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String Orchestra - Level 4 - Digital Download

SKU: A0.847356

By Jessica Darrow. By Lin-Manuel Miranda. Arranged by Susie Winkworth winkmusic.co.uk. Contemporary. Score and parts. 21 pages. Winkmusic.co.uk #6713269. Published by winkmusic.co.uk (A0.847356).

Lin-Manuel Miranda's hit track Surface Pressure from Disney's Encanto, in the ultimate arrangement for string orchestra/string quintet. With plenty of interest for each player and all the rhythmic energy of the original, this is perfect for wedding parties, events and performances.

Winkmusic.co.uk produces the highest quality arrangements. Tried and tested at 5* venues and concert halls, only the best make the cut. Previous commissions have appeared on Sunday Times Top 100 Albums of 2016, and are played by Classic FM chart-toppers and at festivals across the world.

Surface Pressure
Orchestre à Cordes
Jessica Darrow
$18.00 16.93 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download

SKU: A0.799741

Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Grant Gilman. 20th Century,Romantic Period. Score and parts. 147 pages. Dr. Grant Gilman #3511981. Published by Dr. Grant Gilman (A0.799741).

Nikolai Rimsky-Korsakov

Scheherazade - I. The Sea and Sinbad’s Ship


Pick-A-Part Arrangement 

for String Orchestra by

Dr. Grant Gilman



String Orchestra Parts in This 

Pick-A-Part Arrangement

Violin 1A

Violin 1B

Violin 1C


Violin 2A

Violin 2B

Violin 2C


Viola A

Viola B

Viola C


Cello A

Cello B

Cello C


Bass A

Bass B

Bass C


Harp/Keyboard (optional)


About Pick-A-Part Arrangement

This arrangement system employs simultaneous, multi-level difficulty parts for each string section. The goal is to accommodate all levels of playing in the preparation and performance of a symphonic masterwork.

In this arrangement, there are 3 difficulty levels for each individual string section, labeled A, B, and C, respectively. Each level is a decreasing level of technical and musical difficulty, level A being the highest level of difficulty. The A level is close to, if not exactly the same as, the original string part, plus the integration of wind parts when applicable. B and C follow in a proportional reduction of difficulty level. 

For this solution to be most effective, some students should be encouraged to play the most challenging parts simultaneously with those playing the simpler parts. This presents the opportunity to participate in a performance that includes most of the original material. The B and C parts cover enough of the surface material while maintaining a modicum of independence from the A part. In other words, the B and C parts are able to hold their own in performance without the A parts.

For example, let’s say you have a couple of talented violinists and a few more that are well below their playing level, only two violists that need a great deal of help, a plethora of cellists with a wide range of abilities, and one single bass player that is a beginner. Your distribution of parts may look something like this:

    • Violin 1 - two on Violin 1A, one on Violin 1C, and the rest on Violin 1B
    • Violin 2 - one on Violin 2B, the rest on Violin 2C
    • Viola - both on Viola C
    • Cello - three on Cello A, one on Cello B, and the rest on Cello C
    • Bass - one on Bass C

This potential setup will challenge each player at their current level of development while creating the context for a moving experience with a major orchestral work. 


A Note about the Score and Printing

The full score is designed to be printed in portrait orientation on 17x11 tabloid size paper. Even at this size, the score can be confusing to read, especially if you are not covering every difficulty level part. If you would like a custom score showing only the parts you are using, please email me: conductor@grantgilman.com. I will be happy to work with you!

www.grantgilman.com

www.americanmusepodcast.com 

Scheherazade - I. The Sea and Sinbad's Ship - Pick-A-Part Arrangement for String Orchestra
Orchestre à Cordes

$29.99 28.22 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download

SKU: A0.990570

Composed by Flint Juventino Beppe. Contemporary. Score and parts. 54 pages. The FJB Fingerprint #3030219. Published by The FJB Fingerprint (A0.990570).

Op.66 is dedicated to Sir James Galway, and was first performed in Washington D.C. on the 5th of October 2006 by Galway and the National Symphony Orchestra, conducted by Leonard Slatkin (Alto Flute version).

Version for Flute in C, Op.66b, first performed in 2008 by flutist Judith Hall, harpist Willy Postma and the Pluri_Art Festival Orchestra, conducted by Viacheslav Valeev. UK premiere in 2009 by flutist Emily Beynon, harpist Catherine Beynon and the Philharmonia Orchestra, conducted by Vladimir Ashkenazy.

A piano reduction is also available (Op.66c).

In order to achieve the best results of the use of divisi, it is recommended to have a minimum of string players available:

Violin I - 8 players

Violin II - 8 players

Viola - 6 players

Cello - 5 players

Contrabass - 3 players

Bigger string groups are preferable.

Fermata duration is meant to constitute an addition of half of the duration of the note. E.g. a fermata over a quarter note should have a duration of a quarter note / rest + a eighth note / rest.

