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Piano,Violin - Level 3 - Digital Download SKU: A0.549439 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. 14 pages. Jmsgu3 #3494667. Published by jmsgu3 (A0.549439). Score: 9 pages, solo part: 2 pages, piano part: 4 pages. Duration: 4:18. Suitable for a recital of church meditation. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  
Sullivan: The Lost Chord for Violin & Piano
Violon et Piano

$26.95 23.34 € Violon et Piano PDF SheetMusicPlus

Piano,Violin - Level 3 - Digital Download SKU: A0.1485666 Composed by Leo Delibes. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Wedding. 8 pages. Diego Marani #1062734. Published by Diego Marani (A0.1485666). Coppélia is a comic ballet from 1870 originally choreographed by Arthur Saint-Léon to the music of Léo Delibes. The ballet's first flush of success was interrupted by the Franco-Prussian War and the siege of Paris, but eventually it became the most-performed ballet at the Opéra.In this arrangement for violin with piano accompaniment we have the most famous waltz (valse) of the opera, a beautiful composition full of charm and lightness at the same time. It is suitable for any occasion: classroom, repertoire and recital.
Waltz from Coppelia for Violin and Piano
Violon et Piano

$7.99 6.92 € Violon et Piano PDF SheetMusicPlus

Piano,Violin - Level 5 - Digital Download SKU: A0.1224504 Composed by Aaryn S. Ricucci-Hill. 21st Century,Classical. 26 pages. Abundant Silence #820608. Published by Abundant Silence (A0.1224504). In 2022 I was commissioned to write a piece which would accompany a proposal submitted to the College Music Society conference in Boise, ID. Part of the proposal suggested music that celebrated the rich musical heritage of the Northwest. In looking around at what that meant, I discovered a curious fact about Boise: it has the only Basque heritage museum in the country. Suddenly the wheels got to turning! Basquing (2022) seeks to invoke... bask, if one will, in the sounds and feelings of another time and place. The inspiration of the piece comes from the Basque region of France with quotations from folksong, fiddle music, and a general vibe of French impressionism. The piece opens with the folksong Atzo Goizean, the lyrics to which invoke the folksy elements of village living (talking about waking to the thrush’s song, fathers arranging marriages, etc.). The urge to ‘word paint’ the folk song with it references to thrushes and partridges, is tempting, but the urge was avoided in this case, instead opting for a general “vibeâ€, or feeling. The next section avoids quotation altogether, instead opting to steep into the mystique environment created before. The last major portion of the piece utilizes what was billed (to me at least) as a Basque fiddle tune (the title lost as it seems the scholarly research on the subject and tunes that comprise the genre are lacking even by those who claim to have some knowledge of it). Assuming the best, however, the fiddle tune quoted in Basquing is meant to be a musical representation of familial resemblance to the fiddle music of the Pacific Northwest and how folk music of all varieties is at one time so specific yet at the same time broad in its understanding across cultures. Commissioned in 2022 by Arthur Houle (pianist) and Joung Hoon Song (violinist) for the Pacific Northwest College Music Society Conference 2023 in Boise, ID and premiered at said conference on March 17th, 2023.
Basquing
Violon et Piano

$23.00 19.92 € Violon et Piano PDF SheetMusicPlus






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