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String Orchestra - Level 3 - Digital Download SKU: A0.782741 Composed by Traditional. Arranged by Nicholas Palmer. Christmas,Sacred,Standards. Score and parts. 2 pages. Nicholas D Palmer #3366167. Published by Nicholas D Palmer (A0.782741). The lively Renaissance Christmas madrigal, En natus est Emmanuel, is arranged for easy playing by string quartet or high school level string orchestra (first position, easy and singable key, straightforward harmonies), presented in full score on a single page. This carol is a part of a larger collection of similar arrangements, Forty-five carols for strings. Great for gigging, easy Christmas repertoire, or highlighting a few players at a time. Enjoy!
En natus est Emmanuel (Latin Christmas carol) - easy string quartet
Orchestre à Cordes

$1.99 1.9 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 2 - Digital Download SKU: A0.1033826 Composed by Polish folk tune. Arranged by George Edwin Smith. Multicultural,Patriotic,Traditional,World. Score and parts. 14 pages. GloriaDeoMusic #639138. Published by GloriaDeoMusic (A0.1033826). The Polish national anthem ‘Mazurek Dąbrowskiego’ (‘Poland Is Not Yet Lost’) was a rallying call for Polish independence. It was officially adopted as the national anthem of Poland in 1926, although it had been its unofficial one since the end of the First World War in 1918. The lyrics were written by Józef Wybicki in July 1797. The music is a based on a Polish folk tune. This arrangement can be performed by as few as six players, or as many as a large string orchestra.
National Anthem of Poland for Strings
Orchestre à Cordes

$15.00 14.3 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #3367893. Published by Aaron Fonzi (A0.998356).     This piece tells the epic story of Hades' abduction of his niece, Persephone. According to the legend, Hades came up through a crack in the ground and snatched the girl while she was playing. In the Underworld, he tried to seduce her in a variety of ways, but to no avail. Finally, Hades is said to have tricked her into staying by offering her a tempting pomegranate. As Persephone ate 6 seeds, she was to stay in the Underworld for six months each year. It is said that while Persphone is in the Underworld, the plants wither and die, and when she comes back to the surface she brings rebirth to growing things. This piece begins with playful pizzicato lines that build upon each other. These represent Persphone at play, but forebodes the dark forces that are encircling her. When the orchestra goes to arco, Persphone is being dragged into the Underworld. A mournful violin solo signifies her arrival, but this mournful theme is quickly replace by the devious seductions of Hades in the form of a humorous waltz. Finally, Hades offers the pomegranate to Persephone and she eats 6 seeds (represented by the six beats of the B major chord in measures 76 and 77). The main theme then takes over once again, modulating to F# minor to represent Hades' victory. With relentless energy, catchy ostinati and opportunities to work on shifting, pizzicato and arco throughout, this piece will not dissapoint for audiences and students alike. A FEW NOTES: 1. I'd recommend rehearsing the rhythms of recurring ostinati together- first pizzicato then arco. You may get creative and incorporate scales with these rhythms. However you do it, it'll be important that each ostinato is played with precision and confidence. 2. Have fun with the waltz section! It's meant to portray the strange, whimsical nature of Hades' attempts to woo Persephone, so the awkwardness in delivery is encouraged! 3. All ritardandos should be exaggerated for the sake of drama. 4. Encourage your drumset player to explore different ways of accompanying the orchestra- the drumset part is a blueprint, not definitive instructions. 5. Be sure to practice shifting into 2nd position for the modulation. I hope you and your students have a great time putting this epic piece together! I had a ton of fun writing it! ~Aaron Fonzi
The Abduction of Persephone (for String Orchestra)
Orchestre à Cordes

$20.00 19.06 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.1260613 Composed by Traditional French Carol. Arranged by Wesley D. Peters. Christmas,Holiday,Sacred,Traditional. Score and Parts. 12 pages. Asbury Publishing #853806. Published by Asbury Publishing (A0.1260613). This string quintet is carefully arranged to provide something new to the listener while maintaining a sense of tradition. The second verse incorporates a 5/8 time signature and can be a good introduction to irregular time signatures for young intermediate players. It also works well for more advanced groups who are pressed for time during the busy holiday season. Appropriate for any Christmas church service or holiday concert. Could be performed by a quintet or a full string orchestra. Includes a score and the following parts:1st Violin2nd ViolinViolaCelloDouble Bass.
Angels We Have Heard on High (String Quintet)
Orchestre à Cordes

$16.99 16.19 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.784349 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288707. Published by Slide Ride (A0.784349). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!Combine these with the set for Band when used for Full or Chamber Orchestra.
Donut Etudes vol. 3: Don’t Step in the Holes! – String Orchestra
Orchestre à Cordes

