 7 pages. Duration: ca.3:20. The sound sample is an electronic preview. 
Zion hört (Zion Hears) Choral from BWV – 140, voices 1 & 2, violina & cello
Chorale Unison

$1.99 1.73 € Chorale Unison PDF SheetMusicPlus

Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.793833 Composed by Johann Sebastian Bach. Arranged by Ivana Tuskan. Baroque,Christmas,Sacred,Standards. Octavo. 8 pages. Ivana Tuskan #3636679. Published by Ivana Tuskan (A0.793833). Originally is written for strings and unison Tenor line. I kept the original key: E flat major. In my arrangement Choral line (german or english text) is meant to be sung by one or few soprano voices unison, and the rest by one voice or chorus unison, who are singing melody (text: Bam, ba-va-da,...), which is usually performad by violins and violas. Bass line is meant to be played by cello, and viola plays harmony (There are two more arrangement with added violin as harmony instrument and for voices and cello in bass line, only). Vocal range: Voice 1: C4 – G5; voice 2: G3 – F5 Lyrics: english & german Score contains 8 pages. Duration: ca.3:20. The sound sample is an electronic preview. 
Zion hört (Zion Hears) Choral from BWV – 140, voices 1 & 2, viola & cello
Chorale Unison

$1.99 1.73 € Chorale Unison PDF SheetMusicPlus

Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.793832 Composed by Johann Sebastian Bach. Arranged by Ivana Tuskan. Baroque,Christmas,Sacred,Standards. Octavo. 9 pages. Ivana Tuskan #3636675. Published by Ivana Tuskan (A0.793832). Originally is written for strings and unison Tenor line. I kept the original key: E flat major. In my arrangement Choral line (german or english text) is meant to be sung by one or few soprano voices unison, and the rest by one voice or chorus unison, who are singing melody (text: Bam, ba-va-da,...), which is usually performad by violins and violas. Bass line is meant to be played by cello. (There are two more arrangement with added violin or viola as harmony instrument). Vocal range: Voice 1: C4 – G5; voice 2: G3 – F5 Lyrics: english & german Score contains 9 pages. Duration: ca.3:20. The sound sample is an electronic preview. 
Zion hört (Zion Hears) Choral from BWV – 140, voices 1 & 2 and cello
Chorale Unison

$1.99 1.73 € Chorale Unison PDF SheetMusicPlus

Medium-High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.998896 Composed by Robert A. Howard. 21st Century,Advent,Lent,Praise & Worship,Sacred. 9 pages. Robert A. Howard #6697315. Published by Robert A. Howard (A0.998896). This is a meditative and reverential solo voice (or unison voices) setting of the 'Hail Mary' prayer in Latin, with piano (or organ) accompaniment. The piece unusually sets the familiar text within an aching minor key, in a slow tempo, and with generally quiet dynamics. A highly memorable, singable and repetitive main theme is supported by rippling arpeggios over a descending bass line. Within the rocking 6/8 time signature, an often modal accompaniment also features chains of gently warm seventh chords. The piece is appropriate for most standards of solo soprano or tenor. This Ave Maria, by the same composer, is also available from Sheet Music Plus in versions for SATB choir, and for SA choir. 
Ave Maria (Unison/solo voice version)
Chorale Unison

$4.99 4.33 € Chorale Unison PDF SheetMusicPlus

Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.898549 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Christian,Holiday,Romantic Period,Sacred. Octavo. 7 pages. Matthew Alan Edwards #4111323. Published by Matthew Alan Edwards (A0.898549). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-9 !Come, ye thankful people, come was inspired by the Anglican choral style of David Willcocks and other English church composers. This is evident starting in the two introductory measures, which grow from a single note and immediately introduce the tune. The introductory harmonic language is reused throughout the first verse, which closes with a solo flute soaring above the final note. The solo flute continues its melody in tandem with the tune in the second verse. The third verse features a tenor melody on an English tuba stop while the upper accompanimental voices explore their own melody. After a brief transition to full organ, the final verse features the upper voices in a soaring descant, capitulating on an ascending scale to a high F. The text foreshadows the message of the advent season (Lord, quickly come… with all thine angels) while the harmonic and musical drama with the descant paint the text and foreshadow the musical jubilation of Christmas. As an anthem, this setting is quick for a choir of any size to learn, while as a concertato it allows the music director, organist, or even pianist the flexibility to greatly enhance congregational song.
Op. 9 Come, ye thankful people, come
Chorale Unison

$2.49 2.16 € Chorale Unison PDF SheetMusicPlus






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