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String Orchestra - Level 3 - Digital Download

SKU: A0.1488869

Composed by Trad. Arranged by Kevin Riley. Traditional. 12 pages. Kevin Riley #1065724. Published by Kevin Riley (A0.1488869).

In 1910, in Bath, Somerset, the English lawyer and lyricist Frederic Weatherly initially wrote the words to Danny Boy to a tune other than Londonderry Air. One story is that his sister-in-law Margaret Enright Weatherly (AKA Jess) sent him a copy of Londonderry Air in 1913 and Weatherly modified the lyrics of Danny Boy to fit its rhyme and meter. A different story has Jess singing the air to Weatherly in 1912 with different lyrics. Yet another story is that Frederic did not set the poem to any tune, but that, in 1913, Margaret, who, with her husband Edward Weatherly, was living at the Neosho mine near Ouray, Colorado in the US, set it to the Londonderry Air which she had heard as a child in California played by her father and other Irish railway workers.

Weatherly gave the song to the vocalist Elsie Griffin, who made it one of the most popular songs of the new century. Ernestine Schumann-Heink produced the first recording of Danny Boy in 1915.

Jane Ross of Limavady is credited with collecting the melody of Londonderry Air in the mid-19th century from a musician she encountered

If you would like any similar music scoring for String Orcestra get in touch at klscj(at)me(dot)com.

Danny Boy
Orchestre à Cordes

$50.00 47.59 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download

SKU: A0.942953

Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953).

Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.

The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes

$9.99 9.51 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download

SKU: A0.861940

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 28 pages. Mark O'Connor Musik International #6208217. Published by Mark O'Connor Musik International (A0.861940).

Surrender The Sword (score – violin and string orchestra) MO136A

Score (parts available)

Music by Mark O’Connor

24 pages - 9:30 minutes in length

 

Surrender The Sword for violin and string orchestra was composed and orchestrated by Mark O’Connor and used as one of the themes for the critically acclaimed PBS documentary, Liberty! The American Revolution. On the companion recording Liberty!, album notes author Thomas Fleming writes, ...something remarkable was taking shape in his imagination – sounds more extraordinary than he had ever experienced. On a trip to Key West, he visited Ernest Hemingway’s house. In the sundrenched garden, music leapt into O’Connor’s mind and in a breathtaking two hours, Surrender the Sword – and its orchestral outline – was on paper. It is unquestionably one of the most passionate orchestral pieces he has ever written. In the A part, the music is busy. You can imagine voices, perhaps in Congress, perhaps in a crowd in New York or Philadelphia, wondering what is going to happen next, as General George Washington is about to resign as commander-in-chief of the American army, O’Connor says. Then comes a long melodic arc, swelling with a triumphant confidence that depicts the great military leader extending his sword to surrender it forever. The music is suited for advanced and intermediate levels.

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 1997

 

Composed by Mark O’Connor

Can be heard on Liberty! Sony Classical and The Essential Mark O’Connor Sony Classical

Mark O’Connor - violin, Nashville Symphony, Kenneth Schermerhorn

 

Catalogue Number MO136A

Copyright © 1997 by Mark O’Connor Music International

 

For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit

www.markoconnor.com

 

For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:

www.oconnormethod.com

Surrender The Sword (score – violin and string orchestra)
Orchestre à Cordes

$20.00 19.03 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download

SKU: A0.861942

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 51 pages. Mark O'Connor Musik International #6208225. Published by Mark O'Connor Musik International (A0.861942).

Surrender The Sword (string parts – violin and string orchestra) MO136C-G

String Parts (parts available)

Music by Mark O’Connor

51 pages - 9:30 minutes in length

 

Surrender The Sword for violin and string orchestra was composed and orchestrated by Mark O’Connor and used as one of the themes for the critically acclaimed PBS documentary, Liberty! The American Revolution. On the companion recording Liberty!, album notes author Thomas Fleming writes, ...something remarkable was taking shape in his imagination – sounds more extraordinary than he had ever experienced. On a trip to Key West, he visited Ernest Hemingway’s house. In the sundrenched garden, music leapt into O’Connor’s mind and in a breathtaking two hours, Surrender the Sword – and its orchestral outline – was on paper. It is unquestionably one of the most passionate orchestral pieces he has ever written. In the A part, the music is busy. You can imagine voices, perhaps in Congress, perhaps in a crowd in New York or Philadelphia, wondering what is going to happen next, as General George Washington is about to resign as commander-in-chief of the American army, O’Connor says. Then comes a long melodic arc, swelling with a triumphant confidence that depicts the great military leader extending his sword to surrender it forever. The music is suited for advanced and intermediate levels.

