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Violin Duet Violin - Level 3 - Digital Download SKU: A0.592527 Composed by Jule Styne. Arranged by David McKeown. Contemporary. 4 pages. David McKeown #6366175. Published by David McKeown (A0.592527). It’s Been a Long Long Time is arranged as a duet for two Violins.It’s Been a Long Long Time is best known to modern audiences as the song at the end Avengers: Endgame, where Steve Rogers, after seventy years, finally gets to dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both parts enjoying plenty of melodic interest. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
It's Been A Long, Long Time
2 Violons (duo)

$5.99 5.14 € 2 Violons (duo) PDF SheetMusicPlus

Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. Published by Artaria Editions (A0.1488279). Artaria Editions AE387The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected.   This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
Six Violin Duets, Op. 1
2 Violons (duo)

$72.00 61.81 € 2 Violons (duo) PDF SheetMusicPlus

Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. Published by Artaria Editions (A0.1488280). Artaria Editions AE388The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected.  This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.  Robert Hoskins.
Six Violin Duets, Op. 2
2 Violons (duo)

$72.00 61.81 € 2 Violons (duo) PDF SheetMusicPlus

Violin Duet Violin - Level 3 - Digital Download SKU: A0.1354186 Composed by Stamitz. Arranged by James M. Guthrie. Chamber,Classical,Contest,Festival,Traditional,Wedding. 19 pages. Jmsgu3 #938888. Published by jmsgu3 (A0.1354186). The significance of Stamitz Duets Op. 27 lies in their contribution to the duet repertoire for two violins (or two flutes). Composed by Carl Stamitz, a prominent figure of this era, the duets were published in 1780. These duets are well-regarded for their musicality and are popular choices for duet performances and educational purposes. They are available in sheet music and have been performed in concerts and recordings, reflecting their enduring appeal and importance in the classical music domain. The duets are known for their melodic and expressive qualities, making them valuable for developing ensemble playing and musical interpretation skills. They are also appreciated for their historical significance in the context of classical music composition and the repertoire for violin or flute duets. Carl Stamitz, born in 1745 and passing away in 1801, was a significant figure in music history, particularly in the classical period. He was one of the most prolific Mannheim orchestral composers, known for writing numerous symphonies, concertos for various instruments, and other instrumental works. Stamitz's influence on the evolution of the Classical sonata form by introducing contrasting themes within a single movement is also noteworthy. He was a prominent representative of the second generation of the Mannheim School, and his contributions to the duet repertoire for two violins or two flutes are highly regarded for their musicality and historical significance. Despite not being as widely recognized as some of his contemporaries, his work has left a lasting impact on the classical music domain.Carl Stamitz significantly contributed to the Mannheim School of Music as the most prominent representative of its second generation. He was the eldest son of Johann Stamitz, a violinist and composer considered the Mannheim School's founder. Carl Stamitz's contribution to the school included his role as a prolific orchestral composer, writing numerous symphonies, concertos for various instruments, and other instrumental works. His work, along with that of other members of the Mannheim School, helped solidify the Classical symphony and its dynamic contrasts, impacting the evolution of the classical music period. Additionally, Carl Stamitz's choice of the viola as his favorite instrument and his compositions for the viola also contributed to the school's legacy.
Stamitz: Duetto Op. 27 No. 3 for Violin Duo
2 Violons (duo)

$24.95 21.42 € 2 Violons (duo) PDF SheetMusicPlus

String Ensemble - Level 3 - Digital Download SKU: A0.552333 Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. 31 pages. Jmsgu3 #6327363. Published by jmsgu3 (A0.552333). I. Largo II. Allegro III. Affettuoso IV. VivaceGeorg Philipp Telemann's Sonatas Op. 2, also known as the Six Sonatas for two flutes (or violins), are significant for several reasons. First, they are dedicated to two young music lovers, explicitly appealing to a circle of pupils and music enthusiasts. The pieces foster the ability of musical expression and are characterized by a combination of expansive baroque thematic material and charming galant features in the slow and fast movements, respectively. Telemann was considered one of the leading German composers of his time, and his works, including the Sonatas Op. 2, reflect his significant contribution to the Baroque music era. The Methodical nature of these sonatas, as described when they were published in 1732, is also noteworthy, as they included a second, ornamented version of the simple melodies, showcasing Telemann's innovative approach to composition.Furthermore, Telemann's music, which incorporates French, Italian, and German national styles, remained highly regarded by colleagues and critics alike during his lifetime and the latter half of the 18th century. Numerous theorists and prominent composers cited his works as models, and he influenced pupils of J.S. Bach in Leipzig, such as Wilhelm Friedemann Bach. Therefore, Telemann's Sonatas Op. 2 contributed to the expansion of domestic music-making and influenced other composers and musicians of his time and beyond.
Telemann: Sonata Op. 2 No. 2 for Violin Duo
2 Violons (duo)

