String Orchestra - Level 4 - Digital Download

SKU: A0.1298252

Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 33 pages. Jmsgu3 #888225. Published by jmsgu3 (A0.1298252).

Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560 and lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.

Giles Farnaby's Fantasias are significant for their role in developing keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.

Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.

String Orchestra - Level 4 - Digital Download

SKU: A0.1298242

Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 17 pages. Jmsgu3 #888221. Published by jmsgu3 (A0.1298242).

Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560, and he lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.

Giles Farnaby's Fantasias are significant for their role in the development of keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.

Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.

By Sia feat. Sean Paul. Arranged by Benjamin P. Snoek. Score, Set of Parts. 22 pages. Published by Benjamin P. Snoek (H0.171539-272770). - Score,Set of Parts - - Benjamin P. Snoek

String Orchestra - Level 4 - Digital Download

SKU: A0.922637

Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637).

Original by Johann Strauss II
Reduction to String Orchestra by Aaron Meier

Part: Cello

True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament).

Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles)
---

Performance Notes:

• Approximate length: 3:30 minutes
• 1st Violins: In m. 1, trill a half step from a Dâ™­ to a Dâ™® 
• 2nd Violins:
 - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B
 - At m. 72-75, emphasize the E♭ in the div.
• Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓)

History:

The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody.

Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms.
[excerpted from NAXOS Records]
Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.

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String Orchestra - Level 4 - Digital Download

SKU: A0.922636

Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636).

Original by Johann Strauss II
Reduction to String Orchestra by Aaron Meier

Part: Violin II

True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament).

Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles)
---

Performance Notes:

• Approximate length: 3:30 minutes
• 1st Violins: In m. 1, trill a half step from a Dâ™­ to a Dâ™® 
• 2nd Violins:
 - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B
 - At m. 72-75, emphasize the E♭ in the div.
• Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓)

History:

The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody.

Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms.
[excerpted from NAXOS Records] 
Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. 

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String Orchestra - Level 4 - Digital Download

SKU: A0.922638

Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638).

Original by Johann Strauss II
Reduction to String Orchestra by Aaron Meier

Part: Viola

True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament).

Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles)
---

Performance Notes:

• Approximate length: 3:30 minutes
• 1st Violins: In m. 1, trill a half step from a Dâ™­ to a Dâ™® 
• 2nd Violins:
 - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B
 - At m. 72-75, emphasize the E♭ in the div.
• Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓)

History:

The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody.

Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms.
[excerpted from NAXOS Records]
Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.

Resources:

• Visit

String Orchestra - Level 4 - Digital Download

SKU: A0.922634

Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634).

Original by Johann Strauss II
Reduction to String Orchestra by Aaron Meier

Part: Violin I

True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament).

Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles)
---

Performance Notes:

• Approximate length: 3:30 minutes
• 1st Violins: In m. 1, trill a half step from a Dâ™­ to a Dâ™® 
• 2nd Violins:
 - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B
 - At m. 72-75, emphasize the E♭ in the div.
• Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓)

History:

The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody.

Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms.
[excerpted from NAXOS Records]
Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.

Resources:

• Visit

String Orchestra - Level 4 - Digital Download

SKU: A0.922639

Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639).

Original by Johann Strauss II
Reduction to String Orchestra by Aaron Meier

Part: Double Bass

True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament).

Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles)
---

Performance Notes:

• Approximate length: 3:30 minutes
• 1st Violins: In m. 1, trill a half step from a Dâ™­ to a Dâ™® 
• 2nd Violins:
 - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B
 - At m. 72-75, emphasize the E♭ in the div.
• Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓)

History:

The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody.

Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms.
[excerpted from NAXOS Records]
Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.

Resources:

• Visit.

String orchestra - Digital Download

SKU: IZ.OMS156

Composed by Marcia Stockton. Score and Parts. 13 pages. Imagine Music - Digital #OMS156. Published by Imagine Music - Digital (IZ.OMS156).

9 x 12 in inches.