$15.00 14.3 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 2 - Digital Download SKU: A0.1038947 Composed by Edward Elgar. Arranged by Joel Jacklich (A.S.C.A.P.)_. Romantic Period. Score and parts. 17 pages. Joel Jacklich #643905. Published by Joel Jacklich (A0.1038947). The theme from Elgar's Pomp and Circumstrance Military March, Op. 39, No.1 has long been a staple of graduation ceremonies throughout the United States. Here the theme is democratically rotated among the four members of the string orchestra (excluding the bass). The harmonies are simple enough for elementary students to handle. (Note: While the piece is in D major, accidentals do occur. All parts have both c-natural and c-sharp as well as g-natural and g-sharp. While the entire piece can be played in first position in all parts, an ossia part for cello is available for those players who are able to play in third and fourth position (for the melody in the upper octave) although this ossia part is entirely optional. With an unknown number of graduates marching, the piece may be repeated as many times as needed with the melody shifting from first violins, to violas, to second violins, to celli, over and over again, ending with a coda for a fuller finish.
Pomp and Circumstance THEME (easy)
Orchestre à Cordes

$35.00 33.36 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.990570 Composed by Flint Juventino Beppe. Contemporary. Score and parts. 54 pages. The FJB Fingerprint #3030219. Published by The FJB Fingerprint (A0.990570). Op.66 is dedicated to Sir James Galway, and was first performed in Washington D.C. on the 5th of October 2006 by Galway and the National Symphony Orchestra, conducted by Leonard Slatkin (Alto Flute version).Version for Flute in C, Op.66b, first performed in 2008 by flutist Judith Hall, harpist Willy Postma and the Pluri_Art Festival Orchestra, conducted by Viacheslav Valeev. UK premiere in 2009 by flutist Emily Beynon, harpist Catherine Beynon and the Philharmonia Orchestra, conducted by Vladimir Ashkenazy.A piano reduction is also available (Op.66c).In order to achieve the best results of the use of divisi, it is recommended to have a minimum of string players available:Violin I - 8 playersViolin II - 8 playersViola - 6 playersCello - 5 playersContrabass - 3 playersBigger string groups are preferable.Fermata duration is meant to constitute an addition of half of the duration of the note. E.g. a fermata over a quarter note should have a duration of a quarter note / rest + a eighth note / rest.«Whilst this is instantly attractive, melodic music, if one looks under the surface one finds so much more. There are many attractive depths to this atmospheric music.» The Classical Reviewer (UK)Further details: http://www.fjb.space/publishing/flutemusic.html NB! The attached audio is the version for Flute in C (Op.66b), performed by Emily Beynon, Catherine Beynon and Philharmonia Orchestra, conducted by Vladimir Ashkenazy. Available on the album Flute Mystery (2L-058-SABD). All rights reserved by the producers Lindberg Lyd AS and Flint Juventino Beppe.© Flint Juventino Beppe | All rights reserved
Flute Mystery Op.66a (Alto Flute version)
Orchestre à Cordes

$127.00 121.06 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.990569 Composed by Flint Juventino Beppe. Contemporary. Score and parts. 54 pages. The FJB Fingerprint #3029577. Published by The FJB Fingerprint (A0.990569). Op.66 is dedicated to Sir James Galway, and was first performed in Washington D.C. on the 5th of October 2006 by Galway and the National Symphony Orchestra, conducted by Leonard Slatkin (Alto Flute version).Version for Flute in C, Op.66b, first performed in 2008 by flutist Judith Hall, harpist Willy Postma and the Pluri_Art Festival Orchestra, conducted by Viacheslav Valeev. UK premiere in 2009 by flutist Emily Beynon, harpist Catherine Beynon and the Philharmonia Orchestra, conducted by Vladimir Ashkenazy.A piano reduction is also available (Op.66c).In order to achieve the best results of the use of divisi, it is recommended to have a minimum of string players available:Violin I - 8 playersViolin II - 8 playersViola - 6 playersCello - 5 playersContrabass - 3 playersBigger string groups are preferable.Fermata duration is meant to constitute an addition of half of the duration of the note. E.g. a fermata over a quarter note should have a duration of a quarter note / rest + a eighth note / rest.«Whilst this is instantly attractive, melodic music, if one looks under the surface one finds so much more. There are many attractive depths to this atmospheric music.» The Classical Reviewer (UK)Further details: http://www.fjb.space/publishing/flutemusic.htmlNB! The attached audio is performed by Emily Beynon, Catherine Beynon and Philharmonia Orchestra, conducted by Vladimir Ashkenazy. Available on the album Flute Mystery (2L-058-SABD). All rights reserved by the producers Lindberg Lyd AS and Flint Juventino Beppe.© Flint Juventino Beppe | All rights reserved
Flute Mystery Op.66b
Orchestre à Cordes