$24.95 21.42 € 2 Violons (duo) PDF SheetMusicPlus

String Ensemble - Level 4 - Digital Download SKU: A0.552441 Composed by George Frideric Handel. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. 27 pages. Jmsgu3 #6351555. Published by jmsgu3 (A0.552441). Sonata No. 3, K. 555 I. Andante II. Presto III. Grazioso IV. AllegroThe historical context of Handel's Six Sonatas for Flute Duo is rooted in the Baroque period, during which the flute gained prominence as a solo and ensemble instrument. Handel's compositions for the flute, including these sonatas, reflect the growing popularity of the instrument and the increasing demand for repertoire. The sonatas are part of Handel's contribution to developing the flute's repertoire during the Baroque era, showcasing his mastery of melody, ornamentation, and expressive qualities. While there may be some debate about the authenticity of specific works attributed to Handel, his contributions to the genre remain significant, and the sonatas are valued for their historical importance and musical richness.
Handel: Sonata No. 3 for Violin Duo
2 Violons (duo)

$27.95 24 € 2 Violons (duo) PDF SheetMusicPlus

Violin Duet Violin - Level 5 - Digital Download SKU: A0.861912 Arranged by Mark O'Connor. 20th Century,Contemporary,Folk. 9 pages. Mark O'Connor Musik International #6206217. Published by Mark O'Connor Musik International (A0.861912). Brave Wolfe (misc. instrument – misc. instr. and violin) MO109Misc. Instrument Part (trumpet score and parts available)Music by Mark O’Connor4 pages - 7:00 minutes in length Brave Wolfe for misc. instrument and violin is a piece by Mark O’Connor based on an old traditional ballad. It was recorded by O’Connor and Wynton Marsalis for the album Liberty!. The recording was also used throughout the film documentary produced for PBS, Liberty! The American Revolution. This may very well be the first duet ever written for trumpet and violin. Summarized as a triumph by album notes writer Thomas Fleming, he goes on to characterize the duet by saying Marsalis’ sound echoes the noble sadness of this celebration of the heroic death of British General James Wolfe before Quebec in 1759. The piece turns into a musical gallop, evoking the surging seesaw battle Wolfe’s army fought outside the walls of the fortress city. We have a collaboration between the trumpet wizardry of Wynton Marsalis and Mark O’Connor’s extraordinary virtuosity on the fiddle. The music is suited for advanced levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Public Domain Arranged by Mark O’ConnorCan be heard on Liberty! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Wynton Marsalis – trumpet Catalogue Number MO109Copyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com 
Brave Wolfe (misc. instrument – misc instr. and violin)
2 Violons (duo)

$6.00 5.15 € 2 Violons (duo) PDF SheetMusicPlus

Violin Duet Violin - Level 4 - Digital Download SKU: A0.552515 Composed by Johann Joachim Quantz 1697-1773. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. 24 pages. Jmsgu3 #6365545. Published by jmsgu3 (A0.552515). Duetto Op. 2 No. 2 - I. Allegro assai II. Andantino III. Presto Johann Joachim Quantz, a German flutist and composer, occupies an intermediate position between the Baroque and Classical periods. His Sei Duetti, op. 2, composed in 1759, is an excellent example of his position between the two eras, showcasing elegance, lightness, and tenderness. They illustrate Quantz's craftsmanship and influence on transitioning from the Baroque to the Classical style. Thus, Quantz's music reflects an essential link in the evolution of musical styles from the Baroque to the Classical era.Here are the most essential facts to know about his music:Compositions: Quantz composed about 300 concerti and 200 other flute pieces for Frederick the Great. His works are for the transverse flute, including sonatas, concertos, trio sonatas, quartets, duets, trios, and unaccompanied caprices and fantasias for the flute.Treatise on Flute Playing: His treatise Versuch einer Anweisung die Flöte traversiere zu spielen (1752) is a valuable source of information on ornamentation and performance practices of the 18th century.Innovations in Flute Design: Quantz made significant contributions to the development of the flute. He added a second key to the flute and invented the sliding end used to tune the instrument. He also experimented with different woods and configurations to improve the instrument's sound and versatility.Teaching and Influence: Quantz was a renowned flute teacher who significantly influenced the development of flute playing and composition during the 18th century.In summary, Johann Joachim Quantz was a prolific composer, an influential flute teacher, and a key figure in the evolution of the flute and its music during the Baroque period.
Quantz: Duetto Op. 2 No. 2 for Violin Duo
2 Violons (duo)

$32.95 28.29 € 2 Violons (duo) PDF SheetMusicPlus

Violin Duet Violin - Level 3 - Digital Download SKU: A0.589150 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by David McKeown. Pop,Rock. 5 pages. David McKeown #5370613. Published by David McKeown (A0.589150). All You Need Is Love by the Beatles, was written in 1967 especially for the world’s first live satellite TV transmission. John Lennon answered the BBC’s commission to write a positive song with easy-to-understand lyrics for an international audience. All You Need Is Love was recorded live in a TV studio with many famous contemporary artists such as Eric Clapton and Mick Jagger singing along. This version of All You Need Is Love  is arranged as a duet for two Violins. Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around three and a half minutes. The full YouTube performance linked above is the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
All You Need Is Love
2 Violons (duo)
The Beatles
$5.99 5.14 € 2 Violons (duo) PDF SheetMusicPlus

