Small Ensemble Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.910690 Composed by Moritz Moszkowski. Arranged by Oleg Pokhanovski. Romantic Period. Score and parts. 27 pages. Oleg Pokhanovski #5791827. Published by Oleg Pokhanovski (A0.910690). A real jewel written by M. Moszkowski for piano, arranged for violin and viola. This piece is for very advanced string players.

Piano,Violin - Level 2 - Digital Download SKU: A0.1240640 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,March,Romantic Period. 4 pages. Woods Only, Arrangements #836026. Published by Woods Only, Arrangements (A0.1240640). This arrangement adapted for violin and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice.Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).

Piano,Violin - Level 3 - Digital Download SKU: A0.785697 Composed by Grant Horsley. 20th Century,Celtic,Folk,Instructional,Irish,Wedding. 16 pages. Grant Horsley #5718227. Published by Grant Horsley (A0.785697). Homeis an original modern folk tune composed for Violin and piano ( also available is flute, clarinet, oboe and as a piano solo) It is intended to be a reflective piece to think of one's homeland or place they love. It is written in concert D major a traditional song format, with verses, choruses and middle eight. It is a slow sentimental contemplative piece written with the intermediate player in mind- the violin range is one and a half octaves with the lowest note F sharp. Bowing has been left to the performer. Full score is nine pages long, violin 3 pages, Piano 6 and around six minutes in length. The youtube link has the full score for you to assess suitability. It would be particularly suitable for a concerts, small gatherings, family occasions, weddings, church services, incidental music etc.

Small Ensemble Cello,Drums,Organ,Pan Pipe,Piano,Violin - Digital Download SKU: A0.1012747 Composed by Monica Bergo. Contemporary. Score and parts. 40 pages. Moni Bergo #5743663. Published by Moni Bergo (A0.1012747). Music and song composed by meVampire's dance I live between two worlds Between trash and slums This is a dream or reality ? The lie or the truth?  While I wait for sunsets I look at the sun and horizons And breathe freedom and my immortality  Desire for the infinite, Who has not ever tried ? That need to know that the stronger we are Invincible and powerful without the burden of age Over the centuries and the millennia Always gorgeous 20 years old  And then dance To the rhythm of the Vampire Do you feel my breath Let us give this eternal night  And then dance The senses amplified sharp teeth let's see who can stop us  around the fire like wolves, red eyes, a bit 'fierce,  we move in packs, invisible and fast , we are thieves thoughts ,so forgotten who you were  or roots or ties ,no land limits  And then dance To the rhythm of the Vampire Do you feel my breath Let us give this eternal night  And then dance The senses amplified sharp teeth let's see who can stop us  The mania destroys Hunger afflicts us But it will not be the food that will satisfy Torments and regrets, sad feelings, Nightime falling erase them We are shadows at night ,The heart that no beats We languid slaves the Voodoo rituals The pale faces, The ambiguous smiles Put the cross, you will not need  Strange characters So wild and free ,But  in this society ,Nothing scarier ago  I donate my blood every day  to The state or the government the Vampires are we ,There are monsters and vultures Those imprisoned vampires, In the faded pages  Elegant, charming, So beautiful and in high places and in they I recognize that mania that is also mine My hunger to know ,With food can not be satisfied  And then dance ,And crossing that border Now there is an end to what I can imagine And then dance, I sad renegade I lost soul, Who do not know who to give my heart  And then dance ,If you are not anyone ,If you lost in the journey You can not find a post to be filled      Look in the mirror  You can see my reflection? This is a dream or reality? The lie or the truth?                                                                  Monica Bergo

Piano,Violin - Level 3 - Digital Download SKU: A0.1433630 Composed by Gabriel Faure. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Wedding. 9 pages. Diego Marani #1013862. Published by Diego Marani (A0.1433630). The Pavane in F-sharp minor, Op. 50, is a short work by the French composer Gabriel Fauré written in 1887. It was originally a piano piece, but is better known in Fauré's version for orchestra and optional chorus. It was first performed in Paris in 1888, becoming one of the composer's most popular works.This arrangement for violin with piano accompaniment is suitable for any occasion: classroom, repertoire, recital, weddings or for a touching encore.