Piano,Violin - Level 2 - Digital Download SKU: A0.1473959 By Yann Tiersen. By Yann Tiersen. Arranged by Harry Walker. 21st Century,Chamber,Contest,Festival,Film/TV,Wedding. 9 pages. SCORE EDITIONS #1051654. Published by SCORE EDITIONS (A0.1473959). Comptine d'un autre été: L'après-midi is one of the most iconic pieces by French composer Yann Tiersen known for its poetic simplicity and melancholic melody. This piece was originally composed for the film Amélie (2001), a work that received worldwide acclaim for both its cinematography and soundtrack. In this version, the composition was arranged for Violin and Piano by Harry Walker.

Small Ensemble Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.574635 By Yann Tiersen. By Yann Tiersen. Arranged by Cadenza Editions. Film/TV,French. Score and parts. 16 pages. Cadenza Editions #4615983. Published by Cadenza Editions (A0.574635). Comptine D'un Autre Été: L'après-midi (Yann Tiersen) - TRIO - Two Violins and Piano (Intermediate).

Piano Accompaniment, Violin, String Duet - Advanced Intermediate - Digital Download By Yann Tiersen. Lead Sheet, Score, Set of Parts, Sheet Music Single. 9 pages. Published by Cadenza Editions

Violin and piano - easy - Digital Download SKU: S9.Q45048 Composed by Claude Debussy. Arranged by Barrie Carson Turner. This edition: Sheet music. Copyright 2016 Schott Music Ltd, London. Downloadable. 4 pages. Schott Music - Digital #Q45048. Published by Schott Music - Digital (S9.Q45048). English.Digital publication of the piece found in the following print music collection: The Violin Playlist - 50 Popular Classics in Easy Arrangements.

Piano,Violin - Level 3 - Digital Download SKU: A0.1044103 By Yann Tiersen. By Yann Tiersen. Arranged by Vadim Dashevskij. Classical,Film/TV,New Age,Pop. 7 pages. Vadim Dashevskij #648830. Published by Vadim Dashevskij (A0.1044103). Yann Tiersen - Comptine Autre Ete & La Valse D'Amelie. Notes for piano and violin.

By Yann Tiersen. By Yann Tiersen. Arranged by Julia Yeon-Joo Oh. Film/TV, New Age. 4 pages. Published by Julia Oh Music

By Yann Tiersen. By Yann Tiersen. Arranged by Antti Hakkarainen. Film/TV, French. 6 pages. Antti Hakkarainen #4641991. Published by Antti Hakkarainen

Piano,Violin - Level 3 - Digital Download SKU: A0.551621 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Instructional,New Age,Romantic Period,Standards. 22 pages. Jmsgu3 #5324761. Published by jmsgu3 (A0.551621). Claude Debussy: Arabesque 1. Duration: ca. 3:30. Debussy's Arabesques are considered to be one of the earliest expressions of French impressionism. They are a suite of two piano pieces that contain hints of Debussy's developing musical style. Although they did not receive much attention when they were first published, they are now regarded as early impressionist standards. Debussy seems to wander through modes and keys, achieving evocative scenes throughout both pieces. The Arabesques are important in the history of music as they represent a significant development in the impressionist movement.Claude Debussy was a French composer born in 1862 who developed a highly original system of harmony and musical structure that expressed the ideals of the Impressionist and Symbolist painters and writers of his time. He is considered one of the most important and influential composers of the 20th century. Debussy's compositions, including his orchestral poems and piano music, helped establish the musical language for much of the twentieth century. Critics often credited Debussy with pioneering a genre called impressionism, although Debussy consistently rejected the term. Debussy's best-known musical arabesque is his Prélude à l’après-midi d’un faune (1894).

Piano,Violin - Level 3 - Digital Download SKU: A0.551636 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Holiday,Instructional,Romantic Period,Standards. 22 pages. Jmsgu3 #5327697. Published by jmsgu3 (A0.551636). Claude Debussy: Arabesque No. 2. Duration ca 3:45. Debussy's Arabesques are considered to be one of the earliest expressions of French impressionism. They are a suite of two piano pieces that contain hints of Debussy's developing musical style. Although they did not receive much attention when they were first published, they are now regarded as early impressionist standards. Debussy seems to wander through modes and keys, achieving evocative scenes throughout both pieces. The Arabesques are important in the history of music as they represent a significant development in the impressionist movement.Claude Debussy was a French composer born in 1862 who developed a highly original system of harmony and musical structure that expressed the ideals of the Impressionist and Symbolist painters and writers of his time. He is considered one of the most important and influential composers of the 20th century. Debussy's compositions, including his orchestral poems and piano music, helped establish the musical language for much of the twentieth century. Critics often credited Debussy with pioneering a genre called impressionism, although Debussy consistently rejected the term. Debussy's best-known musical arabesque is his Prélude à l’après-midi d’un faune (1894).

Piano,Violin - Level 4 - Digital Download SKU: A0.844472 Composed by Cecile Chaminade. Arranged by Phil Beaman. Romantic Period,Standards. 9 pages. Phil Beaman #3408933. Published by Phil Beaman (A0.844472). Cecile Louise Chaminade (1857-1944) was a French Romantic composer and pianist. She is often overlooked as a musician yet she was the first female composer to win the Ordre National de la Legion d'Honneur, France's highest award.  In 1890 she wrote a piano piece whimsically titled La Lisonjera (The Flatterer). It is a great example of late Romantic writing for the masses with an eye to publishing.   She is lyrical, expressive, and emotional; using dynamics, wider note ranges, and chromaticism. It exhibits her trademark of being 'passionate yet virtuosic'.  I have arranged La Lisonjera for Violin and Piano, keeping all of the traditional Romantic characteristics intact. I have added greater contrast between the themes, making the A theme appassionata, and reserving her molto capriccioso for the B theme which I also slow down a bit to allow for more playfulness. It is my own interpretation of articulation and simplified virtuosic passages. The accompaniment is my own reduction to allow the solo to shine freely.The arrangement is still marked as Advanced Intermediate because I have kept it in the original Key of Gb (6 flats) which I believe adds to the character of the piece. Also because in the capriccioso section I have constant, and rapid, alternation between pizzicato and arco. (MIDI recording does note reproduce pizzicato.)This arrangement is perfect for Recital and Repertoire as a performance of the 'overheated emotions' of the late Romantic era. Enough virtuosity to show the violinist's technique. Accessible and enjoyable for all audiences.(3:30 minutes; 2 without repeat)6 page score, 3 page part