Violin Duet Violin - Level 3 - Digital Download SKU: A0.552401 Composed by Leo Delibes (1836-1891). Arranged by James M. Guthrie. Instructional,Romantic Period,Standards,Wedding. 7 pages. Jmsgu3 #6342505. Published by jmsgu3 (A0.552401). Duo of flowers from Lakme, Act I. A popular wedding selection.Leo Delibes (1836-1891) was a French composer of the Romantic period best known for his ballets and operas. He was a child prodigy and began composing music at the age of seven. He studied at the Paris Conservatoire, where he developed a mastery of the symphonic form and wrote several pieces for the orchestra. His works for the stage are among the most popular and beloved of the Romantic era, including the ballets Coppélia and Sylvia, and the opera Lakmé.Delibes was a pioneer in the use of orchestral color and instrumental effects to enhance the dramatic narrative of his works. His works are often praised for their lyricism, graceful melodies, and colorful orchestrations. His music is considered to be a bridge between the grandiose and romantic works of the French composers before him, such as Gounod and Berlioz, and the more intimate and melodic style of composers like Debussy and Ravel.Delibes’ influence can be heard in the works of later composers such as Stravinsky and Prokofiev, and his music continues to be performed and enjoyed today. His contributions to music history are significant, and his works remain beloved masterpieces of the Romantic era.Léo Delibes' opera Lakmé is an opera in three acts. It was first performed in 1883 at the Théâtre Lyrique in Paris. The libretto was written by Edmond Gondinet and Philippe Gille. The story is set in British-occupied India and tells the story of a young Indian girl, Lakmé, who is in love with a British officer, Gerald. The story follows the couple's romantic journey, as well as the obstacles they face from Lakmé's father and the British military. The opera is best known for its beautiful score, which includes the famous aria The Flower Duet as well as the duet Lakmé! The Bell Song. The opera has been performed in opera houses all over the world and is considered one of Delibes' most popular works.The Duo des Fleurs, composed by French composer Léo Delibes, is a ballet pas de deux from the ballet Lakme, Act I. It is a beloved masterpiece of the Romantic period and is often performed as a standalone piece in many ballet performances. The piece is typically danced by two female ballet dancers and is known for its playful and lighthearted nature. The music consists of a melody that alternates between the two dancers and is often accompanied by a lighthearted waltz. The music has a strong sense of unity and connection between the two dancers, which is enhanced by the use of the same melody. The piece also features a beautiful soaring coda that gives it a sense of grandeur and beauty. The Duo des Fleurs is an exquisite piece of music and an enduring classic of the ballet repertoire.
Delibes: Duo des Fleurs for Violin Duo & Piano
2 Violons (duo)

$26.95 23.14 € 2 Violons (duo) PDF SheetMusicPlus

Violin Duet Violin - Level 3 - Digital Download SKU: A0.588162 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by David McKeown. Rock. 5 pages. David McKeown #5306145. Published by David McKeown (A0.588162). When I’m Sixty-Four first appeared on the Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. Despite the song’s appearance relatively late in the Beatles’ discography, it was one of the first songs that Paul McCartney wrote, at the age of 16. When the song was finally recorded in 1966, Paul McCartney felt it was too slow and turgid. George Martin simply solved the problem by speeding up the tape and raising the pitch by one semitone. This version of When I’m Sixty-Four is arranged as a duet for two Violins. The full YouTube performance above is the Clarinet version of this duet.Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and expressive playing.  There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203  
When I'm Sixty-four
2 Violons (duo)
The Beatles
$5.99 5.14 € 2 Violons (duo) PDF SheetMusicPlus

Violin Duet Violin - Level 1 - Digital Download SKU: A0.550316 Composed by Josquin des Prez (1450-1521). Arranged by James M. Guthrie, ASCAP. Instructional,Renaissance,Sacred,Standards. 11 pages. Jmsgu3 #4605297. Published by jmsgu3 (A0.550316). Five Duets, Duration: ca. 8:00. Great music for sightreading.Josquin des Prez (1450-1521) was a French-Flemish composer who lived during the Renaissance period. His chamber music was influential in the development of modern tonality and musical genres. Josquin's compositions encompassed both secular and sacred works, including chansons and Italian frottola. He is widely regarded as one of the greatest composers of the Renaissance and was among the first to use innovations such as multiple voices and counterpoint. His achievements as a musical magician-mathematician remain stunning even centuries after his death. The importance of Josquin des Prez's chamber music lies in its influence on the development of modern music and its enduring legacy as a masterpiece of the Renaissance period.
Josquin: Five Duets for Violin Duo
2 Violons (duo)

$29.95 25.71 € 2 Violons (duo) PDF SheetMusicPlus






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