Piano,Violin - Level 3 - Digital Download SKU: A0.549439 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. 14 pages. Jmsgu3 #3494667. Published by jmsgu3 (A0.549439). Score: 9 pages, solo part: 2 pages, piano part: 4 pages. Duration: 4:18. Suitable for a recital of church meditation. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  

Piano,Violin - Level 1 - Digital Download SKU: A0.1494274 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 3 pages. Alex Rodrigues #1070878. Published by Alex Rodrigues (A0.1494274). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834 and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for solo instrument, preserving the original melody by Moore and Stevenson in its essence. The simplicity of the arrangement allows the musician to highlight the purity of the melody, making it easier to perform while maintaining the piece's emotional character. This version is designed to be accessible for beginner to intermediate musicians, enabling an authentic interpretation that respects the traditional nuances of the work.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, perpetuating Irish tradition and touching the hearts of listeners worldwide.

Piano,Violin - Level 1 - Digital Download SKU: A0.1494276 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 3 pages. Alex Rodrigues #1070880. Published by Alex Rodrigues (A0.1494276). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834 and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for solo instrument, preserving the original melody by Moore and Stevenson in its essence. The simplicity of the arrangement allows the musician to highlight the purity of the melody, making it easier to perform while maintaining the piece's emotional character. This version is designed to be accessible for beginner to intermediate musicians, enabling an authentic interpretation that respects the traditional nuances of the work.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, perpetuating Irish tradition and touching the hearts of listeners worldwide.

Piano,Violin - Level 3 - Digital Download SKU: A0.1137677 By Fiona Alice Hickie. By Fiona Alice Hickie, Frank MacNamara. Arranged by Fiona Alice Hickie. Folk. 11 pages. Fiona Alice Hickie #737929. Published by Fiona Alice Hickie (A0.1137677). Frank is a well known Australian convict who happened to be a brilliant poet. The first piece is the well known folk song, Moreton Bay, which he also composed. The second piece is based on a poem about a daring escape from Van Diemen's Land (Tasmania) aboard a stolen ship. This poem was well known in its day, though the original tune is lost in history. The third piece is based on a poem Frank wrote picking on the judicial system. This work is for violin and piano.

Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1397714 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 4 pages. Duration 69. Heather Mueller Music #6FSiHvMJcHFxdwxaJudzay. Published by Heather Mueller Music (A0.1397714). Key: G major.Title: The Nightingale Type/Genre: Traditional Fiddle Tune - Jig (Irish) Availability: Sheet Music for Sale Immerse yourself in the enchanting melodies of Irish tradition with The Nightingale, a lively jig that echoes the beauty and grace of its avian namesake. Key Features: Interactive Sheet Music: Customize tempo and key adjustments using interactive sheet music, enabling personalized renditions of The Nightingale. Tailor the tune to suit your playing style, facilitating enjoyable practice sessions and confident performances. Elegant Irish Melodies: The Nightingale captivates with its graceful melody, evoking the delicate trills and flourishes of the beloved songbird. Delve into the rich tapestry of Irish musical heritage as you explore this cherished tune. Technique Enhancement: Elevate your fiddling skills with targeted exercises inspired by The Nightingale. Explore scales, bowing techniques, and rhythmic patterns derived from this spirited jig, honing your mastery of Irish fiddling techniques with each practice session. Cultural Connection: Connect with the cultural heritage of Ireland as you delve into The Nightingale. Let the music transport you to the verdant meadows and tranquil woodlands where the nightingale's song fills the air, inspiring generations of musicians and poets. Whether you're a seasoned performer or a newcomer to Irish music, The Nightingale offers an enchanting musical experience that celebrates the beauty and grace of Celtic tradition. Join in the joyous melodies of The Nightingale and let the music inspire your own musical journey.

Piano,Violin - Level 1 - Digital Download SKU: A0.1136202 Composed by Martin Luther. Arranged by Ander. Baroque,Christian,Religious,Renaissance,Sacred. 6 pages. Woods Only, Arrangements #736225. Published by Woods Only, Arrangements (A0.1136202). This easy arrangement for violin and piano has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.

