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Violin and piano - intermediate to advanced - Digital Download SKU: S9.Q53343 Méditation religieuse. Composed by Charles Francois Gounod. Edited by Wolfgang Birtel. Arranged by Adolphe Herman. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 11 pages. Schott Music - Digital #Q53343. Published by Schott Music - Digital (S9.Q53343). English • German.Certainly the famous Méditation over the first prelude from Bach’s Well-tempered Clavichord – with the subsequent addition of the words to Ave Maria – has become Charles Gounod’s best-known piece. In the 19th Century, however, one of his other compositions was also very popular: Hymne à Sainte Cécile, a ‘Méditation religieuse’ – in the original version with orchestra (1865) dedicated to his friend Jean Delphin Alard. Gounod had already written one work in honour of the Blessed Cecilia, patron saint of church music, a Mass that became very popular. In contrast, this Hymne is instrumental, with the violin ‘singing’ a lovely melody over a harp-like accompaniment of arpeggios. (Gounod subsequently wrote another setting with the text ‘Ave verum’.) Plate no. 19323, published in 1868.
Hymne à Sainte Cécile
Violon et Piano

$3.99 3.81 € Violon et Piano PDF SheetMusicPlus

Piano,Violin - Level 4 - Digital Download SKU: A0.1137385 By Jean-Christophe Masson. By Jean-Christophe Masson www.jcmasson.com. Chamber,Classical,Contemporary,Romantic Period,Spiritual. 52 pages. Jean-Christophe Masson #737588. Published by Jean-Christophe Masson (A0.1137385). Crier face à l’Océan for violin and looper (14 titles) + 3 titles for violin, piano and looper buy the CD on www.jcmasson.com français : Recueil pour violon et looper (14 titres) La collection inclut également 3 titres en version pour violon, piano et looper (pour un seul musicien!). Durée des 14 titres : 45 minutes (chaque pièce dure environ 3-4 minutes) Niveaux (Conservatoires français) : cycle III minimum ou professionnel. COMMENT JOUER CES PIECES AVEC LOOPER Pour jouer ces pièces, vous devez disposer d’un looper, d’un microphone pour instruments à cordes (ou d’une cellule voire d’un instrument électrique) ainsi que d’un ampli. Il vous faudra vous munir enfin des câbles nécessaires aux raccordements de ces appareils (minimum deux).
CRIER FACE A L'OCEAN for violin and looper with piano part --- JCM2022
Violon et Piano
Jean-Christophe Masson
$30.00 28.67 € Violon et Piano PDF SheetMusicPlus

Piano,Violin - Level 5 - Digital Download SKU: A0.1446732 By Friedrich Fritz Kreisler (February 2, 1875 – January 29, 1962). By Fritz Kreisler. Arranged by Keith Terrett. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. 19 pages. Keith Terrett #1026498. Published by Keith Terrett (A0.1446732). Liebesfreud for Solo Violin & Pianoforte.Kreisler wrote a number of pieces for the violin, including solos for encores, such as Liebesleid and Liebesfreud. Some of Kreisler's compositions were pastiches ostensibly in the style of other composers. They were originally ascribed to earlier composers, such as Gaetano Pugnani, Giuseppe Tartini and Antonio Vivaldi, and then, in 1935, Kreisler revealed that it was he who wrote the pieces. When critics complained, Kreisler replied that they had already deemed the compositions worthy: The name changes, the value remains, he said. He also wrote operettas, including Apple Blossoms in 1919[8] and Sissy [de] in 1932, a string quartet, and cadenzas, including ones for Brahms's Violin Concerto, Paganini's D major Violin Concerto, and Beethoven's Violin Concerto. His cadenzas for the Beethoven concerto are the ones most often played by violinists today.He wrote the music for the 1936 movie The King Steps Out directed by Josef von Sternberg, based on the early years of Empress Elisabeth of Austria.Kreisler performed and recorded his own version of the first movement of Paganini's D major Violin Concerto. The movement is rescored and in some places reharmonised, and the orchestral introduction is completely rewritten in some places. The overall effect is of a late-nineteenth-century work.The mausoleum of Kreisler in Woodlawn Cemetery.Kreisler owned several antique violins made by luthiers Antonio Stradivari, Pietro Guarneri, Giuseppe Guarneri, and Carlo Bergonzi, most of which eventually came to bear his name. He also owned a Jean-Baptiste Vuillaume violin of 1860, which he often used as his second violin, and which he often loaned to the young prodigy Josef Hassid. In 1952 he donated his Giuseppe Guarneri to the Library of Congress in Washington, D.C. where it remains in use for performances given in the library.On recordings, Kreisler's style resembles that of his younger contemporary Mischa Elman, with a tendency toward expansive tempi, a continuous and varied vibrato, expressive phrasing, and a melodic approach to passage-work. Kreisler makes considerable use of portamento and rubato. The two violinists' approaches are less similar in big works of the standard repertoire, such as Felix Mendelssohn's Violin Concerto, than in smaller pieces.A trip to a Kreisler concert is recounted in Siegfried Sassoon's 1928 autobiographical novel Memoirs of a Fox-Hunting Man.The Australian manufacturer of electronics and consumer goods Kriesler (later a subsidiary of Philips) supposedly took its name after Fritz Kreisler but had intentionally misspelled the name as to avoid possible juristical actions from other parties.
Liebesfreud for Solo Violin & Pianoforte
Violon et Piano
Friedrich Fritz Kreisler (February 2, 1875 – January 29, 1962)
$8.99 8.59 € Violon et Piano PDF SheetMusicPlus

