Violin Duet Violin - Level 3 - Digital Download SKU: A0.716147 By Lady Gaga. By Nadir Khayat and Stefani Germanotta. Arranged by Lena Seeger. Pop. 10 pages. Lena A Seeger #3563027. Published by Lena A Seeger (A0.716147). Europop song by Lady Gaga, arranged for two violins.

Violin Duet Violin - Level 4 - Digital Download SKU: A0.534077 Composed by Jan Freidlin. Concert,Contemporary,Standards. 36 pages. Musik Fabrik Music Publishing #3108255. Published by Musik Fabrik Music Publishing (A0.534077). A set of duets for two violins

Violin Duet Violin - Level 1 - Digital Download SKU: A0.509262 Composed by Janice Malan. Instructional. 4 pages. Janice Malan #5896751. Published by Janice Malan (A0.509262). Wild Flowers for Level 1 Violin Duet is scored with both violin parts on the same sheet. This way students can exchange parts easily and can also see what the other part is playing. This song is a canon so counting and listening to each other is a must. A very good practice study in the classroom with 1st violin players and 2nd violin players in groups or alone. .

Violin Duet Violin - Level 4 - Digital Download SKU: A0.1486680 By Django Reinhardt. By Django Reinhardt and Stephane Grappelli. Arranged by C. Fairchild. 20th Century,Folk,Jazz,Multicultural,World. 6 pages. C C Fairchild #1063744. Published by C C Fairchild (A0.1486680). Minor Swing, made famous by the great solos of Django Reinhardt and Stephane Grappello, re-imagined as a duet between two violins. The music is a transcription/arrangement of each of their solos from the famous recording with each violin taking a turn at a solo. When not soloing, I have provided basic chords for the violin to follow, though they do not have to be strictly adhered to.I've also included some suggested fingerings and bowings, but these can be personal, so I encourage players to adapt them as needed to fit their style and sound.

Violin Duet Violin - Level 3 - Digital Download SKU: A0.948393 Composed by William H. Monk. Arranged by Janelle Zook Cunalata. 20th Century,Christian,Concert,Sacred. 6 pages. JZC Music #5740773. Published by JZC Music (A0.948393). https://jzcmusic.com/ A heartfelt arrangement of Abide with Me for violin duet. Henry Francis Lyte composed the lyrics to the hymn Abide with Me using the Eventide melody composed by William H. Monk. The hymn is a prayer for God to remain present with us through all of life, including death. The title refers to the disciples' response to Jesus when they said (Luke 24:29), Abide with us: for it is toward evening, and the day is far spent..

Violin Duet Violin - Level 3 - Digital Download SKU: A0.590717 Composed by David McKeown. Holiday,Latin,Multicultural,Wedding,World. 5 pages. David McKeown #6233631. Published by David McKeown (A0.590717). Amor, (Portuguese for Love), is an exciting original composition by David McKeown, arranged as a duet for two Violins, and is one of series of pieces celebrating Love in different languages around the world.This duet is based on the Brazilian style of Bossa Nova which evolved in Rio de Janeiro during the late 1950s. Bossa in its purest form is lyrical song accompanied by nylon-stringed guitar. The rhythm derives from Samba but is played at around half tempo. The harmony is often complex and influenced by jazz; indeed it was the collaboration between guitarist João Gilberto and American Saxophonist Stan Getz that led to the huge international popularity of Bossa Nova in the 1960s and beyond.If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. Rhythms should be lightly articulated, the melody should always flow, and following the articulation in the score will help convey the style. Amor has a performance time of around three minutes. Click the link above to listen to a full YouTube performance of the clarinet version of Amor.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 

Violin Duet Violin - Level 3 - Digital Download SKU: A0.1425113 Composed by Dorival Caymmi. Arranged by Guilherme Facchetti. 20th Century,Chamber,Classical,Multicultural,Standards,World. 9 pages. Guilherme Facchetti #1005932. Published by Guilherme Facchetti (A0.1425113). This arrangement of Rosa Morena by Dorival Caymmi for Violin Duet, is a free artistic recreation, elaborated based on information from the score published by Editorial Mangione S.A., in 1942, in the cities of Rio de Janeiro and São Paulo. This sheet music contains score and parts.