«Whilst this is instantly attractive, melodic music, if one looks under the surface one finds so much more. There are many attractive depths to this atmospheric music.» The Classical Reviewer (UK)

Further details: http://www.fjb.space/publishing/flutemusic.html 

NB! The attached audio is the version for Flute in C (Op.66b), performed by Emily Beynon, Catherine Beynon and Philharmonia Orchestra, conducted by Vladimir Ashkenazy. Available on the album Flute Mystery (2L-058-SABD). All rights reserved by the producers Lindberg Lyd AS and Flint Juventino Beppe.


© Flint Juventino Beppe | All rights reserved

Flute Mystery Op.66a (Alto Flute version) Orchestre à Cordes

$127.00 119.48 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download

SKU: A0.990569

Composed by Flint Juventino Beppe. Contemporary. Score and parts. 54 pages. The FJB Fingerprint #3029577. Published by The FJB Fingerprint (A0.990569).

Op.66 is dedicated to Sir James Galway, and was first performed in Washington D.C. on the 5th of October 2006 by Galway and the National Symphony Orchestra, conducted by Leonard Slatkin (Alto Flute version).

Version for Flute in C, Op.66b, first performed in 2008 by flutist Judith Hall, harpist Willy Postma and the Pluri_Art Festival Orchestra, conducted by Viacheslav Valeev. UK premiere in 2009 by flutist Emily Beynon, harpist Catherine Beynon and the Philharmonia Orchestra, conducted by Vladimir Ashkenazy.

A piano reduction is also available (Op.66c).

In order to achieve the best results of the use of divisi, it is recommended to have a minimum of string players available:

Violin I - 8 players

Violin II - 8 players

Viola - 6 players

Cello - 5 players

Contrabass - 3 players

Bigger string groups are preferable.

Fermata duration is meant to constitute an addition of half of the duration of the note. E.g. a fermata over a quarter note should have a duration of a quarter note / rest + a eighth note / rest.

«Whilst this is instantly attractive, melodic music, if one looks under the surface one finds so much more. There are many attractive depths to this atmospheric music.» The Classical Reviewer (UK)


Further details: http://www.fjb.space/publishing/flutemusic.html

NB! The attached audio is performed by Emily Beynon, Catherine Beynon and Philharmonia Orchestra, conducted by Vladimir Ashkenazy. Available on the album Flute Mystery (2L-058-SABD). All rights reserved by the producers Lindberg Lyd AS and Flint Juventino Beppe.

© Flint Juventino Beppe | All rights reserved

Flute Mystery Op.66b Orchestre à Cordes

$127.00 119.48 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download

SKU: A0.998356

Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #3367893. Published by Aaron Fonzi (A0.998356).

    This piece tells the epic story of Hades' abduction of his niece, Persephone. According to the legend, Hades came up through a crack in the ground and snatched the girl while she was playing. In the Underworld, he tried to seduce her in a variety of ways, but to no avail. Finally, Hades is said to have tricked her into staying by offering her a tempting pomegranate. As Persephone ate 6 seeds, she was to stay in the Underworld for six months each year. It is said that while Persphone is in the Underworld, the plants wither and die, and when she comes back to the surface she brings rebirth to growing things.


This piece begins with playful pizzicato lines that build upon each other. These represent Persphone at play, but forebodes the dark forces that are encircling her. When the orchestra goes to arco, Persphone is being dragged into the Underworld. A mournful violin solo signifies her arrival, but this mournful theme is quickly replace by the devious seductions of Hades in the form of a humorous waltz. Finally, Hades offers the pomegranate to Persephone and she eats 6 seeds (represented by the six beats of the B major chord in measures 76 and 77). The main theme then takes over once again, modulating to F# minor to represent Hades' victory.


With relentless energy, catchy ostinati and opportunities to work on shifting, pizzicato and arco throughout, this piece will not dissapoint for audiences and students alike.


A FEW NOTES:


1. I'd recommend rehearsing the rhythms of recurring ostinati together- first pizzicato then arco. You may get creative and incorporate scales with these rhythms. However you do it, it'll be important that each ostinato is played with precision and confidence.


2. Have fun with the waltz section! It's meant to portray the strange, whimsical nature of Hades' attempts to woo Persephone, so the awkwardness in delivery is encouraged!


3. All ritardandos should be exaggerated for the sake of drama.


4. Encourage your drumset player to explore different ways of accompanying the orchestra- the drumset part is a blueprint, not definitive instructions.


5. Be sure to practice shifting into 2nd position for the modulation.


I hope you and your students have a great time putting this epic piece together! I had a ton of fun writing it!


~Aaron Fonzi

The Abduction of Persephone (for String Orchestra)
Orchestre à Cordes

$20.00 18.82 € Orchestre à Cordes PDF SheetMusicPlus






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