To a Wild Rose is the most popular piece in American composer Edward MacDowell's (1860-1908) well-known piano suite Woodland Sketches, Op. 51 (1896). Its simple, unassuming character portrays a pretty wild rose that one might encounter in the woods. Less elegant than their suburban garden cousins, the loveliness of wild rose blossoms is short-lived, fragrant and undisciplined. With this in mind, Stockton rejuvenated MacDowell's piano piece with a fresh orchestration featuring a lush string sound within younger musicians' capabilities.

Instrumentation
Violin I (divisi) up to 5th position; an optional ossia (the top voice down 1 octave) remains in 1st position
Violin II
Viola
Violoncello (divisi)
Contrabass (or bass cues in cello part).

String Orchestra - Level 1 - Digital Download

SKU: A0.1255701

Composed by Giles Farnaby, 1563-1640. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Traditional. 15 pages. Jmsgu3 #849209. Published by jmsgu3 (A0.1255701).

1. Farnaby's Dreame
2. His Rest - Galiard
3. His Humour
4. Finale

Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560 and lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.

Giles Farnaby's Fantasias are significant for their role in developing keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.

Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.

String Orchestra - Level 4 - Digital Download

SKU: A0.1129418

Composed by Bryan Sanguinito. Bollywood,Classical,Film/TV,Multicultural,Rock,World. Score and Parts. 33 pages. Bryan Sanguinito #729878. Published by Bryan Sanguinito (A0.1129418).

Xerxes meets James Bond - and multicultural (world) music meets rock - in this fast and fantastical original composition for string orchestra and optional drum set. Your journey takes you to the ancient Persian empire, where the Zoroastrian gods (Ahuras) wage a musical battle of good versus evil. Featuring the cello section, and written in C minor, this bold and unique piece offers an opportunity for all sections of the orchestra to shine by interweaving several melodies at the same time, while demanding intense energy and focus throughout the entire composition. Double stops in the middle and lower strings, challenging fingerings for first violins, dotted eighth-sixteenth note patterns, syncopated rhythms, and dynamic variations will require a great deal of practice but will result in a great deal of satisfaction and enjoyment for intermediate and even advanced high school string orchestra students. The percussion (drum set) part is optional but highly recommended.

String Orchestra - Level 4 - Digital Download

SKU: A0.1413833

Composed by Trevor Morris. Arranged by Levent Altuntas. 21st Century,Classical,Film/TV,Medieval,Video Game. 13 pages. Levent Altuntas Music #995617. Published by Levent Altuntas Music (A0.1413833).

Take your audience to the magical continent of Thedas with this faithful arrangement of Trevor Morris's score for the hit BioWare video game Dragon Age: Inquisition.
Aimed at the intermediate to advanced string orchestra, this version was written for the Mainhattan Strings and featured in their 2023 programme Strings in Wonderland.
It is an ideal encore that will make your listeners jump out of their seats with enthusiasm. An epic journey into a Medieval fantasy world awaits!

String Orchestra - Level 4 - Digital Download

SKU: A0.1029926

By David Guetta Featuring Sia. By David Guetta, Giorgio Tuinfort, Nick Van De Wall, and Sia. Arranged by Aldrich Renardi. Pop. Score and parts. 11 pages. Aldrich R. #6477793. Published by Aldrich R. (A0.1029926).

Arranged for String Orchestra

String Orchestra - Digital Download By David Guetta Featuring Sia. By Giorgio Tuinfort, Nick Van De Wall, David Guetta, and Sia. Arranged by Aldrich Renardi. New Age, Pop. Score and parts. 11 pages. Published by Aldrich R.

String Orchestra - Digital Download

SKU: A0.809235

By David Guetta Featuring Sia. By David Guetta, Giorgio Tuinfort, Nick Van De Wall, and Sia. Arranged by Rodrigo Prado & Uesile Prado. Pop. Score and parts. 21 pages. BETSUEL UESILE DO PRADO #6356455. Published by BETSUEL UESILE DO PRADO (A0.809235).

The energic Titanium from David Guetta is now arranged for String Orchestra. Enjoy.