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 1997

 

Composed by Mark O’Connor

Can be heard on Liberty! Sony Classical and The Essential Mark O’Connor Sony Classical

Mark O’Connor - violin, Nashville Symphony, Kenneth Schermerhorn

  

Catalogue Number MO136C-G

Copyright © 1997 by Mark O’Connor Music International

 

For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit

www.markoconnor.com

 

For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:

www.oconnormethod.com

 

Surrender The Sword (string parts – violin and string orchestra)
Orchestre à Cordes

$37.50 35.69 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download

SKU: A0.861941

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik International #6208223. Published by Mark O'Connor Musik International (A0.861941).

Surrender The Sword (violin solo part â€“ violin and string orchestra) MO136B

Violin Solo Part (score and parts available)

Music by Mark O’Connor

7 pages - 9:30 minutes in length

 

Surrender The Sword for violin and string orchestra was composed and orchestrated by Mark O’Connor and used as one of the themes for the critically acclaimed PBS documentary, Liberty! The American Revolution. On the companion recording Liberty!, album notes author Thomas Fleming writes, ...something remarkable was taking shape in his imagination – sounds more extraordinary than he had ever experienced. On a trip to Key West, he visited Ernest Hemingway’s house. In the sundrenched garden, music leapt into O’Connor’s mind and in a breathtaking two hours, Surrender the Sword – and its orchestral outline – was on paper. It is unquestionably one of the most passionate orchestral pieces he has ever written. In the A part, the music is busy. You can imagine voices, perhaps in Congress, perhaps in a crowd in New York or Philadelphia, wondering what is going to happen next, as General George Washington is about to resign as commander-in-chief of the American army, O’Connor says. Then comes a long melodic arc, swelling with a triumphant confidence that depicts the great military leader extending his sword to surrender it forever. The music is suited for advanced and intermediate levels.

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 1997

 

Composed by Mark O’Connor

Can be heard on Liberty! Sony Classical and The Essential Mark O’Connor Sony Classical

Mark O’Connor - violin, Nashville Symphony, Kenneth Schermerhorn

  

Catalogue Number MO136B

Copyright © 1997 by Mark O’Connor Music International

 

For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit

www.markoconnor.com

 

For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:

www.oconnormethod.com

Surrender The Sword (violin solo part – violin and string orchestra)
Orchestre à Cordes

$15.00 14.28 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download

SKU: A0.734370

Composed by George Bennard (1913) -Traditional Country Gospel. Arranged by Dennis Ruello. 20th Century,Easter,Praise & Worship,Sacred. Score and parts. 15 pages. Chicory Music #3478479. Published by Chicory Music (A0.734370).

2018 Chamber Music Contest Entry 


The Old Rugged Cross
has been a country gospel favorite ever since it became the title song of Ernest Tubb's 1952 gospel album; it has been performed by some of the twentieth century's most important recording artists, including Andy Griffith, Anne Murray, Brad Paisley, Chet Atkins, John Berry, Floyd Cramer, George Jones, Eddy Arnold, Jim Reeves, Loretta Lynn, Ray Price, Ricky Van Shelton, Tennessee Ernie Ford, Rahsaan Roland Kirk, Roy Rogers and Dale Evans. The Oak Ridge Boys, The Statler Brothers, Vince Gill, Willie Nelson, Alan Jackson, George Beverly Shea and John Prine on the 2007 CD Standard Songs for Average People with Mac Wiseman. British television dramatist Dennis Potter used the gospel song prominently in several of his plays, most notably Pennies from Heaven (1978); and the song also played a major part in Gridlock (2007), an episode of the long-running sci-fi drama series Doctor Who. In early 2009, the song was covered by Johnny Cash and June Carter, Kevin Max, Mahalia Jackson, Merle Haggard, and Patsy Cline. Parts included for this arrangement are: Full Score, 1st and 2nd Violin, Viola, Cello and Contrabass.

 Performance time: approx. 2 min. 15 sec.

The Old Rugged Cross - String Quartet or Orchestra - Intermediate
Orchestre à Cordes

$14.99 14.27 € Orchestre à Cordes PDF SheetMusicPlus






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