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String Orchestra - Level 2 - Digital Download SKU: A0.908408 Composed by John M. Licari. Contemporary,Folk,Instructional,Standards,World. Score and parts. 20 pages. Music Preparation Services #5311331. Published by Music Preparation Services (A0.908408). Impressions of the Middle East - John M. LicariWritten for String Orchestra with Percussion Music Preparation Services www.musicprepservices.com I wrote this piece after listening to the Herbie Mann album Impressions of the Middle East from 1967. I was intrigued with the sounds and styles he was able to blend together for that album. Since my compositions are marketed for school-based ensembles, I wanted to try my hand at creating a piece that had a Middle-Eastern vibe, by using a harmonic minor mode. This piece is written in D-Phrygian Dominant mode (scale degrees are as follows: 1, b2, 3, 4, 5, b6, b7). Look out for low 1, 2, and low 4 fingerings.
Impressions of the Middle East - John M. Licari (String Orchestra with Percussion)
Orchestre à Cordes

$25.00 21.46 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes

$9.99 8.57 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.850404 By John Denver. By David Leslie Froggatt, Jane Barnes, and Johnny Marks. Arranged by Tim Crooks. Rock. Score and parts. 33 pages. STR:UK String Arrangements #6615981. Published by STR:UK String Arrangements (A0.850404). Rudolph The Red-Nosed Reindeer, by Johnny Marks, arranged by Tim Crooks for String Orchestra with Sleigh Bells and Glockenspiel.This download is Score and Parts. A must-have Christmas classic for any youth group, this arrangement is in classic American songbook style. The piano and percussion parts are optional for performance. This arrangement is technically approachable for Intermediate level groups (ABRSM grade 4+), with some short passages in higher position and jazz rhythms for the main Violin, Viola and Cello / Bass parts. Easier beginner parts for Violin, Viola and Cello are included.Parts included in this set:- Violin 1 - Violin 2 - Viola / Violin III - Open String Violin / Viola- Cello 1/2- Double Bass- Glockenspiel & Sleigh Bells- Piano About the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK STRINGS - Education String Music, made in the UK We'd love to hear your feedback: strukstrings@gmail.com Subscribe to our social media to get news of all new releases:  Facebook / Twitter @strukstrings STR:UK Strings - Education String Music ©2021 S T Crooks Ltd All Rights Reserved
Rudolph The Red-nosed Reindeer
Orchestre à Cordes
John Denver
$24.99 21.45 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.1392366 Composed by John Philip Sousa. Arranged by Joel Jacklich (ASCAP) or. Holiday,March,Patriotic. 28 pages. Joel Jacklich #975894. Published by Joel Jacklich (A0.1392366). The Thunderer (1889) is one of John Philip Sousa's most beloved marches. It is knot known to what, or more likely to whom, the title refers. Paul E. Bierley suggests that since the work was dedicated the the Columbia Commandery No. 2, Knights Templar, of Washington, D.C., and composed for its Twenty-fourth Triennial Conclave of the Grand Encampment, that the title may refer to Myron M. Parker, one of the principal men responsible for the success of the conclave.(1)Sousa is so universally loved, that it seems a shame to restrict his performance only to marching bands and concert bands.  Here The Thunderer is arranged for string orchestra by Joel Jacklich (A.S.C.A.P.). Perfect for that next patriotic concert.(1)Paul E. Bierley, The Works of John Philip Sousa (Westerville, Ohio: Integrity Press, 1984), 89.
The Thunderer (March)
Orchestre à Cordes

$30.00 25.75 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.785992 Composed by John Hinton. Arranged by Andrew R. Guarrine. Baroque,Renaissance. Score and parts. 12 pages. GuarrineMusic #5791263. Published by GuarrineMusic (A0.785992). Come, Follow Me! (John Hinton)This adaptation of a madrigal is to be performed lightly and not too fast.  Uses hooked-bows, slurs and plenty of imitation.  The first section is a solo violin with the cello coming in later. Only uses forte and piano dynamic markings.  A great piece for solo and ensemble or as a lighter piece for your orchestra at that spring performance.  (Quartet -with optional Cb.)      Key of D  2/2 time  Grade 2+ because of style and technique.  
Come, Follow Me!
Orchestre à Cordes

$12.95 11.11 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 2 - Digital Download SKU: A0.889428 Composed by Anonym. Arranged by Luis Anjos Teixeira. Christmas,Classical,Concert,Holiday,Standards. Score and parts. 20 pages. Luis Anjos Teixeira #4726197. Published by Luis Anjos Teixeira (A0.889428). „Greensleeves is based on an Italian style of composition. Found in several late-16th-century and early 17th-century sources and preserved at the University of Cambridge. Christmas and New Year texts were associated with the tune from as early as 1686. The tune is contained in several of Dowland’s lute manuscripts; in William Ballet’s Lute Book; in Sir John Hawkins’ transcripts of virginal music; in The Dancing Master; The Beggar’s Opera; and in many other books.  The earliest known source of the tune -Trinity College, Dublin ms. D. I.21, c. 1580 - known as William Ballet's lute book- gives the tune in the melodic minor scale.  Greensleeves is also often played in a natural minor scale and in the Dorian Mode.  This arrangement is inspired on the transcripts of virginal music from Sir John Hawkins’. The piece is appropriate for beginner students or amateurs and without any doubt very pleasant to listen when played by an experienced ensemble. It can be used in concerts and all sorts of spiritual or religious events. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina, Stray Queen Mimi, Carlinhos, Pontinha, Maria Joaninha, Schwarzenegger, Koboldinha.  For all Living beings on Earth, for our Ancestors,  Thank You for all of You  All Your Love and Compassion. Love Forever. Luis Anjos Teixeira Disclaimer:  The score was written on Finale and the sound file was produced with Garritan instruments.
Greensleeves For Harp And Strings
Orchestre à Cordes

$12.79 10.98 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.746782 Composed by Jerry Gray. Arranged by Keith Terrett. Film/TV,Pop. 19 pages. Keith Terrett #3519211. Published by Keith Terrett (A0.746782). An arrangement in the Glen Miller style of ''A String of Pearls'', arranged for String Orchestra.A String of Pearls is a 1941 song recorded by Glenn Miller and His Orchestra on RCA Bluebird, composed by Jerry Gray with lyrics by Eddie DeLange.[1] The song is a big band and jazz standard.Glenn Miller and His Orchestra recorded A String of Pearls on November 8, 1941 in New York, which was copyrighted and published by The Mutual Music Society, Inc., ASCAP. It was released as an RCA Bluebird 78 single, B-11382-B, backed with Day Dreaming, in 1941 by Glenn Miller and His Orchestra. Day Dreaming was the A side.The personnel for A String of Pearls: Saxes: Babe Russin, Tex Beneke, Wilbur Schwartz, Ernie Caceres, Al Klink; Trumpets: John Best, R. D. McMickle, Billy May, Alec Fila; Trombones: Glenn Miller, Jimmy Priddy, Paul Tanner, Frank D'Annolfo; Piano: Chummy MacGregor; String Bass: Edward Doc Goldberg; Guitar: Bobby Hackett; Drums: Moe Purtill. Bobby Hackett performed the trumpet solo on the original Glenn Miller recording.The record was ranked No. 1 in the US for two weeks in 1942 on the Billboard Best Sellers chart in a chart run of 21 weeks.
A String Of Pearls
Orchestre à Cordes

$14.99 12.87 € Orchestre à Cordes PDF SheetMusicPlus






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