Violin and piano - intermediate to advanced - Digital Download SKU: S9.Q53341 Op. 26/1. Composed by Delphin Alard. Edited by Wolfgang Birtel. Arranged by Emil Kross. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 26/1. 10 pages. Schott Music - Digital #Q53341. Published by Schott Music - Digital (S9.Q53341). English • German.In the 19th Century the Paris Conservatoire was a veritable pool of talents. Here the French violinist Jean Delphin Alard also acquired his final musical polish. However, there was not much left for him to learn by then, for he had already performed a violin concerto by Viotti in his native Bayonne at the age of ten. Paganini, who subsequently heard him play, was astonished by his technical facility. Alard’s most celebrated pupil was Spanish violinist Pablo de Sarasate. Alard – like Bériot – provided us with concert pieces and tutorial material for the violin, and he was also happy to oblige the demand at Parisian salons for operatic fantasias and entertaining pieces such as this elegant Barcarolle op. 26/1. Plate no. 12030, published in 1852.
Barcarolle
Violon et Piano

$3.99 3.81 € Violon et Piano PDF SheetMusicPlus

Violin and piano - intermediate to advanced - Digital Download SKU: S9.Q53344 Op. 62. Composed by Henri Ravina. Edited by Wolfgang Birtel. Arranged by E.W. Ritter. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 62. 12 pages. Schott Music - Digital #Q53344. Published by Schott Music - Digital (S9.Q53344). English • German.French pianist Jean-Henri Ravina was a child prodigy who came to public attention when he performed in a concert at the age of eight. The violinist Pierre Rode heard him and encouraged Ravina to go to Paris, where at the age of thirteen he became a student at the Conservatoire. After completing his own studies, Ravina was eventually to teach there, too; he gave up that position, however, to focus on his career as a virtuoso performer and composer. Concert tours to Russia and Spain secured the reputation of this pianist, who was awarded the Légion d’honneur in 1861. Ravina wrote almost exclusively for the piano: Études, Préludes, a piano concerto, a Rêverie for the left hand alone, compositions for piano duet – including transcriptions of all Beethoven’s Symphonies – and piano pieces for three and as many as six players. The stylistic influence of Rode and Chopin is evident here. Ravina’s Petit Boléro op. 62 reflects the nineteenth-century predilection for exoticism and for music from other cultures – in this case from neighbouring Spain. Ernst W. Ritter, who published numerous arrangements with Schott, also arranged this composition for violin and piano: it is a dashing, lively piece of music! Edition based on plate nos. 02372 (piano part) and 02371 (violin part), first published in 1887 as plate no. 24483.
Petit Boléro
Violon et Piano

$3.99 3.81 € Violon et Piano PDF SheetMusicPlus

Piano,Violin - Level 4 - Digital Download SKU: A0.1446731 By Friedrich Fritz Kreisler (February 2, 1875 – January 29, 1962). By Fritz Kreisler. Arranged by Keith Terrett. Classical,Historic,Instructional,Multicultural,Romantic Period,World. 13 pages. Keith Terrett #1026497. Published by Keith Terrett (A0.1446731). Liebesleid for Solo Violin and Pianoforte.Kreisler wrote a number of pieces for the violin, including solos for encores, such as Liebesleid and Liebesfreud. Some of Kreisler's compositions were pastiches ostensibly in the style of other composers. They were originally ascribed to earlier composers, such as Gaetano Pugnani, Giuseppe Tartini and Antonio Vivaldi, and then, in 1935, Kreisler revealed that it was he who wrote the pieces. When critics complained, Kreisler replied that they had already deemed the compositions worthy: The name changes, the value remains, he said. He also wrote operettas, including Apple Blossoms in 1919[8] and Sissy [de] in 1932, a string quartet, and cadenzas, including ones for Brahms's Violin Concerto, Paganini's D major Violin Concerto, and Beethoven's Violin Concerto. His cadenzas for the Beethoven concerto are the ones most often played by violinists today.He wrote the music for the 1936 movie The King Steps Out directed by Josef von Sternberg, based on the early years of Empress Elisabeth of Austria.Kreisler performed and recorded his own version of the first movement of Paganini's D major Violin Concerto. The movement is rescored and in some places reharmonised, and the orchestral introduction is completely rewritten in some places. The overall effect is of a late-nineteenth-century work.The mausoleum of Kreisler in Woodlawn Cemetery.Kreisler owned several antique violins made by luthiers Antonio Stradivari, Pietro Guarneri, Giuseppe Guarneri, and Carlo Bergonzi, most of which eventually came to bear his name. He also owned a Jean-Baptiste Vuillaume violin of 1860, which he often used as his second violin, and which he often loaned to the young prodigy Josef Hassid. In 1952 he donated his Giuseppe Guarneri to the Library of Congress in Washington, D.C. where it remains in use for performances given in the library.On recordings, Kreisler's style resembles that of his younger contemporary Mischa Elman, with a tendency toward expansive tempi, a continuous and varied vibrato, expressive phrasing, and a melodic approach to passage-work. Kreisler makes considerable use of portamento and rubato. The two violinists' approaches are less similar in big works of the standard repertoire, such as Felix Mendelssohn's Violin Concerto, than in smaller pieces.A trip to a Kreisler concert is recounted in Siegfried Sassoon's 1928 autobiographical novel Memoirs of a Fox-Hunting Man.The Australian manufacturer of electronics and consumer goods Kriesler (later a subsidiary of Philips) supposedly took its name after Fritz Kreisler but had intentionally misspelled the name as to avoid possible juristical actions from other parties.
Liebesleid for Solo Violin and Pianoforte
Violon et Piano
Friedrich Fritz Kreisler (February 2, 1875 – January 29, 1962)
$8.99 8.59 € Violon et Piano PDF SheetMusicPlus






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