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String Orchestra - Level 3 - Digital Download SKU: A0.796682 Composed by Gary D. Belshaw. 20th Century,Contemporary,Standards. Score and parts. 67 pages. DR GARY D BELSHAW #3531727. Published by DR GARY D BELSHAW (A0.796682). 67 pages, including score and a complete set of string parts: 8-8-5-5-5. Duration 4 minutes.Subtitled: The Birth of the French Resistance Movement During World War II. The Arc de Triomphe is one of the most famous monuments in Paris, in France - indeed, in the world. It stands at the western end of the Champs-Élysées. On the date given in the title of this composition, the German Army marched through the monument and down the historic street, marking the beginning of the German occupation of France. The date also marks the beginning of one of the most historic - and heroic - movements in history to regain the freedoms which were suddenly lost on that day.June 14, 1940, serves as an artistic rendering of that moment in history, as well as the years that followed. The music is at times hesitant, awkward, restrained. These are traits of the heroes who risked their lives for the cause. Each of the fours verses builds in intensity. The fourth verse, the most impassioned, fades slowly away, as if returning to hiding places or pushing ever deeper underground. A bridge between verses 2 and 3 (Rehearsal B) struggles to offers hope in dark times. A brief scene of 12-tone rows lends a sense of the kind of striking and then hiding for which such freedom fighters are known. The ambience of the entire work is a tribute to heroism, to those who risk everything for a noble purpose or cause.Perfect for use in a patriotic or other historical educational event, as well as in recital or concert. The music could serve as a background for a visual presentation on World War II or any of its components. Offer this work for church or community observances of National Holidays, such as Memorial Day, Veterans Day.
June 14, 1940
Orchestre à Cordes

$24.99 21.44 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.1286453 Composed by Cesar Auguste Franck. Arranged by Davison Yon. 19th Century,Classical,Instructional,Romantic Period. Score and Parts. 44 pages. Davison Yon #877509. Published by Davison Yon (A0.1286453). Captivating Transformation: Symphony No. 5 Movement 3 by César Franck - Reimagined for String OrchestraStep into a world of enchanting musical metamorphosis with this meticulously crafted arrangement of Symphony No. 5 Movement 3 by the composer César Franck. This unique adaptation brings a fresh perspective to the timeless beauty of Franck's original composition, tailored specifically for a string orchestra, allowing its inherent brilliance to shine anew.A Symphony Reimagined: This arrangement carefully preserves the essence and emotional depth of César Franck's Symphony No. 5 3rd Movement while introducing a captivating twist through the medium of a string orchestra. The lush harmonies, poignant melodies, and intricate textures are ingeniously reinterpreted, breathing new life into the piece while honoring its historical significance.Unveiling Emotion: Franck's original composition is renowned for its ability to evoke a wide range of emotions, and our arrangement takes this a step further. The inherent expressiveness of the string orchestra accentuates the poignant moments, heightening the emotional impact and transporting listeners to a world where every note carries an indelible story.Versatility and Adaptability: Perfect for both intimate chamber settings and grand concert stages, this arrangement offers remarkable versatility. Whether performed in a refined chamber ensemble or by a full string orchestra, the arrangement's adaptability ensures an unforgettable musical experience that resonates with audiences of all ages.For Performers and Collectors: This meticulously crafted arrangement is an invaluable addition to the repertoire of string orchestras, chamber ensembles, and music collectors. Musicians will relish the opportunity to interpret a beloved classical piece in a new light, while collectors will treasure this arrangement as a testament to the ever-evolving nature of musical artistry.Elevate Your Repertoire: Embark on a musical journey that transcends time and tradition. This arrangement of Symphony No. 5 by César Franck for string orchestra offers a chance to explore the symphonic gem from a fresh perspective, making it an essential addition to the repertoire of any ensemble seeking to elevate their performances to new heights.
Symphony in D minor (Movement 3)
Orchestre à Cordes

$40.00 34.32 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.747136 Composed by François Vincent Ayssav. Arranged by Keith Terrett. 20th Century,Multicultural,Patriotic,World. 10 pages. Keith Terrett #6717597. Published by Keith Terrett (A0.747136). An arrangement of the Vanuatu (Ni-Vanuatu)National Anthem Yumi, Yumi, Yumi- We, We, We for String Orchestra Vanuatu gained its independence from both the United Kingdom and France in 1980. (I assume that during the colonial period, both anthems were used, however I do not know how they were performed). Upon independence, the anthem Yumi, Yumi, Yumi, written in the native Bislama language (a type of Pigdin English/French hybrid), was chosen as the national anthem. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comCOMPOSER.
Vanuatu National Anthem (Yumi, Yumi, Yumi) for String Orchestra
Orchestre à Cordes

