Violin Duet Violin - Interactive Download

SKU: HX.439305

By James Baskett. Arranged by Mark Phillips. This edition: Interactive Download,scorch. Children,Disney,Standards. 2 pages. Hal Leonard - Digital #975270. Published by Hal Leonard - Digital (HX.439305).

Violin Duet Violin - Level 3 - Digital Download

SKU: A0.543705

By Elvis Presley. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by Cindy Blevins. Country. 9 pages. Cindy Blevins #3489033. Published by Cindy Blevins (A0.543705).

This is a beautiful, playable arrangement for two violins. You receive the score, the Violin 1 and the Violin 2 parts.

My website: https://www.blevinsmusic.com

Please note: you may see blank pages among the sample pages. They are included so that only a score sample is shown.

Violin Duet Violin - Level 5 - Digital Download

SKU: A0.861912

Arranged by Mark O'Connor. 20th Century,Contemporary,Folk. 9 pages. Mark O'Connor Musik International #6206217. Published by Mark O'Connor Musik International (A0.861912).

Brave Wolfe (misc. instrument – misc. instr. and violin) MO109

Misc. Instrument Part (trumpet score and parts available)

Music by Mark O’Connor

4 pages - 7:00 minutes in length

 

Brave Wolfe for misc. instrument and violin is a piece by Mark O’Connor based on an old traditional ballad. It was recorded by O’Connor and Wynton Marsalis for the album Liberty!. The recording was also used throughout the film documentary produced for PBS, Liberty! The American Revolution. This may very well be the first duet ever written for trumpet and violin. Summarized as a triumph by album notes writer Thomas Fleming, he goes on to characterize the duet by saying Marsalis’ sound echoes the noble sadness of this celebration of the heroic death of British General James Wolfe before Quebec in 1759. The piece turns into a musical gallop, evoking the surging seesaw battle Wolfe’s army fought outside the walls of the fortress city. We have a collaboration between the trumpet wizardry of Wynton Marsalis and Mark O’Connor’s extraordinary virtuosity on the fiddle. The music is suited for advanced levels.

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 1997

 

Public Domain Arranged by Mark O’Connor

Can be heard on Liberty! Sony Classical and The Essential Mark O’Connor Sony Classical

Mark O’Connor - violin, Wynton Marsalis – trumpet

 

Catalogue Number MO109

Copyright © 1997 by Mark O’Connor Music International

 

For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit

www.markoconnor.com

 

For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:

www.oconnormethod.com

 

Violin Duet Violin - Level 3 - Digital Download

SKU: A0.1488279

Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. Published by Artaria Editions (A0.1488279).

Artaria Editions AE387

The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.

Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes.
 
The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. 
 

 
This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.
 
Robert Hoskins.

Violin Duet Violin - Level 3 - Digital Download

SKU: A0.1488280

Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. Published by Artaria Editions (A0.1488280).

Artaria Editions AE388

The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.

Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes.
 
The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. 
 
This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.
 
 Robert Hoskins.

Violin Duet Violin - Level 4 - Digital Download

SKU: A0.1283753

By James Arthur. By Andrew Frampton, Daniel O'Donoghue, James Arthur, Mark Sheehan, Neil Ormandy, Stephen Kipner, and Steve Solomon. Arranged by Julie Doubleday. Pop. 8 pages. Julie Doubleday #874950. Published by Julie Doubleday (A0.1283753).

Say You Won't Let Go by James Arthur.
In this arrangements the two instruments share the melody.

By James Arthur. By Andrew Frampton, Daniel O\'Donoghue, Mark Sheehan, Neil Ormandy, Stephen Kipner, Steve Solomon, and James Arthur. Arranged by DK Music. Contemporary, Hip- Hop, Pop, R & B, Wedding. 3 pages. DK Music #4286365. Published by DK Music