String Orchestra - Level 3 - Digital Download SKU: A0.767832 By Fleetwood Mac. By Christine Mcvie, John McVie, Lindsey Buckingham, Mick Fleetwood, and Stevie Nicks. Arranged by Ellen Harle. Pop,Rock. Score and parts. 25 pages. Fireworks Music #6070605. Published by Fireworks Music (A0.767832). Fleetwood Mac's enduring hit The Chain is thought to express the band's internal feuding, with driving bass lines and angsty lyrics. It is arranged here for String Ensmeble or Orchestra. It is in the recorded key of E minor, and stays in first position throughout, so is suitable for intermediate ensembles. The melody is passed between all instruments, with the bass and cello taking the final riff. Purchase includes score and all parts, including Violin 3 (Viola in treble clef with some adjustments). .

By The Chainsmokers featuring Halsey. Arranged by Kathy Hirche. Score, Set of Parts. 21 pages. Published by Kathy Hirche (H0.174195-276849). - Score,Set of Parts - - Kathy Hirche

String Orchestra - Level 4 - Digital Download SKU: A0.981465 By The Chainsmokers. By Andrew Taggart, Ashley Frangipane, Frederic Kennett, Isaac Slade, Joseph King, and Shaun Frank. Arranged by Ana Paula Pires. Contemporary,Hip-Hop,Multicultural,Pop,R & B,Wedding,World. Score and parts. 18 pages. Bystonais #6656465. Published by Bystonais (A0.981465).

String Orchestra - Level 2 - Digital Download SKU: A0.1080129 By The Chainsmokers. By Andrew Taggart, Emily Schwartz, and Scott Harris. Arranged by Matt Arnett. Pop. Score and parts. 19 pages. Matt Arnett Music #684341. Published by Matt Arnett Music (A0.1080129). This song works shockingly well for orchestra - and everyone gets something fun to play. I did this arrangement with 2nd year students in mind. The piece is really good for focusing on low 2's in the violin and viola, dotted quarter AND triplet rhythms for everyone, and rests on beat 1. The rhythms are almost always true to the original - listen to it with your students to help them feel the tricky spots. You need a strong bass laying down the harmonic foundation throughout for this to work, cello is not doubling. There are usually three independent rhythmic parts going on, which presents a fun challenge and makes the layers of the piece fun and interesting. The piece also utilizes some fun techniques including stomping on the floor (sounds awesome on stage!) and knocking on the back of the instrument. There is an optional cut to remove the bridge if the piece is too much/too long for your group. This piece is a blast to play and I hope your students enjoy it!