$8.99 7.71 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
Overture for Strings No. 4 - Score Only
Orchestre à Cordes

$9.99 8.57 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
Overture for Strings No. 6 - Score Only
Orchestre à Cordes

$9.99 8.57 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
Overture for Strings No. 2 - Score Only
Orchestre à Cordes

$9.99 8.57 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
Overture for Strings No. 5 - Score Only
Orchestre à Cordes

$9.99 8.57 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
Overture for Strings No. 3 - Score Only
Orchestre à Cordes

$9.99 8.57 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 2 - Digital Download SKU: A0.835552 Composed by Franz Joseph Haydn. Arranged by Vincent Vitale. Classical. Score and parts. 10 pages. Vincent Vitale #3547845. Published by Vincent Vitale (A0.835552). THE EMPEROR’S HYMN by Joseph Haydn is one of the most famous played pieces in music and was written in honor of the Emperor Francis II, Emperor of the Holy Roman Empire and later of the Austrian Empire. This tune has since been widely employed in other contexts: in works of classical music, in Christian hymns, in alma maters, and as the tune for the national anthem of Germany Although playable and enjoyed on all levels it is written for young string players on the easy intermediate level and is scored in 3 part harmony with viola doubling 2nd violin and cello doubling string bass. In the event instrumentation is lacking this concept will make your group sound fuller and give your players more confidence. Includes full score and parts for Violin 1, Violin 2, Viola, Cello and String Bass. It is written in D Major and modulates to G Major. I hope you and your students enjoy performing this piece. If this composition appeals to you please consider others in this string series by typing VINCENT VITALE in the search bar located on the home page. I thank you very much for your consideration and wish you and your students much musical success.
THE EMPEROR'S HYMN
Orchestre à Cordes

$15.00 12.87 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 2 - Digital Download SKU: A0.1032995 Composed by David France. Instructional. Score and parts. 15 pages. David France #5988577. Published by David France (A0.1032995). DO YOU WANT A RICHER SOUND ON THE VIOLIN?If you want a warmer sound and an even tone in all parts of the bow then Bow Exercises for the Expressive Violinist is for you.These 14 fundamental exercises are the perfect warm-up studies for the professional or the advanced beginner violinist.Benefits of this BookPlay with greater ease and virtuosityImprove your tonePlay with an increased palette of colorsDevelop a nuanced amplitude of dynamicsThe study of these exercises gives the serious student an increased speed with which new music can be played with beauty and expression.The regular practice of bow technique exercises makes the musician’s palette richer thereby increasing their capacity to bring joy to others. This book series is intended as a precursor to the Sevcik Bowing Books for violin.Perfect for collegiate violinists looking for a thorough set of etudes to continue to nurture a solid foundation, the symphony professional looking for a fast warm up, and also perfect for the Suzuki or traditional student who can play with all 4 fingers in first position who wants to develop the sound of their dreams.These exercises were developed in Bermuda and have been taught all over the world to students who’ve marveled at how fast their sound improved.Play the violin the way you’ve always dreamed. Buy your copy TODAY!
Bow Exercises for the Expressive Violinist
Orchestre à Cordes

$14.95 12.83 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.1039500 Composed by Tim Crooks. Arranged by Tim Crooks. Spiritual,Traditional. Score and parts. 24 pages. STR:UK String Arrangements #644456. Published by STR:UK String Arrangements (A0.1039500). Amazing Grace, arranged for String Orchestra by Tim Crooks from the traditional spiritual. This arrangement is loosely based on the version sung by Aretha Franklin, and starts with two soft verses in 4/4, then modulates up a tone and into 9/8, for two bigger verses with a triplet-feel quaver accompaniment. The ending can be big, or quiet, as required. This is a great selection for groups developing in compound time, and suitable for approx ABRSM grade 5 (intermediate) level and above. There are easy parts for Violin, Viola and Cello at approx Grade 2 level. Parts included in this download (those essential for performance marked *): Full Score Violin I* and II* Viola* Cello* Easy Violin, Viola and Cello Double Bass Piano This download contains Full score and parts. About the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK String Arrangements, made in the UK Get in touch - your feedback and requests are always welcome! strukstrings@gmail.com twitter.com@strukstrings Facebook@Strukstrings.
Amazing Grace
Orchestre à Cordes

$24.99 21.44 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Digital Download SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419. Published by Musik Fabrik Music Publishing (A0.532834). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
Orchestre à Cordes

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