String Orchestra - Level 3 - Digital Download SKU: A0.890262 Composed by Paul Witney. Christian,Praise & Worship,Sacred,Spiritual. Score and parts. 17 pages. PAW Print Music #5993663. Published by PAW Print Music (A0.890262). These are the String and Percussion parts to accompany the song Prayer for Guidance. The Piano and vocal part needs to be purchased separately and can be found on the address below.This song is based on a Prayer for Guidance, inspired by Catherine McAuley - the founder of the Mercy Sisters in Dublin, Ireland.This song can be sung as a solo work, or as a work for SA choir (with or without soloists). The instrumental parts are flexible - they can range from String Orchestra and percussion, to single string instruments.  There is a Violin III part (Viola treble clef) included.https://www.sheetmusicplus.com/publishers/paw-print-music-sheet-music/3006098?ac=1?aff_id=700579

String Orchestra - Digital Download SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419. Published by Musik Fabrik Music Publishing (A0.532834). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.

String Orchestra - Level 5 - Digital Download SKU: A0.730441 Composed by James Nathaniel Holland. Children,Christmas,Contemporary. Score and parts. 198 pages. James Nathaniel Holland #3455107. Published by James Nathaniel Holland (A0.730441). Individual Instrumental Parts for strings and the string solos.   Part 2 of 2 sets of individual instruments which can be combined with the Piano/Vocal Score (Sold separately) for a reduced performance (double piano, string ensemble).  Wind/Brass/Percussion/Harp/Choral Individual parts sold separately in 1 of 2. This new Contemporary Classical Music from American Costa Rican composer James Nathaniel Holland in his masterful ballet adaptation of Hans Christian Andersen.

String Orchestra - Level 3 - Digital Download SKU: A0.533278 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 58 pages. Musik Fabrik Music Publishing #2329759. Published by Musik Fabrik Music Publishing (A0.533278). I. EstampieII. AriaIII. Echo Gigue (and Cadenza)IV. Ground (in memoriam Lee Hoiby)V. Estampie da capoSinfonia Concertante (2011) for solo violin and string orchestra is dedicated to Walter Simmons andRonnie Halperin. The five movements of the work draw primarily upon stylistic elements of Medievaland Renaissance music, though viewed within a contemporary context. The title “Sinfonia� is used inone of its 17th century senses: a small collection of modest instrumental movements. This item contains the score, the solo part and orchestral parts for 43321. The score plus the solo part only is sold as another item

String Orchestra - Level 2 - Digital Download SKU: A0.972713 Composed by Johann Sebastian Bach. Arranged by Kestutis Planciunas. World. Score and parts. 12 pages. Kestutis Planciunas #3142147. Published by Kestutis Planciunas (A0.972713). Menuet written by Johann Sebastian Bach and adopted for medium string orchestra. Solo for Bassoon. Full score with instrumental parts for Clarinet b 1/2, Bassoon, Harpsichord, Violin 1/2, Viola, Cello, Contrabass.

String Orchestra - Level 3 - Digital Download SKU: A0.1422018 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Leonard Ingrande. Contemporary,Film/TV,Pop,Rock,Singer/Songwriter. 19 pages. Ingrande Music Production #1003338. Published by Ingrande Music Production (A0.1422018). What was I Made For? is a soulful ballad that delves into the universal question of purpose and self-discovery.  With poignant lyrics and a haunting melody, this arrangement for string orchestra and flex instrumental solos, explores the journey of introspection, gappling with one's place in the world, and the search for meaning in life.  A beautiful and touching addition to your next concert!  This arrangement invites listeners to reflect on their own existential inquiries.  Through its introspective and stirring arrangement, What Was I Made For? resonates deeply with anyone who has ever questioned their purpose or felt adrift in the vastness of existence.

String Orchestra - Level 3 - Digital Download SKU: A0.578896 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 23 pages. David Warin Solomons #1954755. Published by David Warin Solomons (A0.578896). Initially based on a song inspired by the poem L'Aube dans la Chambre by Supervielle, as translated by S N Solomons, and a related poem by E M Solomons, these instrumental versions of Dawn in the Room represent the feelings of gentle nostalgia, regret and hope of all three poems. The piece is presented with various melody instruments (flute, clarinet, cor anglais, bassoon or cello) and with various accompaniments (guitar, strings or piano). The sound sample is an electronic preview. The pdf file contains score and parts. Further details regarding the song Dawn in the Room, and various sung versions of it, can be found on http://www.dwsolo.com/serif/dawnintheroom.html.

String Orchestra - Level 3 - Digital Download SKU: A0.578898 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 22 pages. David Warin Solomons #1954759. Published by David Warin Solomons (A0.578898). Initially based on a song inspired by the poem L'Aube dans la Chambre by Supervielle, as translated by S N Solomons, and a related poem by E M Solomons, these instrumental versions of Dawn in the Room represent the feelings of gentle nostalgia, regret and hope of all three poems. The piece is presented with various melody instruments (flute, clarinet, cor anglais, bassoon or cello) and with various accompaniments (guitar, strings or piano). The sound sample is an electronic preview. The pdf file contains score and parts. Further details regarding the song Dawn in the Room, and various sung versions of it, can be found on http://www.dwsolo.com/serif/dawnintheroom.html.

