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Piano,Violin - Level 5 - Digital Download SKU: A0.533318 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 71 pages. Musik Fabrik Music Publishing #2343095. Published by Musik Fabrik Music Publishing (A0.533318). Première Sonate pour piano et violonI. ModéréII. Assez lentIII. AniméIV. Bien allant, mais d'expression tranquilleJacques Leguerney began the composition of his First Sonata for Piano and Violin in 1926, shortly after beginning composition studies with Nadia Boulanger. She was reportedly quite enthusiastic about the natural talent of her new student, and offered to give him private lessons to supplement her analysis classes. Leguerney was already reticent about studying composition. In an interview in 1989, he remembered his feeling at that time, saying that I found that this was useless work. If one is gifted for music, one is capable of writing harmonies. instead, Leguerney showed his Sonata to the French composer Albert Roussel, who was renting an apartment on Avenue Wagram in a building next to that of the Leguerney family. Leguerneyremembered Roussel's apartment with its dark blue walls and gilded Indian statues! Roussel encouraged his efforts and said of the second theme of the first movement: I would have liked to have written that. (J'aurais été très content d'avoir écrit ça.)The first performance of the Sonata was given by the pianist Thérèse Cahen (1897-1944) and the violinist Hortense de Sampigny (? – 1970) in a private concert. The violinist was already a well-known concert artist. De Sampigny finished her studies at the Paris Conservatory in 1915, where she was in the class of Jules Boucherit. In 1918 she married the French author Auguste Bailly (1878-1967). From 1921, she was a member of the Trio Trillat, founded by the pianist Ennemond Trillat with the collaboration of cellist Jean Witkowski. The Trio was active in concerts and recordings in France and abroad for about thirty years. De Sampigny later taught at the Conservatory as assistant to René Benedetti. Thérèse Cahen had studied piano, harmony and counterpoint at the Schola Cantorum, where she obtained a Second Prize. She was a faithful friend and muse for Leguerney, and recruited many musicians for first performances of his vocal and chamber works. She was deported to Auschwitz on July 31, 1944, a few weeks before the Liberation of Paris. This edition of the Sonata was performed at a private concert in Vernon (France) in July 2011 by French violinist Marion Larigaudrie and pianist Mary Dibbern.  It is based upon the autograph manuscript OL 23, on deposit at the Music Department of the Bibliothèque national in Paris.
Jacques Leguerney: Première Sonate for piano and violin
Violon et Piano

$25.95 24.79 € Violon et Piano PDF SheetMusicPlus

Piano,Violin - Level 5 - Digital Download SKU: A0.1354331 Composed by Lucijan M.Å kerjanc. Arranged by Zellev. 20th Century,Classical,Contemporary,Opera,Romantic Period. 15 pages. Zellev Music #939049. Published by Zellev Music (A0.1354331). Key Signature: B minorTime Signature: 3/4Tempo: Allegro pateticoDifficulty: AdvancedLucijan Å kerjanc (1900-1973) was a Slovenian Composer.Å kerjanc is one of the most important older composers of contemporary Slovene music and is one of the key Slovene musical personalities of the 20th century. He graduated in Ljubljana and studied music in Prague, Vienna (Joseph Marx), Paris (Schola cantorum) and Basel (Felix Weingartner).He spent many years teaching composition at the Ljubljana Academy of Music, teaching composers such as Nada Ludvig-PeÄar, Zvonimir CigliÄ and Janez MatiÄiÄ whilst serving as a chancellor for a period and was a pianist, conductor, music writer, and director of the Slovenian Philharmonic Orchestra based in the country's capital.His style reflected late romanticism with qualities of expressionism and impressionism in his pieces, often with a hyperbolic artistic temperament, juxtaposing the dark against melodic phrases in his music.Å kerjanc was liberal in his attitude to music and multifaceted in his works. Whilst musically diverse, his opus centred on composition, varying from piano miniatures and solos for beginners, and solo and chamber works to full blown concertos and symphonies. Apart from sonatas, he notably composed a cycle of seven nocturnes, which many consider his greatest piano oriented work, and seven orchestral pieces Gazele (Ghazels). He not only composed for the piano but also the violin, the clarinet and the bassoon in 1952. During his life he also wrote for international composers and composed the film scores for a number of films under Yugoslavia.
Intermezzo Romantique
Violon et Piano

$12.00 11.47 € Violon et Piano PDF SheetMusicPlus

Piano,Violin - Level 3 - Digital Download SKU: A0.586734 By Diane Guerrero & Stephanie Beatriz. By Lin-Manuel Miranda. Arranged by Martin Lass. Broadway,Latin,Musical/Show,Pop. 10 pages. MA Lass & I Lass #195982. Published by MA Lass & I Lass (A0.586734). In this Level 2.5 - 3.0 (Intermediate) arrangement, Martin Lass has arranged the hit song, What Else Can I Do?, for solo violin and piano accompaniment. Guitar chords and chord boxes are included. We Don't Talk About Bruno is a song from Disney's 2021 animated feature film, Encanto, with music and lyrics written by Lin-Manuel Miranda. It was released by Walt Disney Records as part of the film's soundtrack in November, 2021. The soundtrack has achieved many accolades and charted No. 1 or Top Ten across the world, including No. 1 on US Billboard Hot 100. Wikipedia notes that, to develop the soundtrack, the composer, Miranda, and team visited Colombia—the setting of Encanto—to study the country's music. Consequentially, the album is rooted in genres such as vallenato, cumbia, bambuco and rock en español, making use of the traditional music instruments of Colombia, and incorporates salsa, tango, reggaeton and bachata styles alongside pop, hip hop, folk and musical theatre elements. In the film, the songs are performed by the Madrigals, who are a multigenerational family with magical powers granted to them by a miracle; the lyrical themes revolve around individuality, self-worth, transgenerational trauma and familial love. This arrangement has been specifically tailored for intermediate-level violin while retaining all of the original elements of the song, as well as some original interpretative elements. The lead line combines some of the different voices in the original song. The key has been changed from the original A minor/C major to the more violin-friendly B minor/D major, which changes the modulation halfway through the song from the very challenging Bb minor/Db major to the more friendly C minor/Eb major.
What Else Can I Do?
Violon et Piano
Diane Guerrero & Stephanie Beatriz
$7.99 7.63 € Violon et Piano PDF SheetMusicPlus

Piano,Violin - Level 2 - Digital Download SKU: A0.1043885 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Henrique F Mangoni. Contemporary,Film/TV,Pop. 5 pages. Henrique Franke Mangoni #648577. Published by Henrique Franke Mangoni (A0.1043885). We Don't Talk About Bruno, the hit from Disney's Encanto, arranged for violin and piano duo. Easy intermediate difficulty level. Play this catchy song from Disney magical world of Encanto! - Subscribe to my YouTube channel (Henrique F Mangoni) to know more about my work! - we don t talk about bruno, we don t talk about bruno sheet music, we don t talk about bruno chords, we don t talk about bruno piano sheet music, we don t talk about bruno piano easy, we don t talk about bruno piano notes, we don t talk about bruno violin sheet music.
We Don't Talk About Bruno
Violon et Piano
Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy
$6.99 6.68 € Violon et Piano PDF SheetMusicPlus






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