SKU: A0.933524

The Prelude and Fugue in C major were created during the period of study with Johann Georg Albrechtsberger, who lived from February 3, 1736 to March 7, 1809. Albrechtsberger was an Austrian theoretician and pedagogue of music, an organist, as well as a composer. He entered upon his career early as a choirboy in the choir of the monastery of Melk, Austria. There he was discovered by the crown prince, the later emperor Joseph II. The latter facilitated an appointment as the court organist.

Later Albrechtsberger became conductor of the chapel choir of the famous Stephansdom in Vienna. Albrechtsberger was a highly praised pedagogue; Beethoven, too, was among his pupils. It was this composer that studied with Albrechtsberger from January 1794 to March/May 1795. Together with Beethoven, Albrechtsberger researched all forms of the counterpoint, which is most manifest in the large number of exercises passed down; over 300 studies, fugues etc. have been preserved with corrections and alterations by Albrechtsberger.

During this period of study, greater works were also composed, such as the Dona Nobis Pacem (Hess A57), the Prelude and Fugue in E minor (Hess 29), the Prelude and Fugue in F major (Hess 30) and the present one in C major (Hess 31).

The piece was probably composed in 1794-95; this opus also shows numerous improvements and alterations by his master, although some alterations are by Beethoven himself. The manuscript of the work is to be found in Vienna, and did not appear in print until 1967 for the first time.
The present version sticks closely to Beethoven’s, but has been provided with a double bass part so as to adapt the work for being performed with a larger strength than for which it was originally written. The strength originally intended by Beethoven was two violins, a viola and a cello, so as a string quartet. With the supplementary bass part, the piece can also be played by a string orchestra, which will no doubt promote its dissemination and familiarity. In a sense, the work is already a preliminary study for the string quartets Opus 18 produced later.

Especially the rhythm, melodic forms, and the counterpoint applied, frequently return in these string quartets. Beethoven has hardly indicated any rests in the empty bars; Cees has as yet added them.

The phrasing, dynamics and time indications have also been added. Beethoven merely writes down the notes, while we have to accept the fact that various notes have been changed by Albrechtsberger but Beethoven’s notes might have been just as interesting. Of some notes it was not clear what Beethoven exactly meant; in such a case, Cees has adhered to the harmonious form, adapting the notes which, logically speaking, fit in with the harmonic unity.

SKU: A0.647135

Two all-time favorite hymns are wedded here in a traditional setting. You may choose to add your choir or even invite the congregation to sing along. There is a little surprise at the ending.

SKU: A0.1346609

🎶 It's Time to Play and to Sing 🎶

Embark on a musical journey with the enchanting composition by Rafael Milhomem, titled It's Time to Play and to Sing. Composed for a children's guitar orchestra and choir, this piece is a delightful blend of idyllic simplicity and impactful results.

Designed to be both idiomatic and accessible, the composition introduces young musicians to extended techniques, including percussion with pencils and slides with spoons, creating a playful and rock-infused atmosphere. The piece not only elevates the learning experience for budding musicians but also adds a touch of innovation to the traditional orchestra setup.

Set to the heartfelt lyrics of Rafael Milhomem, the song celebrates the joy of learning to play. It underscores the significance of having dedicated mentors, making it an ideal choice for educators aiming to inspire their students. The lyrics weave a narrative that resonates with the excitement of musical discovery and the rewards of having proficient guides along the way.

This composition is a must-have for guitar orchestras and choirs looking to explore new sounds and engage their young performers in a dynamic and memorable musical experience. Don't miss the chance to add this gem to your repertoire!

🎼 Key Features:

Idiomatic and accessible for young musicians
Incorporates extended techniques: percussion with pencils and slides with spoons
Improvisation section
Rock-inspired atmosphere
Captivating lyrics by Rafael Milhomem
Celebrates the joy of learning and the importance of dedicated mentors
🎵 Perfect for:

Children's guitar orchestras
Choirs seeking innovative and engaging repertoire
Music educators looking to inspire and motivate students
Unleash the potential of your young musicians with It's Time to Play and to Sing. Elevate your ensemble's performance and bring a fresh, rock-infused energy to your next concert.

Order your sheet music today and let the music begin!
#Guitarorchestra #Guitarquartet #Childrensguitarorchestraandchoir.

SKU: S9.Q48153

Latin.

Producing novel sounds that are not frightening but emotionally touching and finding wide acceptance - this is the artistic credo of the 1978 born composer Philipp Ortmeier. It is always important to the native Passauer that his spiritual and secular works, which have received much attention in Germany and abroad, are singable and playable by ambitious lay people. This claim also fulfilled his 2007/08 Stabat Mater for solo soprano, four-part mixed choir and string orchestra. The work, which is based on the famous medieval sequence about the grieving mother of Jesus on the cross, consists of a total of seven orchestral parts. Both the three sections reserved for the solo soprano and the four choral parts are characterized by repetitive structures, striking rhythms and simple melodies, based on traditional, dissonance-enriched major-minor tonality. An impressive yet touching piece of sacred choral music that can be ideally integrated into concert programs and can also be well rehearsed by amateur choirs.

SKU: A0.850384

God Rest You Merry Gentlemen, traditional Christmas carol, arranged by Tim Crooks for String Ensemble (ABRSM Beginner - grade 5).

This arrangement can be performed by strings alone, or alongside the compatible SSA choir download: https://www.sheetmusicplus.com/title/god-rest-you-merry-gentlemen-str-uk-version-choir-sheet-digital....

This jazzy 7/8 version cranks up the traditional carol into more of a party rendition, but remaining regular enough so it can still be sung by a congregation or school choir. Perfect for ending carol services and Christmas performances.

Technical challenges are mostly rhythmic, but 7/8 patterns are strong and repeat so is suitable for good intermediate groups (ABRSM grade 4+).

The arrangement also includes an optional easy part for Violin & Viola suitable for ABRSM grade 2+ level players.

Piano and percussion parts are included but are optional for performance.

Parts included: Score, Violin 1, Violin 2, Viola, Easy Vln/Va, Cello, Double Bass, Piano, Claves

About the arranger

Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia.

STR:UK STRINGS - Education String Music, made in the UK

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