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Violin Duet Violin - Level 3 - Digital Download

SKU: A0.1488279

Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. Published by Artaria Editions (A0.1488279).

Artaria Editions AE387

The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.

Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes.
 
The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. 
 

 
This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.
 
Robert Hoskins.

Six Violin Duets, Op. 1
2 Violons (duo)

$72.00 68.6 € 2 Violons (duo) PDF SheetMusicPlus

Violin Duet Violin - Level 3 - Digital Download

SKU: A0.1488280

Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. Published by Artaria Editions (A0.1488280).

Artaria Editions AE388

The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.

Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes.
 
The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. 
 
This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.
 
 Robert Hoskins.

Six Violin Duets, Op. 2
2 Violons (duo)

$72.00 68.6 € 2 Violons (duo) PDF SheetMusicPlus

Violin Duet Violin - Level 3 - Digital Download

SKU: A0.1488283

Composed by Ignaz Josef Pleyel. Arranged by Allan Badley. Classical. 58 pages. Artaria Editions #1065171. Published by Artaria Editions (A0.1488283).

Artaria Editions AE407-1

Ignaz Pleyel (1757-1831) was at one time the most famous composer in the world. The popularity of his music eclipsed that of even his teacher Haydn and publishers vied to bring out his latest works as soon as they were finished. Some 2000 separate prints of Pleyel works had appeared by 1800 and his fame extended to every corner of Europe and as far afield as North America.

Pleyels career as a composer spanned less than thirty years with the majority of his works composed in the 1780s. He founded a successful publishing house in Paris in the mid-1790s and later began manufacturing keyboard instruments. With increasing demands on his time from his business concerns Pleyels productivity as a composer dropped sharply and he ceased composing around 1805. Among the authentic chamber works the duos occupy a particularly interesting place. Pleyel composed duos of varying technical difficulty in order to appeal to the widest possible market and he clearly intended that players progress from easy works, signalled by titles such as Duo Facile or Petit Duo, to more ambitious works.

The present works, composed ca 1788, lie between these two extremes: they require players with well-developed techniques but do not present exceptional difficulties to the performer. They are graceful, attractive works and their great popularity in Pleyels lifetime comes as no surprise to the modern performer.

Three Violin Duos (Benton 508-510)
2 Violons (duo)

$53.00 50.5 € 2 Violons (duo) PDF SheetMusicPlus

Violin Duet Violin - Level 3 - Digital Download

SKU: A0.1255062

By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Classical,Contest,Festival,Film/TV,Romantic Period,Wedding. 19 pages. Grant Horsley #848656. Published by Grant Horsley (A0.1255062).

The name Nocturne (meaning of the night) was originally an ensemble piece in the 18th century in several movements used for for evening parties. Later In the 19thc it's one movement form, it was adopted by John Field and later popularised by Chopin. It generally has a tranquil lyrical melody and is very romantic and expressive.

I have tried to keep these elements in this Nocturne. Written here for Violin Duet and Piano, the parts are equally divided. Highest note top F sharp, violin 1 (once). Bowing has been left to the performer. It is written in the key of concert B minor it has a very gentle opening with harmonies evolving around a cycle of 5th's in places. The piece has three definite sections- the lyrical melody to begin with, a middle section building to a climax before a return to the 1st section. This is followed by a transitional contrasting section (poco piu mosso) wandering through a few keys to settle on an inner pedal tonic note chime. Gentle chords restore the opening once more- this opening theme climaxes towards the end and a gentle reflection of the opening bars concludes the piece.

It is 4 mins 20 in length and price is for the full score and parts.

I have set it to intermediate level, but the whole score is on the youtube link for you to assess suitability.

Versions for Flute Duet, Flute and Clarinet Duet and Solo Piano are also available.

Nocturne. Original For Violin Duet and Piano.
2 Violons (duo)
Grant Horsley
$6.50 6.19 € 2 Violons (duo) PDF SheetMusicPlus

Violin Duet Violin - Level 2 - Digital Download

SKU: A0.1202562

Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. 8 pages. Woods Only, Arrangements #801301. Published by Woods Only, Arrangements (A0.1202562).

This arrangement adapted for violin duo was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice.

Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).

Moonlight Sonata by Beethoven for Violin Duet
2 Violons (duo)

$3.99 3.8 € 2 Violons (duo) PDF SheetMusicPlus






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