EUROPE
4294 articles
USA
143 articles
DIGITAL
261 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
261 partitions trouvées

1 16 31 ....256

Piano,Violin - Level 1 - Digital Download

SKU: A0.1136202

Composed by Martin Luther. Arranged by Ander. Baroque,Christian,Religious,Renaissance,Sacred. 6 pages. Woods Only, Arrangements #736225. Published by Woods Only, Arrangements (A0.1136202).

This easy arrangement for violin and piano has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.

Mighty Fortress is Our God by Luther for Violin and Piano
Violon et Piano

$1.99 1.89 € Violon et Piano PDF SheetMusicPlus

Piano,Violin - Level 4 - Digital Download

SKU: A0.1315952

Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 8 pages. RBMusic #904730. Published by RBMusic (A0.1315952).

In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.

Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.

Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.

The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.

The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.

A recording of the original song can be found on YouTube:
https://www.youtube.com/watch?v=Kgr-I1y1_2M.


Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy García, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.

Intermezzo from "Cavalleria rusticana" (Mascagni) - Solo Violin and Piano Violon et Piano

$15.99 15.22 € Violon et Piano PDF SheetMusicPlus

Piano,Violin - Level 3 - Digital Download

SKU: A0.1488840

Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 36 pages. Artaria Editions #1065694. Published by Artaria Editions (A0.1488840).

Artaria Editions AE435

Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one).

Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including this sonata for violin and fortepiano. It is not known for whom this work was written, but the sole surviving source, a set of parts in Uppsala University Library in the hand of Fredrik Silverstolpe, Kraus's first biographer and assiduous collector of his music, dates it to Kraus's grand tour; he notes that it was written in Paris in 1785.

The sonata received its final form for keyboard alone as part of the Due Sonata per il Forte Piano published by Olof Åhlstrm some three years later in 1788. This sonata differs from the solo pianoforte version (also published by Artaria Editions as AE398) in that it is shorter (particularly in the slow movement) and less elaborate for both instruments. Nonetheless, it is an impressive sonata and among the most interesting works of its kind composed in the 1780s.

Allan Badley.

Sonata for Fortepiano & Violin in E-flat (VB 161)
Violon et Piano

$30.00 28.55 € Violon et Piano PDF SheetMusicPlus

Piano,Violin - Level 2 - Digital Download

SKU: A0.548680

Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. 10 pages. Jmsgu3 #3410445. Published by jmsgu3 (A0.548680).

Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.

Cantique de Noël

The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English.  

Adolphe Adam

In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856.

Placide Cappeau

The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire.  Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful.

Theology

In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind.  Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it.  He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute.  

Register for free lifetime updates and revisions at www.jamesguthrie.com

O Holy Night for Violin & Piano
Violon et Piano

$24.95 23.75 € Violon et Piano PDF SheetMusicPlus

Piano,Violin - Level 3 - Digital Download

SKU: A0.732850

Composed by Cecil Frances Alexander (1848). Arranged by Carol Troutman Wiggins. Christian,Contemporary,Religious,Sacred,Traditional. 4 pages. Carol Troutman Wiggins #4595299. Published by Carol Troutman Wiggins (A0.732850).

ALL THINGS BRIGHT AND BEAUTIFUL
Violin & Piano Duet

This beautiful Anglican hymn is perfect for church services in Christian denominations or recitals. First published by Cecil Frances Alexander in Hymns for Little Children in 1848. 

The tune is a 17th-century English melody called Royal Oak, adapted by Martin Shaw. This song has been used as a children's song through the ages.

Excellent for intermediate level violinists and pianists

Perfect for children or adults

May be used in church services such as Children's Day, baptisms, confirmations, baby dedications, Mother's Day, Father's Day

Great for preludes, offertories postludes

Begins with flute melody then graduates to melody in chord notes.

Piano Rehearsal Track available on this site.

All Things Bright and Beautiful (Violin & Piano)
Violon et Piano

$9.99 9.51 € Violon et Piano PDF SheetMusicPlus

Piano,Violin - Level 4 - Digital Download

SKU: A0.1374315

Composed by Rudesindo Soutelo. Arranged by Violin and Piano Duo. 21st Century,Chamber,Classical,Contemporary. 48 pages. Publisher by Rudesindo Soutelo #958918. Published by Publisher by Rudesindo Soutelo (A0.1374315).

Rudesindo Soutelo

Utopias (2021) for Violin and Piano Duo [ca. 11 30]
1. Verdades prematuras / Premature truths
2. Arcádia / Arcadia
3. Ser deus é humano / To be god is human

ISWC: T-307.995.617-1
ISMN: 979-0-707704-23-3 (Piano Score)  979-0-707704-24-0 (Violin Part)

-oOo-

Utopia was the republic that Thomas More imagined perfect, and that Alphonse de Lamartine profiled as premature truths. Arcadia, for the Greeks was the country of the god Pan, Virgil would transform it into the idyllic paradise of shepherds and poets, and for the Arcadianism of Jean-Jacques Rousseau, it would be the bucolic habitat of the good savage, the dream of simplicity in harmony with nature. Perfection is the fundamental attribute of every deity, showing the way to mortals, so the longing to be god is human.

