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String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes

$9.99 8.64 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.1355728 Composed by Jeno Hubay. Arranged by Paul Wood. Romantic Period. 26 pages. MyMusicScores.com #940452. Published by MyMusicScores.com (A0.1355728). Jeno Hubay, a Hungarian composer and violinist of the Romantic era, crafted enchanting compositions for violin and piano. Renowned for his technical prowess and emotive style, Hubay's works showcase a fusion of Hungarian folk melodies with virtuosic elements.Hubay's Bolero, the third composition from his opus 51, 5 Morceaux caractéristiques, penned in 1894. It serves as an excellent piece for intermediate violinists to explore. Its melodic charm and manageable technical demands make it an inviting piece for those honing their skills.
Hubay Bolero Op 51 No 3 for Violin and String Orchestra
Orchestre à Cordes

$21.99 19.01 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 1 - Digital Download SKU: A0.1241324 Composed by George Kirmiz. Arranged by Snezana Ivkovic. 20th Century,Folk,Traditional. Score and Parts. 10 pages. World Violin Academy #836668. Published by World Violin Academy (A0.1241324). Enwan Al Bayt (Arabic: عنوان البيت; Translation: Home Address) is the Arabic Traditional Folk Tune composed by George Kirmiz (جورج قرمز) and Arranged for Violin Orchestra by Snezana Ivkovic. The Arrangement presents an educational violin learning Method for teachers, students, and self-learners. It is composed of three violin sections, which can be performed as a violin trio, violin duet, and solo violin music. The colorful staves give visually attractive and easy-to-track musical parts.The Third violin part is designed for beginners and grade-1 students performing the open strings. The Second violin tune is for second-grade violin students, and the First violin melody is for third-grade students, performing in the first position.
Enwan Al Bayt - Home Address
Orchestre à Cordes

$10.99 9.5 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Digital Download SKU: A0.927398 Composed by Daniel Baykitch. 20th Century,Contemporary. Score and parts. 37 pages. Daniel Baykitch #3868619. Published by Daniel Baykitch (A0.927398). Cantus in memoriam (2018) is an unattributed piece, leaving it open to honour any person at any time.The piece follows a simple format and is easily playable my ensembles of and mid to high-level ability.It is a very simple piece in terms of technicalities. It makes reference to the idea of a guard of honour through the military style snare and bass drum style. The string parts play atmospheric roles adding tone colours to the overall sonority and building up a rich texture. The piano theme at the start carries through and can be heard in other lines throughout the work mimicking that original three-note descent.
Cantus in memoriam
Orchestre à Cordes

$10.00 8.65 € Orchestre à Cordes PDF SheetMusicPlus






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