Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.963103 Composed by Anonymous. Arranged by Tim Brace. Classical,Concert,Wedding,World. Score and parts. 5 pages. Magnolia Arts #6211723. Published by Magnolia Arts (A0.963103). Two Medieval melodies, arranged for flute and guitar. The flute part is the original melody; the guitar part is newly composed. Intermediate level. The first piece is a tender love song; the second is a lively dance. Good pieces for recitals and any joyful occasion. Tim Brace is a member of ASCAP. Duration: about 3 minutes. .

Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1198876 Composed by Johann Sebastian Bach. Arranged by Mark Phillips. Baroque,Classical,Sacred. Score and parts. 2 pages. A. J. Cornell Publications #797965. Published by A. J. Cornell Publications (A0.1198876). Bach’s “Brich entzwei, mein armes Herze� (“Break in Two, My Poor Heart�), from the Schemelli Songbook, for flute and guitar.

Flute (violin) and guitar - Digital Download SKU: S9.Q578097 (originally for piano in G major, F major). Composed by Ludwig van Beethoven. Arranged by Andreas Gruen and Frank Michael. Chamber Music. Downloadable. Musikverlag Zimmermann - Digital #Q578097. Published by Musikverlag Zimmermann - Digital (S9.Q578097). German • English • French.There are still doubts about whether or not the two sonatinas (originally meant for piano in G major and F major) are genuine. Due to their low level of difficulty, they are part of the standard repertoire of every piano student, and it was their popularity which brought about the arrangement presented here, mainly based on the original text.

Flute and guitar - intermediate to advanced - Digital Download Irish Songs and Ballads. Composed by Volker Luft. This edition: Sheet music. Downloadable. Duration 24 minutes. Musikverlag Zimmermann #Q49616. Published by Musikverlag Zimmermann

Flute,Guitar,High Voice,Medium Voice - Level 4 - Digital Download SKU: A0.1121091 By Simon James, Charlie Manton, Matthew Thomas, Emma Watson. By Simon James. Chamber,Christian,Christmas,Classical,Contemporary. Full Performance. Duration 158. DML #722282. Published by DML (A0.1121091). I wrote this carol in 2004 for the annual carol service which became known as A Star For Christmas. I wanted to try and capture the essence of a birth where the mother knows her child faces death by execution from the minute of conception even though the purpose is to save humanity. I do not think you can remove the joy of it whatever the final outcome but it must have been an extraordinary realization for Mary at that moment. Score available.

Instrumental Duet Alto Flute,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.578541 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #6103949. Published by David Warin Solomons (A0.578541). Voice one solos with the guitar for the first verse and Voice 2 joins in for the second verse.

Instrumental Duet Flute,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.578540 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #6103857. Published by David Warin Solomons (A0.578540). Voice one solos with the guitar for the first verse and Voice 2 joins in for the second verse.

Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.807811 Composed by Claudio Amadeo Viggiano. 20th Century,Contemporary,Latin,Multicultural,World. Score and parts. 9 pages. Claudio viggiano #3383143. Published by claudio viggiano (A0.807811). An original composition for flute and guitar. Rythmic element is from Argentine milonga.My email contact: clavi10@hotmail.com.

Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.797810 Composed by Hans Neusiedler. Arranged by Derek Hasted. Classical,Multicultural,Renaissance,World. Score and parts. 10 pages. Derek Hasted #6209099. Published by Derek Hasted (A0.797810). TANZ and HUPFAUF - FLUTE and GUITARFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This edition contains Tanz der Wäsherin and Hupfauf. Both will be familiar to many guitarists as they have featured over the years in a number of Graded Examinations.The Flute countermelody is a new addition, which I wrote so that the piece slotted seamlessly into the background music I played with my flute partner at a friend’s wedding.The Tanz is often mistakenly translated as Dance of the Washerwoman, and it’s also known as Wascha Mesa. The Hupfauf is a companion piece, set in a different rhythm but with ostensibly the same harmonic structure (apart from the Tanz’s Coda which is absent from the Hupfauf).Each dance has two beats in the bar, and the two dances can flow into each other or can be played with a short break. When they run into each other, it makes sense to maintain the two-beat pulse, but if this makes the Hupfauf stressful to play, one can maintain instead the value of the half note (minim), so that the Hupfauf proceeds at a more modest pace.The flute part is in the lower register in Tanz, and in the upper register in Hupfauf to add contrast to the pieces. Feel free to add dynamics, a little more articulation and, for the guitar, possibly some tone color changes, as the phrases repeat.