String Orchestra - Level 3 - Digital Download SKU: A0.1292861 Composed by Carlos Seixas. Arranged by Hélder Bento. Baroque,Christmas,Early Music,Easter,Sacred. Score and Parts. 8 pages. Hélder Bento #883458. Published by Hélder Bento (A0.1292861). Domine Deus - Aria for Alto from Mass in G Major, Carlos Seixas - Fullscore and partsCarlos Seixas (1704-1742) was a Portuguese composer and organist who had close contact with the avant-garde European music of his time. Despite never leaving Portugal, Seixas collaborated with Domenico Scarlatti, who was the chapel master of the Portuguese court. Seixas is considered the most important Portuguese baroque composer of keyboard music. Although none of his original works survived, he is credited with composing approximately 700 toccatas. Of these, only ninety-five survived in authenticated sources, along with other instrumental pieces and ten complete vocal works, including the Mass in G major. This mass is written for four soloists (soprano, alto, tenor, and bass), choir, and strings. It is divided into five parts: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei. In addition to the choral sections, this piece also includes four arias, one for each soloist, two duets for soprano and alto, and a trio for soprano, alto, and tenor.

String Orchestra - Level 3 - Digital Download SKU: A0.1290728 Composed by Carlos Seixas. Arranged by Hélder Bento. Baroque,Christmas,Latin,Religious,Sacred. Score and Parts. 8 pages. Hélder Bento #881433. Published by Hélder Bento (A0.1290728). Laudamus te - Aria for Soprano from Mass in G Major, Carlos Seixas - Fullscore and partsCarlos Seixas (1704-1742) was a Portuguese composer and organist who had close contact with the avant-garde European music of his time. Despite never leaving Portugal, Seixas collaborated with Domenico Scarlatti, who was the chapel master of the Portuguese court. Seixas is considered the most important Portuguese baroque composer of keyboard music. Although none of his original works survived, he is credited with composing approximately 700 toccatas. Of these, only ninety-five survived in authenticated sources, along with other instrumental pieces and ten complete vocal works, including the Mass in G major. This mass is written for four soloists (soprano, alto, tenor, and bass), choir, and strings. It is divided into five parts: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei. In addition to the choral sections, this piece also includes four arias, one for each soloist, two duets for soprano and alto, and a trio for soprano, alto, and tenor.

String Orchestra - Level 3 - Digital Download SKU: A0.1237200 Composed by Carlos Seixas. Arranged by Hélder Bento. Baroque,Christian,Early Music,Lent,Religious. Score and Parts. 15 pages. Hélder Bento #832723. Published by Hélder Bento (A0.1237200). Carlos Seixas (1704-1742) was a Portuguese composer and organist who had close contact with the avant-garde European music of his time. Despite never leaving Portugal, Seixas collaborated with Domenico Scarlatti, who was the chapel master of the Portuguese court. Seixas is considered the most important Portuguese baroque composer of keyboard music. Although none of his original works survived, he is credited with composing approximately 700 toccatas. Of these, only ninety-five survived in authenticated sources, along with other instrumental pieces and ten complete vocal works, including the Mass in G major.This mass is written for four soloists (soprano, alto, tenor, and bass), choir, and strings. It is divided into five parts: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei.In addition to the choral sections, this piece also includes four arias, one for each soloist, two duets for soprano and alto, and a trio for soprano, alto, and tenor.

String Orchestra - Level 3 - Digital Download SKU: A0.578774 Composed by Diego Salazar. Arranged by David Warin Solomons. Baroque,Christian,Classical. Score and parts. 25 pages. David Warin Solomons #4764341. Published by David Warin Solomons (A0.578774). Instrumental arrangement of a Choral song by Diego Salazar,

String Orchestra - Level 3 - Digital Download SKU: A0.576960 Composed by David Warin Solomons. 20th Century,Christmas,Contemporary. Score and parts. 21 pages. David Warin Solomons #548957. Published by David Warin Solomons (A0.576960). Instrumental arrangement of my Christmas choral song Alleyways for string orchestra (or string nonet) (4 violins, 2 violas, 2 cellos and double bass) The sound sample is performed by London Strings at Abbey Road in London. The pdf file contains score and parts. Videohttps://www.youtube.com/watch?v=vnbdIh98-g8

String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.1112894 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 44 pages. Regis Bookshar #714847. Published by Regis Bookshar (A0.1112894). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Orchestra - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Orchestra, consisting of 3 Violins, 2 Violas, 2 Violoncellos and 1 Double Bass, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (44 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Orchestra, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.

String Orchestra - Level 4 - Digital Download SKU: A0.796779 Composed by Gary D. Belshaw (ASCAP). 20th Century,Contemporary,Instructional. Score and parts. 33 pages. DR GARY D BELSHAW #6506559. Published by DR GARY D BELSHAW (A0.796779). Advanced Intermediate. SCORE ONLY: 33 pages. Duration: 9 minutes.Advanced Solo Violin plus Intermediate Violins I & II, Violas, Cellos, and Basses.            Midnight Train to St. Petersburg was inspired by the train ride itself during the composer’s trek to Russia in 2006. The trip was made by faculty and students of Wayland Baptist University’s School of Music to allow the University’s Pioneer Band to participate in Victory Day festivities in Moscow and St. Petersburg. Impressions of the countryside during the train ride itself, as well as the overwhelming beauty of the country and two of her cities, informed much of the music performed here.            A minimalistic approach to the composition seemed suitable. Persistent rhythmic patterns throughout the score invites listeners to imagine being inside a passenger rail car. An alternation between two- and three-eighth note groupings captures sound of steel wheels rolling along iron rails of varying lengths. The harmonies are simple, played almost entirely on open strings. Everyone involved in a performance can enjoy the exuberance of bright harmonic language. A short, simple melody, played by the upper strings is answered by the soloist - possibly the class instructor - who then is allowed some elaboration for a few measures.            Students attempting a strings-methods class often find their more advanced musicianship stifled by working only in rudimental instrumental methods. Since so many pitches are played on open strings, student’s left hands are eased through the performance while the right hands move binarily in short, quick strokes. The result is a work that gratifies the student musician while developing an appreciation and understanding of string performance.