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String Orchestra - Level 1 - Digital Download SKU: A0.1438976 Composed by Healey Willan. Arranged by Derrick Thomas Lewis. 20th Century,Classical. 15 pages. Derrick Thom. Lewis #1019010. Published by Derrick Thom. Lewis (A0.1438976). Healy WILLAN Chaconne 1956 (from Rondino,Elegy & Chaconne, for Organ)Composer of over 800 works and teacher for over 50 years, Mr.Willan was known for long as the Dean of Canadian Composers and was a fixture of the Toronto music scene for a very long while. Apparently he wrote Operas and Symphonies as well, but these have not been easily available to experience. Perhaps this is just Canadian natural reticence or 'reserve'. However, it's a characteristic that is not conducive to cultivating popularity. Nevertheless, Willan's music is simply lovely, and it's nice to know that, if you 'cotton on' to it, you will probably never exhaust his supply, at least to play.CANADIAN COMPOSER (Willan) and CANADIAN ARRANGER (Derrick Lewis).
Chaconne: for string ensemble/orchestra
Orchestre à Cordes

$34.99 30.03 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.1269267 Composed by Campra, André. Arranged by Yves Bouillot. Baroque,Opera. Score and Parts. 16 pages. Yves Bouillot #861805. Published by Yves Bouillot (A0.1269267). Les Fêtes vénitiennes (or, in the original spelling, Les Festes vénitiennes) is an opera-ballet by French composer André Campra. The opera-ballet consists of a prologue and three entries. It was performed for the first time at the Royal Academy of Music on June 17, 1710, in the Salle du Palais-Royal. According to the usage of the time, the work is described as ballet, but it is one of the most important examples of a new genre that specialists will later agree to call opera-ballet. . The chaconne is a popular dance song, in three beats of lively character, originating in America, during the Vice-Kingdom of New Spain and brought to Spain by sailors. Transplanted then in other European countries at the beginning of the XVIIth century, it becomes a dance of noble character there then is approached by the instruments, in orchestra or soloists. It is then a piece of large proportions, in triple time, slow and solemn, based on the repetition and variation of a theme.
Chaconne from "Fêtes Venitiennes"
Orchestre à Cordes

$25.00 21.46 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.799513 Composed by Drake Mabry. 20th Century,Jazz,Latin,World. Score and parts. 27 pages. Drake Mabry #3534831. Published by Drake Mabry (A0.799513). C. S. Chaconne was written for a very dear friend of mine when I was playing with a jazz group in Paris in the late 1980's. It's based on what we then called a Spanish jazz progression. Over the years I have made several arrangements of the piece for different ensembles. In this recent string orchestra version I've written solos for all the members of the string family, each with a different mood or character. The duration is 5'. This piece can be played separately or preceded by a companion piece, Meditation for string orchestra.
C. S. Chaconne (string orchestra)
Orchestre à Cordes

$9.99 8.58 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download SKU: A0.533709 Composed by Carson Cooman. 20th Century,Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3041103. Published by Musik Fabrik Music Publishing (A0.533709). I. Chaconne: ...a continuum of dreams...II. CadenzaIII. ToccataConcerto for Bass Saxophone and Strings (1999) was commissioned by basssaxophonist Andreas van Zoelen (with generous support from the Broeker Fund forNew Music) and is dedicated with appreciation and admiration to him. Van Zoelen iscommitted to enhancing the very small existing bass saxophone repertoire throughsupporting the creation and performance of new works. The subtitle of the firstmovement (...a continuum of dreams...) could be seen as a sort of subtitle for theentire work that sets the mood and provides unification for the entire piece. The firstmovement is a slow and ethereal chaconne. The strings and the saxophone interact invarious ways throughout this movement in non-traditional form. There are actuallytwo ground bass themes; one is introduced at the beginning with pizzicato stringsbut soon moves to the background (although it is almost always present). The secondis presented near the end of the work and eventually the two are combined. Theinterval of an augmented fourth (tritone) has special use throughout the movementas a variety of themes and motifs are transformed throughout. The second movementis a cadenza for the unaccompanied saxophone. The third movement is a fast andwild toccata. The saxophone plays almost without rest for the entire movement. Amiddle section recalls the theme of augmented fourths from the first movement.Heavy use is made of pizzicato strings. The saxophone part for this movement ishighly virtuosic, exploring the full possibilities and range of the instrument.This is the score and solo part only.  The parts are on rental from the publisher.
Carson Cooman: Concerto for Bass Saxophone and Strings (1999), score and solo part
Orchestre à Cordes

$29.95 25.71 € Orchestre à Cordes PDF SheetMusicPlus






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