Violin and piano - Moderately Difficult - Digital Download

SKU: MQ.7201-E

Composed by John David Earnest. Score & instrument part. 16 pages. E. C. Schirmer Music Company - Digital #7201-E. Published by E. C. Schirmer Music Company - Digital (MQ.7201-E).

Written as one continuous movement, the music begins with a haunting Aria. A chromatic musical language creates a mysterious mood. The pianist and violinist trade musical motives back and forth as equal but differing partners. A brief interlude segues into the Chorale section, which is as soaring and reassuring as the beginning was uneasy. The two ideas create a fulfilling balance and the work ends peacefully. Duration 6:00
Includes score and part.

Violin and piano - Digital Download

SKU: S9.Q21149

Composed by Stefan Heucke. This edition: Sheet music. Violin Library. Downloadable. Op. 58. Duration 21 minutes. Schott Music - Digital #Q21149. Published by Schott Music - Digital (S9.Q21149).

Die zweite Violinsonate op. 58 entstand im November und Dezember 2009 und ist als freundliches Gegenstück zu der düster-aufgewühlten ersten Violinsonate op. 38 (2000) konzipiert. Die helle Grundstimmung des Werkes ist sicherlich nicht zuletzt durch seinen Enstehungsort Cervo an der ligurischen Riviera, meiner italienischen Wahlheimat, buchstäblich bei Sonnenschein unter blauem Himmel entstanden, beeinflusst. Dem ganzen Werk liegt ein musikalisches Motto zugrunde, das jedoch erst im abschließenden zehntaktigen Adagio amoroso, das aus einer versunkenen Welt zu entstammen scheint, verraten wird. Alles Material ist darauf bezogen und die ganze Sonate scheint eigentlich nur komponiert worden zu sein, um diese Schlussaussage formulieren zu können. Der erste Satz ist ein breit angelegtes Moderato mit zwei Themen in strenger Sonatenhauptsatzform. Sowohl thematisches Material als auch alle formalen Verbindungsglieder sind harmonisch wie melodisch aus den Intervallen der kleinen und großen Terz und deren Komplementärintervallen, der großen und kleinen Sext gebildet. Dieses beinahe serielle Verfahren wird allerdings von dem überschwänglich romantischen Gestus der Musik vollkommen kaschiert. Der sehr schnelle, federleicht schwebende zweite Scherzosatz wird beherrscht vom luftigen Pizzicato der Violine und flüchtigen Klavierfiguren, nur im gesanglichen Trio erhebt sich die Violine zu einer vierphrasigen, langsam aufsteigenden Kantilene auf choralartig akkordischem Untergrund des Klaviers. Die langsame Einleitung des Finalsatzes nähert sich dem abschließenden Motto bereits sehr deutlich ohne es ganz erklingen zu lassen. Diese Introduktion wird in die Mitte des zweithemigen, feurig dahinstürmenden Allegro anstelle einer Durchführung wieder aufgenommen und in den lebhaften Gestus des Schlusssatzes umgewandelt. Mit dem Erklingen des eigentlichen Herzstück des Werkes als Adagio amoroso schließt das Werk, sicherlich sehr überraschend für Neue Musik. - Stefan Heucke.

Piano,Violin - Level 5 - Digital Download

SKU: A0.749860

Composed by Evelyn R. Larter. Arranged by Evelyn Larter Music. Christian,Concert,Easter,Sacred. 7 pages. Evelyn R Larter #5372269. Published by Evelyn R Larter (A0.749860).

This is an extended, fantasia like setting of the Passion Chorale for solo violin and piano. It was originally written for violin and organ, also available on Sheet Music Press. The chorale melody was used by Bach in his St Matthew Passion, and is also in many hymn books as O Sacred Head Sore Wounded. For advanced performers, it is suitable as Prelude music throughout Lent, perhaps especially at a Tenebrae service. It could also be programmed as part of a recital. It is over 5 minutes in length. A MIDI recording is provided here, or check out the violin and organ version for a live performance. Anyone who has purchased the version with organ and would like this arrangement, please contact me and I will be happy to send it free of charge. More information on my music may be found on my website, www.evelynlartermusic.com, and on my Facebook page for Evelyn Larter Music. Feedback always welcome!

Piano,Violin - Level 2 - Digital Download

SKU: A0.1349665

Composed by Johann Sebastian Bach. Arranged by Harry Walker. Baroque,Classical,Religious,Wedding. 6 pages. SCORE EDITIONS #934437. Published by SCORE EDITIONS (A0.1349665).

Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach’s favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111, and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a chorale cantata, employing a chorale melody in several movements. In this version, the composition was arranged for Violin and Piano by Harry Walker.

Instrumental Solo,Piano,Vibraphone - Level 1 - Digital Download

SKU: A0.964400

Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and individual part. 1 pages. Leyandder Trustworthy #6322261. Published by Leyandder Trustworthy (A0.964400).

Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Vibraphone along with a piano accompaniment that comes with the product.

Piano,Violin - Level 1 - Digital Download

SKU: A0.964409

Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. 2 pages. Leyandder Trustworthy #6323023. Published by Leyandder Trustworthy (A0.964409).

Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Violin along with a piano accompaniment that comes with the product.