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Low Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.533413 Composed by Ange Flégier. Concert,Romantic Period,Standards. 11 pages. Musik Fabrik Music Publishing #2913381. Published by Musik Fabrik Music Publishing (A0.533413). A setting of a poem by Alfred de Vigny. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Bass Voice and Piano.Toccata Classics, 2016. In D major Duration: aprox. 5 minutes 30 secondsThe original orchestration of this song is available on rental from the puboisher (2(pic)222/4231/timp/3perc/hp/strings)Ange Flégier (1846–1925) was born in Marseilles and also died there. Hestudied composition with Ambroise Thomas at the Conservatoire in Paris and then became a well-known composer with more than 350 works in his catalogue. Most of his works are concert songs and chamber music pieces. He also worked as a music critic and, later in life, as a painter.J'aime le son du Cor, le soir, au fond des bois,Soit qu'il chante les pleurs de la biche aux abois,Ou l'adieu du chasseur que l'écho faible accueille,Et que le vent du nord porte de feuille en feuille.Que de fois, seul, dans l'ombre à minuit demeuré,J'ai souri de l'entendre, et plus souvent pleuré !Car je croyais ouïr de ces bruits prophétiquesQui précédaient la mort des Paladins antiques.Âmes des Chevaliers, revenez-vous encor?Est-ce vous qui parlez avec la voix du Cor ?Roncevaux ! Roncevaux ! Dans ta sombre valléeL'ombre du grand Roland n'est donc pas consolée !
Ange Flégier: Le Cor for baritone voice and piano
Voix basse, Piano

$9.10 7.77 € Voix basse, Piano PDF SheetMusicPlus

Bass Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.533418 Composed by Ange Flégier. Concert,Romantic Period,Standards. 10 pages. Musik Fabrik Music Publishing #2913407. Published by Musik Fabrik Music Publishing (A0.533418). A setting of a poem by Paul-Armand Silvestre. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Bass Voice and Piano.Toccata Classics, 2016. In g minor Duration: aprox. 5 minutes 30 secondsAutomne au ciel brumeux, aux horizons navrants,Aux rapides couchants, aux aurores pâlies,Je regarde couler, avec l’eau des torrents,Tes jours faits de mélancolies.Sur l’aile du regret mes esprits emportés,Comme s’il se pouvait que notre âge renaisse,Parcourent, en rêvant, les coteaux enchantésOù, jadis, sourit ma jeunesse.Je sens, au clair soleil du souvenir vainqueur,Refleurir en bouquet les roses deliéesEt monter à mes yeux des larmes, qu’en mon coeur,Mes vingt ans avaient oubliées!
Ange Flégier: Chant d'Automne for bass voice and piano
Voix basse, Piano

$9.10 7.77 € Voix basse, Piano PDF SheetMusicPlus

Low Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328390 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916380. Published by Nicole Elyse DiPaolo (A0.1328390). The first of its kind, and the first entry in the Accessible Accompaniments libraryâ??s collection of small-hand-optimized song literature publications, this is Richard Straussâ??s beloved â??Zueignung,â? from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. â??Smallâ? is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Booseyâ??s excellent small-hand edition of Frank Bridgeâ??s â??Love Went A-Ridingâ? (erroneously labeled â??simplifiedâ? on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Straussâ??s op. 10 collection is much more widespread on todayâ??s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Straussâ??s songs are often so orchestral in spiritâ??much more so than the Bridgeâ??that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Straussâ??s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henleâ??s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompanimentsâ?? distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you donâ??t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibilityâ??and that goes for singers, too!
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (F major, extra-low key)
Voix basse, Piano

$6.99 5.97 € Voix basse, Piano PDF SheetMusicPlus






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