Violin Duet Violin - Level 5 - Digital Download SKU: A0.1211618 Composed by Antonio Vivaldi. Arranged by Jane Melin. Baroque,Classical,Standards. 24 pages. Jane Melin #809230. Published by Jane Melin (A0.1211618). Violin accompaniment for Vivaldi's Spring Violin Concerto in E major from The Four Seasons, arranged by selective editing from Violin 2, Viola, Cello and Continuo parts of the original score. For teacher accompaniment or violin duets. Manuscript includes a duo violin score with separate Solo Violin and Second Violin parts. Includes traditional dynamics and bowings.

Violin Duet Violin - Level 3 - Digital Download SKU: A0.975508 Composed by Luigi Boccherini. Arranged by Jane Melin. Baroque,Instructional,Standards. 3 pages. Jane Melin #6353909. Published by Jane Melin (A0.975508). Single violin accompaniment for Boccherini's Minuet (and Trio) for solo violin in the key of A. Aligns with the student repertoire in the popular mother-tongue method book. For violin teachers accompanying their students when learning or performing this piece. Can also be used for student duets. Duo violin score and second violin (teacher) part only; no separate Violin 1 (student) part. Violin 1 part in the score is based on public-domain sources and may not contain the fingerings, bowings, articulations and dynamics most commonly used by students.

Violin Duet Violin - Level 5 - Digital Download SKU: A0.975511 Composed by Antonio Vivaldi. Arranged by Jane Melin. Baroque,Classical,Standards. 27 pages. Jane Melin #6373925. Published by Jane Melin (A0.975511). Violin accompaniment for Vivaldi's Summer Violin Concerto in G minor from The Four Seasons, arranged by selective editing from Violin 2, Viola, Cello and Continuo parts of the original score. For teacher accompaniment or violin duets. Manuscript includes a duo violin score with separate Solo Violin and Second Violin parts. Includes traditional dynamics and bowings.

Violin Duet Violin - Level 5 - Digital Download SKU: A0.975510 Composed by Antonio Vivaldi. Arranged by Jane Melin. Baroque,Classical,Standards. 27 pages. Jane Melin #6369085. Published by Jane Melin (A0.975510). Violin accompaniment for Vivaldi's Winter Violin Concerto in F minor from The Four Seasons, arranged by selective editing from Violin 2, Viola, Cello and Continuo parts of the original score. For teacher accompaniment or violin duets. Manuscript includes a duo violin score with separate Solo Violin and Second Violin parts. Includes traditional dynamics and bowings.

Violin Duet Violin - Level 3 - Digital Download SKU: A0.975507 Composed by Antonio Vivaldi. Arranged by T. Nachez, Jane Melin. Baroque,Instructional,Standards. 7 pages. Jane Melin #6365529. Published by Jane Melin (A0.975507). Single violin accompaniment for Vivaldi's Violin Concerto in A minor, 1st movement (Op. 3 No. 6). Aligns with the student repertoire in the popular mother-tongue method book. For violin teachers accompanying their students when learning or performing this piece. Can also be used for student duets. Duo violin score and second violin (teacher) part only; no separate Violin 1 (student) part. Violin 1 part in the score is based on public-domain sources and may not contain the fingerings, bowings, articulations and dynamics most commonly used by students.

Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. Published by Artaria Editions (A0.1488279). Artaria Editions AE387The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected.   This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.

Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. Published by Artaria Editions (A0.1488280). Artaria Editions AE388The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected.  This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.  Robert Hoskins.

Violin Duet Violin - Level 1 - Digital Download SKU: A0.1117164 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. 5 pages. Woods Only, Arrangements #718742. Published by Woods Only, Arrangements (A0.1117164). This easy arrangement for violin duet was adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students due to the ease imposed on the piece; however, this does not preclude it from being played by professionals and music teachers. It is also ideal for academic recitals, weddings, student method and ceremonies that are arranged in the same way as the piece contains. The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part.