Piano,Violin - Level 3 - Digital Download SKU: A0.573503 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,New Age,Sacred,Wedding. 8 pages. James M Stevens Music ASCAP #5795989. Published by James M Stevens Music ASCAP (A0.573503). Written June 9, 2020, this is an original violin and piano composition in the key of D major with visits to D minor with feelings of sweetness and sorrow. There is a separate violin part in the score and the piano part as seen can serve as a stand alone solo. The track as heard is available under Poetry of Love Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.

Piano,Violin - Level 3 - Digital Download SKU: A0.1016203 Composed by Enrique Granados. Arranged by Satish Bhakta. Romantic Period. 3 pages. Satish Bhakta #5304953. Published by Satish Bhakta (A0.1016203). This piece takes the sublime sixth waltz by Enrique Granados and adds a distinct solo violin melody.The piano part is true to accepted editions of the Valses Poeticos collection and the violin solo is edited to match the style.Duration of the piece is 1:45.

Piano,Violin - Level 3 - Digital Download SKU: A0.1469210 By Michael Ware. By Frederick M. Lehman. Arranged by Michael Ware. Lent,Praise & Worship,Religious,Sacred,Traditional. 7 pages. Michael Ware Music #1047230. Published by Michael Ware Music (A0.1469210). The Love of God is a cherished hymn which tells of the height and depth of God’s love for His children. It vividly and poetically speaks of the redeemed grace of Jesus. Michael Ware has crafted this beautiful arrangement for solo instrument and piano. Appropriate for a prelude or offertory in worship. Available for solo, flute, oboe, clarinet in Bb, violin, or cello. THIS IS THE VIOLIN ARRANGEMENT.

Piano,Violin - Level 3 - Digital Download SKU: A0.949370 Composed by Adam Lenhart. Contemporary. 6 pages. Adam Lenhart #5214717. Published by Adam Lenhart (A0.949370). Journeying is a new and original composition designed around a long and exciting travel. This piece modulates constantly to show the changing environments of the journey, yet maintains the walking and bouncy pace of the adventurer. This solo is designed to show off the player's ability to perform accurate and clean arpeggios in 10 different major keys, as well as their ability keep the constant walking pace throughout the entire song.Journeying was selected as the winner for the University of Toledo Young Composers Competition in 2020.Includes full score and individual solo part.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.

Violin and piano - Digital Download SKU: S9.Q3900 Composed by Robert Schumann. Arranged by Emil Kross and Fritz Meyer. This edition: Sheet music. Edition Schott - Single Edition. Copyright 2009 Schott Music GmbH & Co. KG, Mainz. Downloadable. Op. 124/16. Schott Music - Digital #Q3900. Published by Schott Music - Digital (S9.Q3900). He gave a present to me and my little Marie of a delightful lullaby composed that Christmas afternoon, Clara Schumann noted in the family diary they shared. This Slumer Song of 1841 Robert Schumann later included as No. 16 in his collection of Albumblätter (Album Leaves) Op. 124. The collection of twenty miniatures for piano was written over a fairly long period of time: the first piedes were written in 1832/33 and the composer started work on the last piece, the Canon, in 1845. In 1853 Schumann had the idea of brining together barious individual pieces that didn't fit in anywhere else in a collection of Albumblätter that was published in December of the same year. It is a bright bouquet of poetic little piano pieces of moderate technical difficulty: there can be no comparsion with grand works such as his G minor piano sonata of Carnaval. These musical aphorisms were not intended for the concert hall, though, but for domestic music making: this is chamber music in the true sense of the term. After unpleasant wrangling that even involved going to court to obtain permission to marry Clara Wieck, there followed a time of intense productivity for Robert Schumann: 1840 was his year of songs and 1841 his year of symphonies. Their marriage, which eventually took place against the wishes of Schumann's father-in-law, and the birth of their first child on 1 September 1841 contributed much to his personal happiness. It was for Marie that the hyppy father now composed this Slumber Song, which has enjoyed great popularity ever since: a simple and tender lullaby, written by the father as a surprise ´gift. This lullgy lends itself very well to being performed on a melodic instrument with piano accompaniment, as in thes edition for violin.