Instrumental Duet Flute,Guitar,Instrumental Duet - Level 5 - Digital Download SKU: A0.775400 Composed by John Pinno. Contemporary. Score and parts. 17 pages. John Pinno #442795. Published by John Pinno (A0.775400). A one movement work in two sections, for flute and classical guitar, with score plus separate parts for flute and guitar, and composed by John Pinno in 2009. This piece was originally to be two separate works, but I saw that the two parts would combine nicely. The inspiration for the first part came from listening to a lot of Claude Debussy's Impressionist pieces, and thinking of the more relaxed time of very late evenings, of which I am particularly fond. The second part is a much more energetic section that was inspired by seeing a concert of Los Romeros guitar quartet, and especially seeing and hearing Pepe Romero play. For anyone who would be interested in a CD recording of this work, please email me at jpinno093@hotmail.com for details.  Please also check out some of my other arrangements on Sheet Music Plus for classical guitar solo, and also duos for guitar with flute or voice : http://www.sheetmusicplus.com/publishers/john-pinno-sheet-music/3002745

Instrumental Duet Flute,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.533626 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and parts. 7 pages. Musik Fabrik Music Publishing #3033825. Published by Musik Fabrik Music Publishing (A0.533626). Waiting for October (2004) for flute and guitar was commissioned for and is dedicated to theHeim Duo (Annette Heim, flute and Bret Heim, guitar).The work was inspired by the season of autumn and harvest in western New York State --particularly the colors of the foliage and landscape.The opening section of the work is rhapsodic, as each instrument explores a series of soloisticgestures. This leads directly into a lyrical aria sung first by the flute over a guitaraccompaniment -- then briefly by the guitar. Suddenly, a joyous harvest-dance erupts. Thisends rather abruptly and a rhapsodic coda emerges, but a bit of the harvest-dance returns for aenergetic finish.This is a score for two performers.  Two copies should be printed.

Flute,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.1124823 By Charles Williams. By Charles Williams. Arranged by Derek Hasted. Film/TV,Thriller. 12 pages. Derek Hasted #725595. Published by Derek Hasted (A0.1124823). DEVIL'S GALOP (Dick Barton Theme Tune) - FLUTE and GUITARFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This evocative tune was the theme music to Dick Barton Special Agent, a radio drama on the BBC many decades ago.The music is full of tension, with rising chromatic chords and long chromatic scale passages creating a constant restless feel.The guitar accompaniment is fingered, as there’s really only one place on the guitar to play the chords. For the tune, add slurs wherever these improve the flow of the music.Here and there, I have deliberately “respelled� some of the accidentals in a way that hopefully improves overall readability, and sometimes the two parts have two representations of the same note at the same time.A version of this was played by the Hampshire Guitar Orchestra who also managed to find time to mop their brows in the occasional pauses in the action. I also have a guitar duet arrangement on sale where the tune and accompaniment roles switch back and forth - find it using my website below.I hope you enjoy playing this piece! This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.

Flute,Guitar - Level 4 - Digital Download SKU: A0.1173666 By Crosby Stills and Nash. By David Crosby. Arranged by Simon James. 20th Century,Chamber,Classical,Contemporary,Folk. 16 pages. DML #773814. Published by DML (A0.1173666). Guinnevere is a song written by David Crosby in 1968. The song is notable for its serene yet pointed melody and its unique lyrics, which compare Queen Guinevere to the object of the singer's affection, referred to as mi'lady. In a Rolling Stone interview, Crosby remarked: That is a very unusual song, it's in a very strange tuning (EBDGAD) with strange time signatures. I have arranged the song in standard tuning as re-tuning your guitar can be very time consuming. In order to do this successfully I have made some changes to the original accompaniment, nothing drastic and the feel of the guitar part is still the same. The version for trio (guitar and two flutes) is taken from the various live performances and has an extended structure compared to the original song. The harmony has a deliberate mediaeval feel to it in keeping with the atmosphere of the song. You could use any two instruments for this, on the recording I made of this arrangement  for the album The Great Music Of Crosby Stills Nash And Young (2021) I used guitars for everything.

Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.533889 Composed by David Warin Solomons. 20th Century,Concert,Standards. Score and parts. 3 pages. Musik Fabrik Music Publishing #3062409. Published by Musik Fabrik Music Publishing (A0.533889). A lyrical work in the form of a chorale-prelude for flute and guitar  One score for two players:  two copies shold be printed.

Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.797825 By Keith Whitley. By Don Schlitz and Paul Overstreet. Arranged by Derek Hasted. Contemporary,Pop. Score and parts. 12 pages. Derek Hasted #6411785. Published by Derek Hasted (A0.797825). WHEN YOU SAY NOTHING AT ALL - FLUTE and GUITARFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This lovely melody, first made famous by Alison Krauss, and more recently by Ronan Keating, makes a delightful concert piece for flute and guitar.My arrangement is based on Ronan Keating’s version, where the guitar part is a little different to the original. The music doesn’t have the slow fade-out of Keating’s piece - it’s not that easy for a flute and guitar duo on stage to emulate that! But it does have all the rest of the thematic material, including the strange but seldom noticed fact that verse two is one measure shorter than verse one. The key is the same as Keating’s version and includes the rather lovely key changes - both seem to go up slightly in pitch, yet the second key change actually returns back to the starting key.Much of the guitar part can be played in the lower positions where there’s just a little bit more sustain to help support the flute part. Where the guitar part needs sustain across the bar-lines, I have used “ties to nothing� rather than formal ties. Ties generate a lot more black on the page and make the music harder to read. I hope you enjoy performing this!