1,2,1,2,2,2,2 is the mode that sustains the whole work and the ancestral sonorities of the composer echo in it, where utopias flourish.

-oOo-

Utopia foi a república que Thomas More imaginou perfeita, e que Alphonse de Lamartine perfilou como verdades prematuras. Arcádia, para os gregos era o país do deus Pan, Virgílio, transformá-la-ia no paraíso idílico dos pastores e poetas e, para o arcadismo de Jean-Jacques Rousseau, seria o habitat bucólico do bom selvagem, o sonho da simplicidade em harmonia com a natureza. A perfeição é o atributo fundamental de toda deidade, mostrando o caminho aos mortais, por isso, o anseio de ser deus é humano.

1,2,1,2,2,2,2 é o modo que sustenta toda a obra e as sonoridades ancestrais do compositor ecoam nela, onde florescem as utopias.

Utopias (Violin & Piano)
Violon et Piano

$10.00 9.52 € Violon et Piano PDF SheetMusicPlus

Piano,Violin - Level 3 - Digital Download

SKU: A0.774051

Composed by Ernesto De Curtis. Arranged by Anthony Giamanco. 20th Century,Concert,Standards,World. 12 pages. Whole Tone Press #6427997. Published by Whole Tone Press (A0.774051).

One of the most beloved Neapolitan songs of all time, composed by Ernesto de Curtis in 1894, and recorded by many artists, including Enrico Caruso, Luciano Pavarotti, Dean Martin, Bing Crosby and Sergio Franchi. This intermediate-level arrangement for violin and piano displays the beauty and passion of the original vocal solo, and will be a welcome addition to your recital/concert repertoire. NOTE: There are two possible endings - the 'Long Ending', with cadenza (which requires a more advanced player as it goes from D4 to G6; and the 'Short Ending', which is much simpler and easier to play.

Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.

Anthony's music can be heard on his website, anthonygiamanco.com,
https://www.anthonygiamanco.com,
on SoundCloud
https://soundcloud.com/tony-giamanco,
and on his YouTube channel
https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg

COME BACK TO SORRENTO - violin and piano
Violon et Piano

$4.50 4.28 € Violon et Piano PDF SheetMusicPlus

Piano,Violin - Level 5 - Digital Download

SKU: A0.805624

Composed by Pablo de Sarasate. Arranged by Marcus Martin. Concert,Romantic Period. 19 pages. Cornelius Edition (uk) #6478357. Published by Cornelius Edition (uk) (A0.805624).

Zigeunerweisen or Gypsy Airs,  Op. 20, was written in 1878 by the Spanish composer Pablo de Sarasate. In 4 distinct sections, the themes in the piece are not of Romani origin, but were all actually adapted from Hungarian music pieces: e.g. the last section uses a theme from Franz Liszt's Hungarian Rhapsody No. 13, in the rhythm of the csárdás. As one of Sarasate's most popular compositions and a favourite among violin virtuosos, the work has remained a staple concert item and on recordings  since Sarasate himself recorded it in 1904, The Piano part is adapted from the orchestral score.

Zigeunerweisen (Gypsy Airs) for Violin with Piano Accompaniment
Violon et Piano

$9.99 9.51 € Violon et Piano PDF SheetMusicPlus

Piano,Violin - Level 3 - Digital Download

SKU: A0.809196

By Lisa Batiashvili. By Peter Ilyich Tchaikovsky. Arranged by Glenn Martin. Children,Classical,Contest,Festival,Instructional,Romantic Period. 6 pages. Cornelius edition #6624689. Published by Cornelius edition (A0.809196).

P. I. Tchaikovsky wrote his Album pour enfants Op. 39 in the summer of 1878 following R. Schumann's similar album of piano pieces, Op 68, composed in 1848. Tchaikovsky's popular and attractive pieces are characteristically Russian in style..
This edition for violin and piano of number 21, Douce Reverie, is in the original key of C and for intermediate students of all ages.
The score is suitable for performance at a music festival or a junior recital and a church interlude or encore.
Duration: 2:00.

Tchaikovsky Opus 39 No. 21 Album for the Young. Douce Reverie (Sweet Dreams) Violin and Piano
Violon et Piano
Lisa Batiashvili
$4.75 4.52 € Violon et Piano PDF SheetMusicPlus


1 16 31 ....256




Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2024

Accueil - Version intégrale