Piano,Violin - Level 4 - Digital Download SKU: A0.1155480 Composed by Fernando Duarte. Chamber,Classical. 8 pages. ArrangeMe #755758. Published by ArrangeMe (A0.1155480). When poetry, the elegy has a tender and sad tone written as a lament for the death of someone dear. Here, as music, albeit without words, it seeks to express the same feeling. Faced with the recent loss of his father, composer Fernando Duarte writes true lamentations in the form of melodies that wander through almost the entire length of the violin and piano. Themes announced by a very expressive violin, while the piano supports it in constant modulation in harmony, are followed by others where the two instruments sometimes in unison, sometimes alternating, but always talking to each other, paint the soundscape that seeks to express in music the pain of loss. Sixths and harmonics on the violin, references to the small melodic cells of the first part in the development, a climax with the violin playing octaves in fortissimo together with a no less aggressive piano, is followed by a melodic conversation with a decreasing dynamic that prepares the return of the second theme, for then the piece to rest in an ending built on the luminous Lydian mode, with an ascending and increasingly serene and peaceful melody, until total rest in a last breath. A reminder that even in the midst of pain, we still have the hope of resurrection. #piano and violin #elegy #elegia #piano e violino.

Piano,Violin - Level 2 - Digital Download SKU: A0.548680 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. 10 pages. Jmsgu3 #3410445. Published by jmsgu3 (A0.548680). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg. Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English.   Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire.  Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind.  Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it.  He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute.  Register for free lifetime updates and revisions at www.jamesguthrie.com

Piano,Violin - Level 3 - Digital Download SKU: A0.549461 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. 12 pages. Jmsgu3 #3499709. Published by jmsgu3 (A0.549461). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.

Piano,Violin - Level 2 - Digital Download SKU: A0.1455095 Composed by Frederic Chopin. Arranged by Iury Cardoso. 19th Century,Chamber,Classical,Romantic Period,Traditional. 7 pages. Iury Cardoso #1034172. Published by Iury Cardoso (A0.1455095). Easy VIOLIN (with PIANO) arrangement of the piece: Nocturne (Op.9 n.2) by Frédéric Chopin(Score and violin part: 7 pages)This arrangement of Chopin's Nocturne presents new musical textures and adaptation solutions to transform the original piece (composed for piano) into an easy version for VIOLIN and PIANO. To help you learn this arrangement, the melodies and chords were made easier and the difficult parts were adapted, without losing the poetic beauty of the original song. Get Chopin's Nocturne sheet music now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Easy arrangement: made for beginner or intermediate level musicians (This is a more accessible version for music students).- Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols and without the piano on this website.- This arrangement is also a version for teacher/student duet: the students can be accompanied by their teacher playing the piano (the piano parts can be played on piano or electronic keyboard). - Other versions available: On this site, there is a version of this arrangement for VIOLIN SOLO and also versions for VIOLIN TRIO and STRING QUARTET/QUINTET (with or without piano accompaniment).See more arrangements by Iury Cardoso, thank you so much!easy nocturne chopin for violin and pianoeasy nocturne chopin sheet musiceasy version of nocturne op.9 n.2 for violin solo and pianoeasier version of nocturne op.9 n.2 for violin solo and pianonocturne chopin for violin solonocturne chopin violin and piano sheet musicnocturne easy violin and piano duetnocturne for violin beginnereasy violin chamber musicnocturne chopin but on the violineasy violin with piano nocturne sheet musiceasy violin and piano duetviolin and piano duet for beginnersviolin and piano duet sheet musiceasy violin sheet musicbeautiful violin sheet musicbeautiful violin sheet music for beginnersbeautiful violin and piano for beginnersnocturne for beginnerschopin for violin studentsnocturne chopin  best arrangement for violin and pianonocturne chopin  best easy arrangement for violin and pianonocturne chopin easy version for violinnocturne chopin easy version for violin and pianoeasy violineasy pianoteacher student duetchopin easy sheet music for violin solonocturne chopin best easy arrangement for violinnocturne chopin arrangement for easy violin solo with pianonocturne chopin for solo violinromantic sheet music for violin and piano.