Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.1046278 By Sharon Wilson. By George C. Stebbins and William D. Longstaff. Arranged by Sharon Wilson. 20th Century,Folk,Praise & Worship,Sacred. Score and parts. 17 pages. Sharon Wilson #650784. Published by Sharon Wilson (A0.1046278). Here is an instrumental trio (for two VIOLINS with PIANO accompaniment) of the familiar hymn Take Time to Be Holy by George C. Stebbins. This gently flowing arrangement will encourage reflection as the listeners are reminded of the lyrics penned by William D. Longstaff: Take time to be holy, speak oft with thy Lord; Abide in Him always, and feed on His Word. Make friends of God's children, help those who are weak, Forgetting in nothing His blessing to seek. All three instruments lead with the melody at times, even the PIANO. VIOLIN 1 plays the melody for the first verse and then all three instruments alternate playing the melody for the second verse and ending tag. This flowing instrumental arrangement is an ideal selection for a worship setting and a valuable addition to your sacred string repertoire. Duration 2:00. The range for each part is as follows: VIOLIN 1 – F#4 to B5; VIOLIN 2 – A3 to E5. All notes for both VIOLINS are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes these printing options: 1. a grand staff (6 pages) with all parts on each page2. separate scores for each VIOLIN part (2 pages each) and PIANO (3 pages)3. a combined VIOLIN 1 and VIOLIN 2 score (2 pages) This hymn represents KINDNESS and is one of the 10 songs in the collection inspired by Galatians 5:22-23: The Fruit of the Spirit (10 Hymns for Violin Duet with Piano Accompaniment)Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic

Piano,Violin - Level 1 - Digital Download SKU: A0.1041175 By Tabitha Kierszka. By Tabitha Kierszka. Arranged by Tabitha Kierszka. Instructional. 54 pages. Tabitha Kierszka #645904. Published by Tabitha Kierszka (A0.1041175). A collection of 18 pieces with descriptive titles for beginning violinists. Online access to audio is available! Each piece has two audio tracks: one demo version with violin, and one with piano accompaniment only. 17 of the pieces are in 1st position, the 18th piece is in 3rd position, but without any shifting. Occasional use of the 4th finger. Three pieces: Quiet Thoughts, Two-Finger Jig and Longing require only the use of fingers 1 and 2! The pieces are arranged - more or less - in increasing order of difficulty. The piano part can easily be played by intermediate pianists. Score: 39 pages, violin part: 15 pages Titles: 1. Quiet Thoughts 2. Two-Finger Jig 3. Autumn Song 4. A Sailor's Song 5. Lullaby 6. Seagulls 7. Solemn Melody 8. Getting Ready! 9. Sailing on a Quiet Sea 10. In Classical Style (in 3 movements) 11. Emerald Hills 12. Jourmey by Train 13. Nostalgic Waltz 14. Smoothly 15. Climbing the Old Castle's Tower 16. Longing 17. A Little Tango 18. A Sad Tale.

Instrumental Duet Instrumental Duet,Piano,Violin - Level 4 - Digital Download SKU: A0.934328 Composed by Stefano Olcese. 20th Century,Concert,Contemporary,Film/TV. Score and parts. 6 pages. Stefano Olcese #3238023. Published by Stefano Olcese (A0.934328). Quasi una Mazurka in Italian means Almost a Mazurka. So yes, there's certainly a mazurka feeling in this piece, but also some polonaise and a kick of Italian violin music tradition.I composed this music in 2013 for piano solo and in F minor. But then I met a fantastic violinist and, getting friend with him, I took the initiative to arrange for violin and piano and transpose it a half step down. I like it better in this new version! And I believe that this melody was, since the very beginning, meant to be a violin melody.I can send you separate parts upon request with no extra charge.

Piano,Violin - Level 2 - Digital Download SKU: A0.844543 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. 6 pages. Phil Beaman #3516899. Published by Phil Beaman (A0.844543). Robert Franz was a Romantic Era composer of lieder (German Art Song) whose pieces were highly praised by Schumann. When I removed the important lyrics from Feast of Love in order to make an accompanied instrumental solo I needed to convey the passionate drama just in the music. I changed a simple strophic form into an ABA Coda with every verse getting a different treatment. My harmony is much richer and more varied than the original. I added new articulations, dynamics, and other markings as well as a cadenza for one of the bridges.  Excellent piece for a student to learn Romantic characteristics of expression, phrase shaping, and sempre rubato.  This song is also excellent for Weddings. Alternative translations of the title are Celebration of Love and Love's Fire. You can definitely feel the fire and passion in this beautiful piece!This arrangement is not difficult to play, but is marked Early Intermediate because it requires musicianship to play well.3 minutes4 pages score, 2 page solo partTemporary recording of piano reduction of full score.

Piano,Violin - Level 1 - Digital Download SKU: A0.1076969 Composed by Sergey Beltiukov. Children,Classical,Contemporary. 62 pages. BFG Publishing LLP #681096. Published by BFG Publishing LLP (A0.1076969). The violin book Mer r y Locomotive is especially composed for the children in first and second grade of the music school. It consists of 14 different pieces. It offers many tools for the initial development of both the right and the left-hand techniques. All melodic pieces help develop the softness of sound and stimulate smooth change of position. Based on the different methodological tasks, they are divided as follows: No. 1 - 3 – Mastering the legato and detaché techniques (rhythmic bowing) and getting to know holds and pauses; No. 4 - 5 – Connecting strings: this essential part of the technique requires the development of right- hand flexibility. Tackling position changing is also part of this section. The mastering of these main techniques largely determines the entire further development of the pupil's violin technique; No. 6 - 9 – Staccato bowing: at this stage it is advisable to learn staccato not by sharp pressure but based on a light acceleration of detaché and the separation of sounds by pauses; No. 10 - 11 – Is a combination of the legato and staccato bow strokes; No. 12 - 13 – Dotted rhythm in combination with legato and staccato bowing; No. 14 – Is a combination of all the above-proposed bow strokes in one piece; The combination of the violin pieces with accompaniment contributes to the stability of intonation and provides the necessary metro-rhythmic support. The artistically enriched material makes learning more attractive to the pupil and awakens a musical interest in classes, as a result of which the effectiveness of the educational process is significantly increased.