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String Orchestra - Level 1 - Digital Download SKU: A0.1255701 Composed by Giles Farnaby, 1563-1640. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Traditional. 15 pages. Jmsgu3 #849209. Published by jmsgu3 (A0.1255701). 1. Farnaby's Dreame2. His Rest - Galiard3. His Humour4. FinaleGiles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560 and lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in developing keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.
Farnaby: Four Fitzwilliam Pieces for String Orchestra Orchestre à Cordes

$38.95 34.15 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.1298252 Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 33 pages. Jmsgu3 #888225. Published by jmsgu3 (A0.1298252). Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560 and lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in developing keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.
Farnaby: Fantasia CXXIX for String Orchestra Orchestre à Cordes

$39.95 35.03 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.1298242 Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 17 pages. Jmsgu3 #888221. Published by jmsgu3 (A0.1298242). Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560, and he lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in the development of keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.
Farnaby: Fantasia CXXIX for String Orchestra - Score Only Orchestre à Cordes

$32.95 28.89 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.1217215 By Johann Sebastian Bach and Ottorino Respighi. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Contemporary,Contest,Festival,Film/TV,Instructional,Sacred. Score and Parts. 16 pages. FRC Music #813753. Published by FRC Music (A0.1217215). Bach: Nun Komm'der Heiden Heiland - from 3 chorales, P. 167: No. 1. Lento assai, BWV 659 - Orchestral interpretation by Ottorino Respighi.Nun komm, der Heiden Heiland (original: Nu kom der Heyden heyland, English: Savior of the nations, come, literally: Now come, Saviour of the heathen) is a Lutheran chorale of 1524 with words written by Martin Luther, based on Veni redemptor gentium by Ambrose, and a melody, Zahn 1174, based on its plainchant. It was printed in the Erfurt Enchiridion of 1524.Nun komm, der Heiden Heiland continues to be used in modern settings. It appears in liturgically oriented Christian hymnals, for example the Lutheran Book of Worship, and as the cantus firmus for organ compositions.The song was the prominent hymn for the first Sunday of Advent for centuries. It was used widely in organ settings by Protestant Baroque composers, most notably Johann Sebastian Bach, who also composed two church cantatas beginning with the hymn. Later settings include works by Ottorino Respighy, Max Reger, Brian Easdale and Siegfried Strohbach.English versions include Savior of the nations, come by William Morton Reynolds, published in 1851.for String Orchestra (Bassoon Optional).from 3 Choirs: orchestral interpretation by Ottorino Respighi (3 corali : interpretazione orchestrale di Ottorino Respighi).from Bach - 3 chorales, P. 167:   No. 1. Lento assai  (after J.S. Bach's Nun komm, der Heiden Heiland, BWV 659) for String Orchestra (with basson optional). Orchestration by Ottorino Respighi (1930).Advanced Intermediate LevelFormat: Concert, 9 x 12 inches16 pagesFull Score and Orchestral Parts.
Bach: Nun Komm'der Heiden Heiland - from 3 Corali: Orchestral interpretation by Ottorino Respighi Orchestre à Cordes
Johann Sebastian Bach and Ottorino Respighi
$49.99 43.84 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 1 - Digital Download SKU: A0.1011592 Composed by Joe Wiedemann. Classical,Romantic Period. Score and parts. 17 pages. Joe Wiedemann #4283113. Published by Joe Wiedemann (A0.1011592). Designed to highlight acoustic elements of your venue, Adagio Rubato is arranged for string orchestra PLUS string quartet (or 1st chair players), and flute, English horn/Oboe, Fr. Horn, and Synthesizer. Strings may be separated from the quartet and other players by space or position, for a stereo effect that works well in a cathedral or large setting. The Synth part adds depth and modern context, as an equal player, rather than soloist. It also offers the most flexibility for custom sound creation.Contact WiedemannMusic.com for parts.
Adagio Rubato Orchestre à Cordes

$10.95 9.6 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.527311 Composed by Traditional English. Arranged by Michelle Taylor-Cohen. Baroque,Standards,World. Score and parts. 26 pages. Saturn Strings #5194823. Published by Saturn Strings (A0.527311). This piece originally appeared in John Playford’s ‘The Dancing Master’ (first published 1661) which was a manual for dancing, complete with sheet music and instructions for how to do the steps for each dance. It is thought that the term ‘maggot’ simply means ‘favourite’, though it has also been argued that it means the same as the modern term ‘earworm’, meaning a tune that gets stuck in your head and won’t go away!In recent years this melody is best known from its inclusion in several Jane Austen TV and film adaptations, including BBC’s Pride & Prejudice (1995) and Emma (1996).
Mr Beveridge's Maggot - String Orchestra Orchestre à Cordes

$20.00 17.54 € Orchestre à Cordes PDF SheetMusicPlus






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