Violin Duet Violin - Level 2 - Digital Download SKU: A0.697487 Composed by John J. Husband. Arranged by Sandy McIntire. Contest,Festival,Instructional,Praise & Worship,Sacred,Spiritual. 2 pages. Sandy McIntire #3682581. Published by Sandy McIntire (A0.697487). Revive Us Again, first published in 19th C. England, remains as an old standard in today's hymnbooks.  The tune is arranged here as a violin duet for early intermediate violinists and contains some entertaining counterpoint.

Violin Duet Violin - Digital Download SKU: A0.495163 By Liudmila Knyazeva & Maria Khodina. By Liudmila Knyazeva. 20th Century,Classical,Contemporary. 3 pages. Published by Liudmila Knyaz (A0.495163). Contemporary piece for violin and piano. The play is called Ivan Tsarevich is Thoughtful. This is a program title that can channel the listener's imagination and make the music experience more empathetic. Ivan Tsarevich is a Russian folklore fairytale character. The play clearly contains sound-visual means of expressiveness. It can be used for both concert and pedagogical performances.

Violin Duet Violin - Level 1 - Digital Download SKU: A0.942782 Composed by 1792, French Revolution, and Unknown. Arranged by Cumant Micheline. Classical,Patriotic. 1 pages. Micheline Cumant #4643123. Published by Micheline Cumant (A0.942782). A well-known song of the french Revolution arranged for 2 violins. Created in 1792. .

Violin Duet Violin - Level 5 - Digital Download SKU: A0.532336 Composed by M. de Falla. Arranged by Klas Krantz. 20th Century,Classical,Romantic Period. 16 pages. Amadeus Music #5997999. Published by Amadeus Music (A0.532336). For two unaccompanied violins, score and parts (vln I and II)Manuel de Falla (1876–1946) was a Spanish composer and pianist. Along with Isaac Albéniz, Francisco Tárrega, and Enrique Granados, he was one of Spain's most important musicians of the first half of the 20th century. He has a claim to being Spain's greatest composer of the 20th century, although the number of pieces he composed was relatively modest.

Violin Duet Violin - Level 2 - Digital Download SKU: A0.1172090 By OneRepublic. By Brent Kutzle, Noel Zancanella, and Ryan Tedder. Arranged by Wesley S. SIlva. Film/TV,Pop,Rock,Wedding. 6 pages. Wesley S. Silva #772354. Published by Wesley S. Silva (A0.1172090). Sheet music for duet Violin.

Violin Duet Violin - Level 3 - Digital Download SKU: A0.716184 Composed by Claude Debussy. Arranged by Lena Seeger. Romantic Period,Wedding. 9 pages. Lena A Seeger #4758563. Published by Lena A Seeger (A0.716184).

This edition: Interactive Download,scorch. Classical, Collection, Standards. 2 pages. Hal Leonard #690270. Published by Hal Leonard

By Celine Dion. This edition: Interactive Download,scorch. Disney, Film/TV. 2 pages. Hal Leonard #284790. Published by Hal Leonard

By Kristen Bell & Idina Menzel. This edition: Interactive Download,scorch. Disney, Film/TV. 2 pages. Hal Leonard #256105. Published by Hal Leonard

Violin Duet Violin - Interactive Download SKU: HX.452548 By Celine Dion. This edition: Interactive Download,scorch. Disney. 2 pages. Hal Leonard - Digital #284790. Published by Hal Leonard - Digital (HX.452548).

Violin Duet Violin - Level 2 - Digital Download SKU: A0.1186575 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. 9 pages. Woods Only, Arrangements #786221. Published by Woods Only, Arrangements (A0.1186575). This adaptation was intended for a small group of violin duo, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests.The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.

Violin Duet Violin - Level 5 - Digital Download SKU: A0.760438 Composed by Antonio Vivaldi. Arranged by Raymond Fenech. Baroque,Easter,Instructional,Multicultural,Standards,World. 24 pages. Raymond Fenech #3675877. Published by Raymond Fenech (A0.760438). Armida al campo d'Egitto is an opera in three acts by Antonio Vivaldi to a libretto by Giovanni Palazzo. It was first performed during the Carnival season of 1718 at the Teatro San Moisè in Venice. Unlike the more than 50 operas based on the romance of Rinaldo and Armida, Vivaldi's version starts during previous events before the war against the Crusaders. Armida was revived for the Carnival season of 1738, with much of the music rewritten, and arias by Leonardo Leo added. Act II of the original version of the opera is now lost. The Level is Early Advance and the duration is approximately 4.13 minutes. It could be played in any type of recital/concert.

Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. Published by Artaria Editions (A0.1488280). Artaria Editions AE388The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected.  This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.  Robert Hoskins.