$127.00 121.06 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.850377 Composed by Adolphe-Charles Adam. Arranged by Tim Crooks. Christian,Christmas,Pop. Score and parts. 30 pages. STR:UK String Arrangements #6588511. Published by STR:UK String Arrangements (A0.850377). O Holy Night, arranged by Tim Crooks for String Orchestra (ABRSM Beginner - grade 6). Technical challenges include 12/8 and 6/8 time signatures and key of Eb meaning the main parts are best suited to ABRSM Grade 4+ standard players. The arrangement can be mostly played in first position, occasionally requiring 3rd position with an optional 8ve passage in first violins to a top Bb. The arrangement also includes an easy part for Violin & Viola suitable for grade 1-2 level. A piano part is included but is not needed for performance.A version of this arrangement for String Quartet is also available here:S0.1122215This recording is of the Quartet Version, by the Manchester String Quartet. Available for streaming and download, www.manchesterstringquartet.com About the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK STRINGS - Education String Music, made in the UK We'd love to hear your feedback: strukstrings@gmail.com Subscribe to our social media to get news of all new releases: https://www.facebook.com/strukstrings https://twitter.com/strukstrings STR:UK Strings - Education String Music ©2021 S T Crooks Ltd All Rights Reserved
O Holy Night (String Orchestra)
Orchestre à Cordes

$24.99 23.82 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 1 - Digital Download SKU: A0.919912 Composed by Ludwig van Beethoven. Arranged by William E. Moats. Classical,Concert,Instructional. Score and parts. 12 pages. William E. Moats #4365406. Published by William E. Moats (A0.919912). This arrangement of the well known theme from Beethoven's ninth symphony, fourth movement for Young Orchestra is about two minutes long at the marked tempo. It is written in the key of G and requires an occasional F natural in the upper strings and a D# in the lower strings. First position players can access this arrangement.  Some pizzicato is used and the cellos and violas have a section of bowed melody. This arrangement can be played without a double bass. The piano part is not necessary for performance but can add reinforcement to the string parts and add rhythmic stability. The parts included are: Score, 1st Violin, 2nd Violin, Viola, Cello, Double Bass, and Piano.  
Song of Joy
Orchestre à Cordes

$8.00 7.63 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 2 - Digital Download SKU: A0.835552 Composed by Franz Joseph Haydn. Arranged by Vincent Vitale. Classical. Score and parts. 10 pages. Vincent Vitale #3547845. Published by Vincent Vitale (A0.835552). THE EMPEROR’S HYMN by Joseph Haydn is one of the most famous played pieces in music and was written in honor of the Emperor Francis II, Emperor of the Holy Roman Empire and later of the Austrian Empire. This tune has since been widely employed in other contexts: in works of classical music, in Christian hymns, in alma maters, and as the tune for the national anthem of Germany Although playable and enjoyed on all levels it is written for young string players on the easy intermediate level and is scored in 3 part harmony with viola doubling 2nd violin and cello doubling string bass. In the event instrumentation is lacking this concept will make your group sound fuller and give your players more confidence. Includes full score and parts for Violin 1, Violin 2, Viola, Cello and String Bass. It is written in D Major and modulates to G Major. I hope you and your students enjoy performing this piece. If this composition appeals to you please consider others in this string series by typing VINCENT VITALE in the search bar located on the home page. I thank you very much for your consideration and wish you and your students much musical success.
THE EMPEROR'S HYMN
Orchestre à Cordes

$15.00 14.3 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.850386 By Queen. By Brian May and Roger Taylor. Arranged by Tim Crooks. Rock. Score and parts. 24 pages. STR:UK String Arrangements #6591441. Published by STR:UK String Arrangements (A0.850386). Thank God It’s Christmas, by Queen, arranged by Tim Crooks for String Orchestra (ABRSM Beginner - grade 5). Technical challenges include 12/8 time signature and hemiolas meaning the main parts are best suited to ABRSM Grade 4+ standard players. The arrangement can be mostly played in first position, reaching briefly to a top G in first violin only. The arrangement also includes an easier part for Violin & Viola suitable for grade 1-2 level. A piano part is included but is not needed for performance. Multiple part copies can be printed from this download. Please do not share or distribute. The string quartet parts can be performed alone and are also available as a separate download: H0.1122165-SC000004914 About the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK STRINGS - Education String Music, made in the UK We'd love to hear your feedback: strukstrings@gmail.com Subscribe to our social media to get news of all new releases: https://www.facebook.com/Strukstrings-102251248505787 https://twitter.com/strukstrings STR:UK Strings - Education String Music
Thank God It's Christmas
Orchestre à Cordes
Queen
$24.99 23.82 € Orchestre à Cordes PDF SheetMusicPlus






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