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Instrumental Duet,Piano Piano,Violin - Level 3 - Digital Download

SKU: A0.572474

Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Sacred,Standards,Wedding. 9 pages. James M Stevens Music ASCAP #3543629. Published by James M Stevens Music ASCAP (A0.572474).

This is an original piano composition for Violin and Piano with a lyrical melody in the violin and a broken chord pattern in the right hand of the piano in the key of C major. There is a separate violin part in the score and the piano can serve as a stand alone solo. The track as heard is available under Serenity Bridge Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and is the music department chairman of Welch College. https://youtu.be/1ZBlvpw1FcQ

Serenity Bridge - Violin & Piano
Violon et Piano

$6.99 6.62 € Violon et Piano PDF SheetMusicPlus

Piano,Violin - Level 4 - Digital Download

SKU: A0.1315952

Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 8 pages. RBMusic #904730. Published by RBMusic (A0.1315952).

In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.

Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.

Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.

The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.

The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.

A recording of the original song can be found on YouTube:
https://www.youtube.com/watch?v=Kgr-I1y1_2M.


Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy García, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.

Intermezzo from "Cavalleria rusticana" (Mascagni) - Solo Violin and Piano Violon et Piano

$15.99 15.14 € Violon et Piano PDF SheetMusicPlus

Piano,Violin - Level 4 - Digital Download

SKU: A0.534583

Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583).

Preface:

In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song.

So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA).

 Robert Orledge
Brighton, 19 June 2019



Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles KÅ“chlin in 1973.   Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles KÅ“chlin and Erik Satie, as well as numerous articles, editions and reviews.   As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.




Préface en français :

Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.

Claude Debussy: Sérénade for violin and piano
Violon et Piano

$12.95 12.26 € Violon et Piano PDF SheetMusicPlus

Piano,Violin - Level 2 - Digital Download

SKU: A0.1160511

By Celeste. By Celeste Epiphany Waite, Eric Leva, Jamie Hartman, and Stephen Wrabel. Arranged by André Alberto Santos. 20th Century,Film/TV,Multicultural,Pop,Wedding,World. 2 pages. Soul - Musical Creations #760800. Published by Soul - Musical Creations (A0.1160511).

For Violin with chords for piano, guitar or accordion. This arrangement of Strange (Celeste) from the Netflix series Bridgerton is a great addition to your students' recital repertoire. It is a pop/rock ballad that features a combination of simple melodies and lyrical harmonies.

He brings a dark side to light with the use of dramatic chords and melodies that leave you wondering where the piece could go next. Get ready for some challenging passages that can be easily simplified for easier performance.

Strange
Violon et Piano
Celeste
$4.99 4.72 € Violon et Piano PDF SheetMusicPlus


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